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COTON COLLECTION

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Contents: Background History | A. V. Coton - Biographical Note | Review | Obituary | Memorial Service | Ballet Photographs | Ballet Programmes - Performances | Ballet Programmes - Souvenir Items | Books and Periodicals

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Background History

The Coton Collection originated in the personal library of the late Edward Haddakin (1906-1969), the eminent ballet and dance critic who wrote under the name of A.V. Coton. This library, consisting of the books, periodicals, programmes, souvenir items, and photographs collected by Edward Haddakin during his career as a ballet and dance critic from 1938-1968, was donated to Royal Holloway by his wife, Dr. Lillian Haddakin (1914-1982), formerly Senior Lecturer in English at University College, London. The Collection also includes some additional programmes that were donated by Lorraine Williams, a former employee of Westminster Music Library. The complete catalogue of the Collection is held in the Archives at Royal Holloway. The items included on this website are only representative of extracts from the complete catalogue. Enquiries related to the Collection should be sent to archives@rhul.ac.uk

A.V. Coton - Biographical Note

The following biographical note about A.V. Coton is extracted from Writings on Dance, 1938-68, by A. V. Coton, (selected and edited by Kathrine Sorley Walker and Lillian Haddakin and published in London by Dance Books in 1975).

";A. V. COTON (EDWARD HADDAKIN) was born at York on 16 February, 1906; son of a railwayman; of mixed Irish and English extraction. He was educated at St. Michael's College, Leeds. From 1922 to 1924 he was a merchant seaman, and he served in the Metropolitan Police Force from 1925 to 1937, mainly in Bethnal Green. He began writing ballet criticism in 1935 and became a full-time freelance writer in march 1937. He published his first book, A Prejudice for Ballet (Methuen) in 1938; in the same year he married Lillian Turner. He was also active in the organising and management of Antony Tudor's London Ballet, which was launched in 1938; and he worked with Peggy van Praagh and Maude Lloyd when the company was revived in 1939-40. From 1940 to 1945 he served in the Civil Defence (Light Rescue Division) in the City of Westminster, (Light Rescue workers went into action during air raids, rescuing as many still-living persons as they could). After the war he returned to freelance writing, diversified by lecturing (mainly evening courses in the London area) and by radio and television work; he was a founder-member of the London freelance branch of the National Union of Journalists. He published The New Ballet: Kurt Joos and His Work (Denis Dobson) in 1946. From 1943 to 1956 he was London correspondent for the American Dance News. He was best known in journalism as dance critic of The Daily Telegraph, a position he held from 1954 to 1969; but he also acted as assistant drama critic for the same newspaper from 1957, and throughout his career he was deeply interested in drama and the theatre generally. He was part author of Ballet Here and Now, published by Denis Dobson in 1961, and in the same year, President of the Critics' Circle, London. He travelled extensively in Europe and North America for the purpose of seeing ballet and other forms of dance, in performance and in teaching; he visited the U.S.S.R. in 1960. He died of cancer on 7 July, 1969."

Review

The following review of Coton’s Writings on Dance was published by C. W. Beaumont in the Daily Telegraph on 15 January 1976:

“Connoisseur of Dance

Writings on Dance, 1938-1968. By A.V. Coton. Selected and Edited by Kathrine Sorley Walker and Lillian Haddakin. (Dance Books. £6; paperback £3)

These collected extracts chosen to represent the late A. V. Coton’s activities as dance critic have been drawn mainly from the Dance Chronicle (an occasional periodical which he wrote, typed, duplicated, published and distributed himself), three books – “A Prejudice for Ballet,” “Ballet Here and Now” and, “The New Ballet”- and notices he contributed to The DailyTelegraph from 1954 until his death in 1969.

His career began with two years in the Merchant navy, followed by 12 years in the Metropolitan Police Force. One summer evening in 1926 he visited His Majesty's Theatre and had his first sight of the Diaghilev Ballet. The impact was such that he repeated his visit ten times. Henceforth, ballet, or rather dance theatre, became his prime interest. He set himself the task of learning all he could about that composite art: idea, choreography, music, décor, costume, and dancing. His curiosity was insatiable, not only did he study the history of ballet and the achievements of choreographers, he wanted details of ballet administration, knowledge of which he used when invited to become the business manager of the London Ballet.

Coton was one of the earliest, if not the earliest, English critic to extend his coverage of events to Europe, and later, America and even Russia. He maintained his view that each ballet should be judged as a whole, and not on one or two of its component parts. He thought that all critics were prejudiced in favour of one type of ballet. His own prejudice would sem to have been the ballet of ideas particularly of social conflict as exemplified by certain works of Martha Graham, Kurt Jooss, and Antony Tudor. Coton had a gift for eliciting the meaning of a ballet, as is shown by his account of Tudor's “Shadowplay” and Ashton's “Les Patineurs”.

The publication of these writings is an important contribution to dance literature, written by one who thought deeply about dance and its infinite possibilities as a means of expression”.

Obituary

The following is the obituary published in the Daily Telegraph, 8 July, 1969:

“A. V. COTON, ballet critic

Mr. A. V. Coton, ballet critic of The Daily Telegraph since 1954, who has died, aged 63, was not only knowledgeable in every branch of his specialist subject, but the broad range of his career and experience gave a very individual quality to his criticism.

A Yorkshireman, born Edward Haddakin, he adopted the pen-name of A. V. Coton in 1935 when he began working as a critic. On leaving school he went into the Merchant Navy. Then in the 1930s he joined the Metropolitan Police, working in the East End of London. He had always been fascinated by the theatre. At different times he was an actor, stage manager and drama critic. When his specific interest in it became channelled into ballet, largely through his admiration for the work of Kurt Jooss and Antony Tudor, he devoted his tremendous energies unstintingly to the task of organising and managing the London Ballet at Toynee Hall in 1938-39 and at the Arts Theatre in 1939-40.

He published his first book, "A Prejudice for Ballet," in 1938. Later he was ballet critic of the Sunday Times, and acted as London correspondent for Dance News, New York, from 1943 to 1956. As he travelled widely and took the keenest interest in every stratum of dance activity, his judgment and complete integrity of approach became respected throughout the profession and the world. His critical function was extended to include lectures, broadcasts and television appearances. His thought and care always put ballet first and personal success nowhere. A. V. Coton had strongly puritan views on the ethics and standards involved in criticism and a tremendous appetite for life and work.

A manner at tines formidably brusque and forthright was balanced by an invincible kindness and generosity of action whenever - and this was often - his heart was touched by some human problem.

He married Lillian Turner in 1938.”

Memorial Service

The following report of the memorial service for A.V. Coton at St Brides, Fleet Street, was published in the Daily Telegraph on the 27^th September, 1969

“Mr E. Haddakin (A.V. Coton)

A memorial service for Mr Edward Haddakin (A. V. Coton) was held yesterday at St Brides, Fleet Street. The Rev Dewi Morgan officiated. Mr Oleg Kerensky read the Lesson and Mr Martin Cooper, chief music critic of The Daily telegraph, gave the Address. Among the congregation were:

Mrs Haddakin (widow), Mr Oliver Marston (brother-in-law), Mr and Mrs F.Y. Thompson, Mr and Mrs Norman Srapnel, Dr Cecily de Monchaux and Dr Hilda Hulme.

Dame Marie Rambert. Sir Frederick Ashton, Director, representing the Royal Ballet, with John Field, Assistant Director; Mr Maurice Green, Editor of The Daily Telegraph, Mr H.J.C. Stevens, Secretary; Mr R.S.Thackeray, also representing the Editor of The Sunday Telegraph, Mr B.R. Roberts; Mr Ronald Hastings, Theatre Correspondent, The Daily Telegraph. Mr Patrick Morran. Mr. W. A. Darlington. Mr Cyril Beaumont. Miss Monica Mason. Mr Michael Wood, Director, representing Royal Ballet School. Mr John Tooley, Assistant General Administrator, Royal Opera House, Covent Garden, and representatives of the Vic-Wells Association, Scottish Theatre Ballet, Harlow Ballet Club, Elmhurst Ballet School, Actors' Church Union and City of London College, together with other Fleet Street colleagues.and friends.”

Ballet Photographs

Aage Poulsen and Inge Olafsen in "Garden Party". [PP/103/4]

Aage Poulsen in "La fille mal gardee". [PP/103/1]

Adeline Plunkett in the "Peri". Lithograph by T.H. Maguire. [PP/103/74]

Alexandra Dunilova in Massine's "Boutique Fantasque'. [PP/103/76]

Alicia Markova in Act II of "Giselle". [PP/103/70]

Anna Laerkesen. [PP/103/143]

Anna Pavlova. [PP/103/71]

Antony Tudor. [PP/103/161]

Antony Tudor in "The Descent of Hebe" . [PP/103/156]

Aurora Bosch of Cuba. Ist prize and gold medal. Partner Azari Plisetski. 3rd International Ballet Competition. [PP/103/98]

Batsheva Dance Company. [PP/103/116]

Batsheva Dance Company. [PP/103/115]

Batsheva Dance Company. "Rehearsal!". Choreography: Norman Morrice. Music: Revueltas-Moncayo. [PP/103/110]

Beryl Grey. [PP/103/92]

Beryl Grey. [PP/103/91]

"Bolero" by Sigurd Leeder. [PP/103/104]

Brunilda Ruiz and Lawrence Rhodes . [PP/103/34]

C. Selling and Mariane Orlando in "Giselle". Royal Swedish Ballet. [PP/103/140]

Carlotta Grisi in the "Peri" at the Theatre Royal, Drury Lane, September 30, 1883. Lithograph. [PP/103/73]

Carmina Burana. [PP/103/118]

Catharina Erieson and Ulf Gadd in "Medan Spindeln Sov". . [PP/103/144]

Chkalova and Lapauri. Moscow Ballet. [PP/103/214 ]

Chkalova and Sergei Koren. Moscow Ballet. [PP/103/215 ]

Chkalova and Ydanov. Moscow Ballet. [PP/103/218]

Colette Marchand of the Ballets de Paris in "Cine-Bijou". [PP/103/69]

Conny Borg and Berit Skold in "Swan Lake". Royal Swedish Ballet. [PP/103/134]

Conny Borg and Mariane Orlando in "Eldpelaren". Royal Swedish Ballet . [PP/103/142]

Daphne Dayle . [PP/103/30]

"Dark Elegies". The London Ballet. [PP/103/163]

"Dark Elegies" by Antony Tudor. [PP/103/151]

"Dark Elegies" by Antony Tudor. [PP/103/164]

"Dark Elegies" by Antony Tudor. [PP/103/166]

"Dark Elegies" by Antony Tudor. [PP/103/165]

"Dark Elegies" by Antony Tudor. [PP/103/152]

Darrell and Favre in "Elegy". Western Theatre Ballet Ltd.. [PP/103/122]

"The Descent of Hebe". [PP/103/155]

Ehud Ben-David in "Shorebourne". Choreography: Pearl Lang. Music: Vivaldi. Batsheva Dance Company. . [PP/103/112]

"Ekon an Trumpeter". Royal Swedish Ballet. . [PP/103/137]

"Ekon an Trumpeter". Royal Swedith Ballet. . [PP/103/135]

Elisabeth Schooling and Antony Tudor in "The Descent of Hebe". . [PP/103/159]

Elisabeth Schooling and Therese Langfield in "The Judgment of Paris". [PP/103/162]

Elisabeth Schooling in "The Descent of Hebe" . [PP/103/160]

Elisabeth Schoolong and Antony Tudor in "The Descent of Hebe" . [PP/103/158]

Elisabeth Schoolong and Hugh Laing in "The Descent of Hebe" . [PP/103/157]

Elizabeth Carroll and Finis Jhvng . [PP/103/31]

Erik Bruhn. Ballet Seminar . [PP/103/145]

Erik Bruhn and Anna Laerkesen in "Garden Party". [PP/103/5]

Erik Bruhn and Anna Laerkesen in "Garden Party". [PP/103/6]

Farmaniantz. Bolshoi Ballet. [PP/103/195 ]

Fredbjorn Bjornsson in "Four Temperaments". [PP/103/9]

G. Farmaniantz in "The Red Poppy". Moscow Ballet. [PP/103/216]

Galina Ulanava as "Mariall in "The, Fountain of Bakhchisarai" . [PP/103/28]

Galina Ulanova. [PP/103/16]

Galina Ulanova and A.Lapauri in "The Red Poppy". [PP/103/23]

Galina Ulanova and Vladimir Preobrazhensky in "Cinderella" by Prokofieff . [PP/103/24]

Galina Ulanova and Yuri Zhadnov in "Romeo and Juliet". [PP/103/19]

Galina Ulanova and Yuri Zhadnov in "Romeo and Juliet". [PP/103/21]

Galina Ulanova and Yuri Zhadnov in "Romeo and Juliet". [PP/103/20]

Galina Ulanova and Yuri Zhadnov in "Romeo and Juliet". [PP/103/22]

Galina Ulanova dancing part in "Romeo and Juliet" with Ydanoff. [PP/103/18]

Galina Ulanova dancing part in "Romeo and Juliet" withYdanoff. [PP/103/17]

Galya Gat and Yaakov Sharir in "Adam and Eve". Choreography: Oshra Elkayam. Music: Heitor Villa-Lobos. Batsheva Dance Company. . [PP/103/111]

Garta Drotuezova of Czechoslavakia. Gold medal and Ist prize. Partner, Tarmiz Petrik. 3rd International Ballet Competition. [PP/103/99]

Gilles Platfues, maitre de danse at the Academie des Lourdeaux. Engraving. J. Bonnart. [PP/103/148]

Henry Gissey (attributed to). Design for a dancer in a ballet de cour. Coloured drawing. 1660. [PP/103/150]

Jacques Patin. Le Ballet Comique de la Reine, 1581. Etching, 1582. [PP/103/149]

Jane Dudley. Artistic Director, Barsheva Dance Company . [PP/103/113]

"Jardin aux Lilas". Original principals: Maude Lloyd, Peggy van Praagh, Hugh Laing, Antony Tudor. [PP/103/154]

"Jardin aux Lilas". Original principals: Maude Lloyd, Peggy van Praagh, Hugh Laing, Antony Tudor. [PP/103/153]

Jorn Madsen in "La fille mal gardee". [PP/103/3]

"Judgement of Paris" by Antony Tudor. [PP/103/167]

Kondrateva and Fadayecher. Bolshoi Ballet. [PP/103/198]

"Le Renard". Nederlands Dans Theater.. [PP/103/129]

"Le Renard'. Nederlands Dans Theater . [PP/103/130]

Leo Kersley in "Mars" from "The Planets". [PP/103/77]

Leo Kersley in "The Planets". [PP/103/78]

Leonide Massine in "The Red Shoes". [PP/103/75]

Linda Hodes in "Side Show". Batsheva Dance Company . [PP/103/114]

The London Ballet. [PP/103/246]

The London Ballet. [PP/103/249]

The London Ballet. [PP/103/247]

The London Ballet. [PP/103/235]

The London Ballet. [PP/103/227]

The London Ballet. [PP/103/225]

The London Ballet. [PP/103/248]

The London Ballet. [PP/103/250]

The London Ballet. [PP/103/234]

The London Ballet. [PP/103/226]

The London Ballet. [PP/103/239]

The London Ballet. [PP/103/238]

The London Ballet. [PP/103/231]

The London Ballet. [PP/103/224]

The London Ballet. [PP/103/230]

The London Ballet. [PP/103/244]

The London Ballet. [PP/103/237]

The London Ballet. [PP/103/229]

The London Ballet. [PP/103/233]

The London Ballet. [PP/103/236]

The London Ballet. [PP/103/245]

The London Ballet. [PP/103/223]

The London Ballet. [PP/103/240]

The London Ballet. [PP/103/232]

The London Ballet. [PP/103/241]

The London Ballet. [PP/103/228]

The London Ballet. [PP/103/242]

The London Ballet. [PP/103/245a]

The London Ballet. [PP/103/243]

Loulou Portefaix, Verner Vlavsen, Annette Wiedershein-Paul in "Medan Spindeln Sov" . [PP/103/147]

Ludmila Mlada . [PP/103/48]

Ludmila Mlada . [PP/103/49]

Ludmila Mlada in "Dance Suite". [PP/103/53]

Ludmila Mlada in "Dance Suite". [PP/103/52]

Ludmila Mlada in "Figura Tragica" . [PP/103/50]

Ludmila Mlada in "Lucifer" . [PP/103/51]

"Lysistrata". [PP/103/101]

""Lysistrata"". [PP/103/103]

"Lysistrata". [PP/103/100]

"Lysistrata". [PP/103/102]

M. Lloyd, F. Staff and D. Dering in "Venus" of "The Planets". [PP/103/83]

M. Lloyd in "Neptune" of "The Planets". [PP/103/81a]

M. Lloyd in "Neptune" of "The Planets". [PP/103/80]

M. Lloyd in "Neptune" of "The Planets". [PP/103/81]

Maggie Lorraine, The Ballet Rambert Company. [PP/103/87]

Mansieva Svetlava. [PP/103/179]

Margaret Mercer . [PP/103/33]

Margarethe Schanne and Frank Schaufuss in "Virgin Spring". [PP/103/7]

Margarethe Schanne and Frank Schaufuss in "Virgin Spring". [PP/103/8]

Margot Werner (guest) as Lilac Fairy and Erich Zschach as Prince Florimund in "Sleeping Beauty". Choreography: Alan Carter. Scene: Act II. Wuppertal Ballet. . [PP/103/128]

Marian Sarstadt. [PP/103/120]

Mariane Orlandi in "Giselle". Royal Swedish Ballet. . [PP/103/139]

Mariane Orlando . [PP/103/38]

Mariane Orlando . [PP/103/40]

Mariane Orlando and Svante Lindberg in "Ekon an Trumpeter". Royal Swedish Ballet. [PP/103/136]

Mariane Orlando and Verner Klarsen in "Eldpelaren". Royal Swedish Ballet . [PP/103/141]

Mariane Orlando in "Aniara", an opera by Karl-Binger Blomdahl . Choreography by Birgit Akesson . [PP/103/45]

Mariane Orlando in "Giselle" . [PP/103/37]

Mariane Orlando in "Lady from the Sea" . [PP/103/39]

Mariane Orlando in "Medea" . [PP/103/44]

Mariane Orlando in "Moon Reindeer" . [PP/103/43]

Mariane Orlando in "Romeo and Juliet" . [PP/103/41a]

Mariane Orlando in "Sacre du Printemps". [PP/103/46]

Mariane Orlando in "Sisyphvs". Choreography by Birgit Akesson . [PP/103/42]

Mariane Orlando in the "Firebird" . [PP/103/47]

Mariane Orlando in "The Stoneflower" . [PP/103/41]

Marie Rambert, D.B.E. Founder and Director, The Ballet Rambert Company. [PP/103/85]

Marina Kondratieva in "Cinderella". Moscow Ballet. [PP/103/221]

Marina Nikolaevna Tshamtcheva. [PP/103/93]

Marina Nikolaevna Tshamtcheva. International Ballet Seminar, 1964. [PP/103/94]

Marina Nikolaevna Tshamtcheva. International Ballet Seminar, 1964. [PP/103/95]

Mariu Stefanescu of Roumania. Ist prize and gold medal. Partner Rosemarie Bot. Third International Ballet Competition. [PP/103/97]

Marjan Jagust as Carabosse in "Sleeping Beauty". Choreography: Alan Carter Scene: Prologue. Wuppertal Ballet. . [PP/103/127]

Marjorie Tallchief . [PP/103/35]

Marjorie Tallchief . [PP/103/36]

"Mars" of "The Planets". [PP/103/79]

Masami Kuni. [PP/103/63]

Masami Kuni. [PP/103/62]

Masami Kuni. [PP/103/55]

Masami Kuni. [PP/103/58]

Masami Kuni. [PP/103/54]

Masami Kuni. [PP/103/65]

Masami Kuni. [PP/103/56]

Masami Kuni. [PP/103/64]

Masami Kuni. [PP/103/57]

Masami Kuni. [PP/103/61]

Masami Kuni in "Holiday of God". [PP/103/59]

Masami Kuni's dancing school in Tokyo. [PP/103/60]

Maude Lloyd, Frank Staff and Deborah Dering in "Venus" of "The Planets". [PP/103/84]

Maximova. [PP/103/172]

Maximova. [PP/103/171]

Maximova and Vassiliev in "The Stone Flower". Moscow Ballet. [PP/103/205]

Maximova and Vassiliev in "The Stone Flower". Moscow Ballet. [PP/103/204]

Maya Plisetskaya and P. Gusev in "The Fountain of Bakhchisarai" . [PP/103/27]

Maya Plisetskaya and V. Preobrazhensky in "Swan Lake" . [PP/103/26]

Maya Plisetskaya in "The Dying Swan" by Saint-Saens . [PP/103/25]

Members of the Jury of the 3rd International Ballet Competition. [PP/103/96]

"Metaforen". Nederlands Dans Theater. [PP/103/132]

"Metaforen". Nederlands Dans Theater . [PP/103/131]

Miss Beishenaliva as "Mari" and Nurdin Tugelov as "Vatslav" in "The Fountain of Bakhchisarai". [PP/103/29]

"Mods and Rockers". Western Theatre Ballet Ltd . [PP/103/123]

Moira Shearer in Act I of "The Sleeping Beauty". [PP/103/72]

Monika Knapp as Aurora in "Sleeping Beauty". Choreography: Alan Carter. Scene: Act 1. Wuppertal Ballet. [PP/103/125]

Natalia Pozdnyakova. [PP/103/178]

"Neptune". "The Planets". [PP/103/82]

Nicolas Polajenko . [PP/103/32]

Niels Kehlet and Marianne Walther in "Tropismer". [PP/103/10]

Noelle de Mosa and Hans Zullig. [PP/103/169]

"Non Stop". Western Theatre Ballet Ltd. [PP/103/124]

Norman Morrice. Principal Choreographer, The Ballet Rambert Company. [PP/103/86]

Olga Lepeshinskaya and Yuri Kondratov. [PP/103/202]

Olga Lepeshinskaya and Yuri Kondratov. Moscow Ballet. [PP/103/203]

Olga Lepeshinskaya. Moscow Ballet. [PP/103/211]

"Partita". Nederlands Dans Theater . [PP/103/133]

Plisetskaya and Fadaycher in "Spartacus". Moscow Ballet. [PP/103/217]

Plisetskaya and Kondratov in "Laurencia". Moscow Ballet. [PP/103/222]

Plisetskaya in "Spartacus". Bolshoi Ballet. [PP/103/193]

Rena Gluck and Moshe Romano in "Rehearsal!". Choreography: Norman Morrice. Music: Revueltas-Moncayo. Batsheva Dance Company.. [PP/103/109]

Richard Wolf, Jacques de Lisle, Annette Wiedersheim-Paul, Mario Mengarelli in "Ekon an Trumpeter". Royal Swedish Ballet. World Premiere, 28.9.63 . [PP/103/138]

Rina Schenfeld and Moshe Efrati in "Errand into Maze". Choreography: Martha Graham. Music: Gian Carlo Menotti, Batsheva Dance Company (Israel). [PP/103/106]

Rina Schenfeld in "The Mythical Hunters". Choreography: Glen Tetley. Music: Oedoen Partos. Batsheva Dance Conipany. . [PP/103/107]

Rina Schenfield. Batsheva Dance Company.. [PP/103/108]

"Romeo and Juliet". USSR. [PP/103/190]

"Romeo and Juliet". USSR. [PP/103/189]

"Romeo and Juliet". USSR. [PP/103/191]

Rudolph Nureyev in "Le Corsaire". [PP/103/89]

Ryabybkina (centre). [PP/103/176]

Ryabynkina. [PP/103/174]

Ryabynkina. [PP/103/173]

Ryabynkina. Bolshoi Ballet. [PP/103/194]

Ryabynkina (centre). [PP/103/175]

Ryabynkina with teacher Vassilieva. [PP/103/177]

"Septet". [PP/103/117]

Sibley and Dowell. [PP/103/88]

Sigurd Leeder School of Dance. [PP/103/105]

Sir Frederick Ashton talking to Rudolph Nureyev ("Le Corsaire") . [PP/103/90]

"Sleeping Beauty". Choreography: Alan Carter. Scene: Prologue. Fairies and Cavaliers. Wuppertal Ballet. [PP/103/126]

"Soiree Musicale". [PP/103/168]

Solveig Ostergaard as Lise in "La fille mal gardee". [PP/103/2]

Soviet 2/3 Class. [PP/103/181]

Soviet 7th Class. [PP/103/182]

Soviet 9th Class. [PP/103/184]

Soviet 9th Class. [PP/103/188]

Soviet 9th Class. [PP/103/187]

Soviet 9th Class. Graduating group. [PP/103/185]

Soviet 9th Class - double work exam. [PP/103/183]

Soviet 9th Class - graduating examination. [PP/103/186]

Soviet lst Class. [PP/103/180]

Struchkova and Fardayecher in "Giselle". Bolshoi Ballet. [PP/103/196]

Struchkova and Sekh in "Gayaneh". Moscow Ballet. [PP/103/208]

Struchkova and Sekh in "Gayaneh". Moscow Ballet. [PP/103/209]

Struchkova. Bolshoi Ballet. [PP/1031197]

Svetlana Beriosova of Sadler's Wells Ballet as the "Young Wife" in "Don Juan". [PP/103/66]

"Symphony in three movements". [PP/103/121]

Tanaguil le Clercq. New York City Ballet Company. [PP/103/170]

Tikhomirnova and Lediakh in "Cinderella". Moscow Ballet. [PP/103/220]

Tikhomirnova and Lediakh in "Cinderella". Moscow Ballet. [PP/103/219]

Timofeyeva in "The Stone Flower". Moscow Ballet. [PP/103/207]

Timofeyeva in "The Stone Flower". Moscow Ballet. [PP/103/206]

"Tropismer". [PP/103/14]

"Tropismer". [PP/103/15]

"Tropismer". [PP/103/13]

"Tropismer". [PP/103/11]

"Tropismer". [PP/103/12]

Tuchnina and Andrianov. [PP/103/210]

Ulanova and Fadayecher. Bolshoi Ballet. [PP/103/199]

Ulanova and Lapauri. Moscow Ballet. [PP/103/213]

Ulanova and Ydanov in "Giselle". Bolshoi Ballet. [PP/103/200]

Ulanova and Ydanov in "Romeo and Juliet". Bolshoi Ballet. [PP/103/201]

Ulanova and Ydanov. Moscow Ballet. [PP/103/212]

Vaslav Nijinsky. [PP/103/192]

Violetta Elvin of Sadler's Wells Ballet in Act III of "Cinderella". [PP/103/67]

Violetta Elvin of Sadler's Wells Ballet in Act III of "Cinderella". [PP/103/68]

Willy de la Bye, Charles Czarny in "Madrigalesco". [PP/103/119]

Yvonne Sjoberg, Hervor Sjostrand, Annette Wiedersheim-Paul in "Oktett" . [PP/103/146]

Ballet Programmes

Performance Programmes

• Albion Operas
• Alvin Ailey American Dance Theater
• American Ballet Theatre
• American Dance Company
• American Dance Drama Company
• American National Ballet Theatre
• Amsterdams Ballet
• Anglo-Polish Ballet
• Arts Theatre Ballet
• Asian Music Circle
• Association of Ballet Clubs
• Australian Ballet
• Azumi Kabuki Dancers and Musicians
• Ballet Club
• Ballet Group
• Ballet Guild
• Ballet de la Jeunesse Anglais
• Ballets Joos
• Ballets Minerva
• Ballet Rambert
• Ballet Rambert and London Ballet
• Ballets Russes (Col. W. de Basil)
• Ballet Theatre
• Ballets Trois Arts
• Bolshoi Ballet
• Canadian National Ballet
• International Ballet
• Kirov Ballet
• London Ballet(1937-40;  formed by Antony Tudor)
• London Ballet(1961-62;  formed by Walter Gore)
• London Dance Theatre
• London's Festival Ballet
• Martha Graham Dance Company
• New York City Ballet
• Opera Circle
• Ottawa Ballet Company
• Royal Ballet
• Royal Danish Ballet
• Sadler's Wells Ballet
• Sadler's Wells Opera Ballet
• Vic-Wells Ballet
• Western Theatre Ballet

Albion Operas

Strand Theatre, London.
4th May, 1942. .
Offenbach's Tales of Hoffmann, a fantastical opera-ballet.
[Performance Programames: Albion Operas. Box AA]

Strand Theatre, London.
2nd March, 1942. .
Offenbach's Tales of Hoffmann, a fantastical opera-ballet.
[Performance Programames: Albion Operas. Box AA]

Alvin Ailey American Dance Theater

Shaftesbury Theatre.
5 October, 1964.
Been here and gone. c. Alvin Ailey, cos. Ves Harper; Fragments of jazz. c. Alvin Ailey, cos. Ves Harper,m. Duke Ellington; Variations. c. James Truitte, m. John Wilson; Roots of the blues. c. Alvin Ailey. cos. Ves Harper. Revelations. c. Alvin Ailey, cos. Ves Harper.
[Performance Programames: Alvin Ailey American Dance Theater. Box AAA]

Church Hill Theatre.
26 August, 1968.
Programme 1: Toccata c.Talley Beatty m. Dizzy Gillespie; Reflections in Dc. Alvin Ailey m. DukeEllington;Icarus c. Lucas Hoving m. Shin-ichi Matsushita; Black District c. Talley Beatty cos Edward Burm. DukeEllington; Revelations c. Alvin Ailey cos. Ves Harper.
[Performance programmes: Alvin Ailey American Dance Theater. Box AAA]

American Ballet Theatre

New York State Theater
29 January, 1966.
Peter and the wolf. Music by Serge Prokifieff. Choreography by Adolph Bolm.
restaged by Dimitri Romanoff. Lighting by Nananne Porcher.
Giselle. Music by Adolphe Adam. Orchestrated by Richard Arnell. Book: Saint-Georges, Gautier, and Coralli. A new production by David Ellis. Original choreography: Coralli, Perrot and Petipa. Reproduced by Joyce Graeme. Scenery and costumes by Peter Farmer.
[Performance programmes:  American Ballet Theatre.  Box ABT]

New York State Theater.
10 April, 1965.
Fall River legend. Ballet by Agnes de Mille. Music by Morton Gould. Scenery by Oliver Smith. Costumes by Miles White. Lighting by Jean Rosenthal.
Pas de deux - The Black swan (Grand Pas de Deux from Act III, "Swan Lake" Choreography aafter Marius Petipa. Music by peter Tchaikovsky.
The Four Marys. Choreography by Agnes de Mille. Music by Trude Rittman. Orchestration by True Rittman and Mordecai Scheinkman. Scenery by Oliver Smith. Costumes by Stanley Simmons. Lighting by Jean Rosenthal.
Les Noces (A Dance-cantata). Music by Igor Stravinsky. Choreography by Jerome Robbins. Set by Oliver Smith. Lighting by Jean Rosenthal. Costumes by Patricia Zipprodt.
[Performance programmes:  American Ballet Theatre.  Box ABT]

New York State Theater.
28 January, 1966.
Giselle. A romantic ballet in two acts by Théophile Gautier on a theme by Heinrich Heine. Choreography by Anton Dolin and Jean Coralli. Staged by Dimitri Romanoff. Music by adolphe Adam. Scenery and costumes by Eugene Berman. Lighting by Jean Rosenthal.
Fancy Free. Choreography by Jerome Robbins. Music by Leonard Bernstein. Scenery by Oliver Smith. Costumes by Ann Roth. Lighting by Nananne Porcher.
[Performance programmes:  American Ballet Theatre.  Box ABT]

New York State Theater.
29 January, 1966.
The Combat. Choreography by William Dollar. Music by Raffaelo de Banfield. Scenery and costumes by George Wahkevitch. Lighting by Jean Rosenthal.
La Sylphide. Choreography by Harald Lander after August Bournonville. Music arranged and composed by Edgar Cosma after Loewenskjold. Decor and costumes by Rober O'Hearn. Staging by Harald Lander. Costumes executed by Grace Costumes. Lighting by Nananne Porcher.
[Performance programmes:  American Ballet Theatre.  Box ABT]

Royal Opera House, Covent Garden.
31 August, 1956.
Pas des deesses. Music by John Field. Ballet by Robert Joffrey. Adapted by John Wilson.
Rodeo. Music by Aaron Copland. Ballet by Agnes de Mille. Scenery by Oliver Smith.
costumes by Saul Bolasni.
A Street car named desire. Music by Aaron Copland. Ballet by Agnes de Mille. Scenery by Oliver Smith.
costumes by Saul Bolasni.
Theme and variations. Music by Tchaikowsky (Theme and variations from "Suite No.3 for Orchestra"). Ballet by George Balanchine. Scenery and costumes by Woodman Thompson.
[Performance programmes:  American Ballet Theatre.  Box ABT]

Royal Opera House, Covent Garden.
23 August, 1956.
Giselle. Choreography after Jean Coralli. Scenario by Theophile Gautier on a theme by Heinrich Heine. Music by Adolphe Adam, orchestrated by Harold Byrns. Scenery and costumes by Eugene Berman.
Three virgins and a devil. Ballet in one act by Ramon Reed. Music by Ottorino Respighi. Choreography by Agnes de Mille. Costumes by Motley. Scenery by Arne Lundborg after sketches by Miss Harris.
Interplay. Ballet by Jerome Robbins. Music by Morton Gould. Scenery by Oliver Smith. Costumes by Irene Sharaff.
[Performance programmes:  American Ballet Theatre.  Box ABT]

American Dance Company

Cambridge Arts Theatre.
1st October, 1962. .
Always Pierrot; Haunted moments; Portrait of a summer Sunday m. Ann Sternberg; Diamond backs; Facades m. Ann Sternberg; How it all started m. Ann Sternberg; Time marches on; Where it's come to now.
[Performance programmes: American Dance Company. Box ADC]

American Dance Drama Company

Lamda Theatre Club, Logan Place, Earls Court Road, London.
28th March [cancelled], 1965. .
Dreams c. Emily Frankel m. Rolf Barnes, Harold Farberman, Stanley Silverman; Diamond Backs c. Sophie Maslow m. jazz miscellany.
[Performance programmes: American Dance Drama Company. Box ADDC] Lamda Theatre Club, Logan Place ,Earls Court Road, London.
7th March, 1965. .
Still point c. Todd Bolender m. Debusssy Quartet; Haunted moments c. Emily Frankel sound effects Peter Bartok; Knoxville:summer of 1915 c. Emily Frankel m. Samuel Barber; Portrait of a summer sunday c. Emily Frankel m. Ann Sternberg; Romeo and Juliet c. Todd Bolender m. Tchaikovsky.
[Performance programmes: American Dance Drama Company. Box ADDC]

American National Ballet Theatre

Royal Opera House, Covent Garden.
13 July, 1953.
Les Sylphides. Music by Frederic Chopin. Orchestrated by Benjamin Britten. Scenery by Eugene Dunkel after Jean Corot.
Aleko. Music by Tchaikowsky. Orchestrated by Erno Rapee. Ballet by Leonide Massine and Marc Chagall, inspired by Pushkin's poem "Gypsies". Choreography by Leonide Massine. Scenery and costumes by Marc Chagall; artistic collaboration by Henry Clifford.
Fancy free. Music by Leonard Bernstein. Ballet by Jerome Robbins. Choreography by Jerome Robbins. Scenery designed by Oliver Smith; costumes designed by Kermit Love.
Theme and variations. Music by Tchaikowsky (Theme and variations from "Suite No.3 for Orchestra"). Ballet by George Balanchine. Scenery and costumes by Woodman Thompson .
[Performance programmes:  American National Ballet Theatre.  Box ANBT]

Royal Opera House, Covent Garden.
6 August, 1953.
Designs with strings. Ballet by John taras. Music by Tchaikovsky ("Trio in A Minor", second Movement). Costumes by Irene Sharaff.
La Fille mal gardée. Ballet by Jean Dauberval. Music by Wilhelm Hertel. Choreography after Bronislava Nijinska by Dimitri Romanoff. Scenery and costumes by Serge Soudeikine.
Caprichos. Ballet in four episodes by Herbert Ross based on Goya's commentaries to his "Caprichos" etchings. Music by Bela Bartok ("Contrasts for Pinao, Clarinet, and Violin"). Costumes by Helene Pons.
Theme and variations. Ballet by George Balanchine. Music by Tchaikowsky (Theme and variations from "Suite No.3 for Orchestra"). Scenery and costumes by Woodman Thompson .
[Performance programmes: American National Ballet Theatre. Box ANBT]

Royal Opera House, Covent Garden.
28 August, 1950.
Theme and variations. Choreography by George Balanchine. Music by Tchaikowsky: Theme and Variations from Third Suite. Scenery and costumes by Woodman Thompson.
Pillar of fire. Choreography by Antony Tudor. Music by Arnold Schoenberg: Verklaerte Nacht. Scenery and costumes by Jo Mielziner.
Pas de deux. Bluebird and the Princess (Grand Pas de Deux from Act III of "The Sleeping Princess"). Choreography after Petipa. Music by Tchaikovsky.
Rodeo or The Courting at Burnt Branch. By Agnes de Mille. Music by Aaron Copland. Scenery by Oliver Smith. Costumes by Saul Bolasni .
[Performance programmes: American National Ballet Theatre. Box ANBT]

Amsterdams Ballet

Stadsschouwburg te Amsterdam.
13th August, 1960. .
Het zwanenmeer (2e acte) c.Lev Ivanov m. Peter Tchaikowsky; Glazen muren c. Robert Kaesen cos. Roger Chailloux m Hamilton en Kenton; De gouden appel c.Keith Lester cos. Leslie Rowland m. Cesare Pugni; pas de deux L'oiseau bleu c. Marinus Petipa m. Peter Tchaikovsky; Coppelia (2e acte) c. Lev Ivanov m. Leo Delibes.
[Performance programmes: Het Amsterdam Ballet. Box AO]

Anglo-Polish Ballet

Apollo Theatre.
December, 1944.
"Les Sylphides". Music by Frederick Chopin. Choreography by M. Fokine. Orchestration by Roy Douglas. Decor by Stanislaw Wegrzyn.
"Divertissement" [The Polish hussar. Music arranged by W. Launitz: The Espagnole. Music by Albeniz: Satire espagnole. Music by Albeniz: Schubertiana. Music by Schubert: Blue bird. Music by Tchakovsky: "Maciek is dead" (Umarl Maciek umarl). Music arranged by Tomasz Glinski. Choreography by Cr. Konarski. Decor bt Stanislaw Wegrzyn].
"Cracow wedding" (Wesele Krakowskie). Character ballet. Music arranged by Tomasz Glinski. Choreography by Czeslaw Konarski. Setting and costume: Stanislaw Wegrzyn.
[Performance programmes:  Anglo-Polish Ballet.  Box APB]

Piccadilly Theatre.
4 August, 1943.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tschaikovsky. Choreography after Petipa. Decor by Blass. Costumes executed by Grace. M. Kelly.
Chopin concerto ("Polonica"). Choreography by J. Crandall. Music by Chopin. Costumes and decor by B. Leitgeber.
[Performance programmes:  Anglo-Polish Ballet.  Box APB]

Winter Garden Theatre.
3 April, 1943.
Les Sylphides. Music by Chopin. Orchestration by Roy Douglas. Decor by Kirsta. Choreography by M. Fokine. Costumes executed by Grace. M. Kelly - Spectre de la rose. [Music by] Weber.
Pas de trois (from "Cracow wedding").
Grand divertissement ["La fille aux cheveux bleue" - Claude Debussy. "Sylvia" (Variation) - Delibes. "De Rozida". Traditional, arranged by J. Turner. Valse (arranged by Margaret Craske) - Strauss. "Trich-Trach" (arranged by John Regan) - Strauss. "Fee Dragee" - Tchaikovsky. Valse - F. Kreisler. "Espana" (arranged by Oenone Talbot) - Chabrier. "Autumn" (arranged by Euphan MacLaren) - Chaminade].
Umarl Maciek umarl ("Matthew is dead, is dead"). Music by T. Glinski. Choreography by Cr. Konarski. Decor bt St. Wegrzyn.
Pan Twardowski (Polish "Faust"). Ballet in three acts and epilogue. Choreography by Cr. Konarski. Music by V. Launitz. Decor by Kanelba.
[Performance programmes:  Anglo-Polish Ballet.  Box APB]

Arts Theatre Ballet

Arts Theatre.
12 December, 1940.
De Profundis. Ballet by Keith Lester. Music by Chopin- arranged and orchestrated by Leighton Lucas. Décor and costumes by Joseph Carl.
The Glen. Ballet by Keith Lester. Music by Mendelssohn (Symphony No.3 in A minor- "The Scottish"). Costumes and décor by Eleanor Watts.
The Four mountains. Music by Holst. Ballet by Keith Lester. 2nd Movement-Mt. Parnassos.
Swanlake Act 2. Music by Tchaikovsky. Choreography by Ivanov. Costumes and décor by Hugh Stevenson.
(Programme also included: Polka 1845 - Linter. Algerias de Jerez- traditional. La Leçon (après Degas) - Delibes. Polonaise - Tchaikowsky. Pas de Deux (from Swanlake- Act III) - Tchaikovsky. Hercules - Offenbach.  Pas de Deux - Cimarosa. Rush hour- Mordish. Slow movement from Quartette- Borodin).
[Performance programmes:  Arts Theatre Ballet.  Box ATB]

Asian Music Circle

Queen Elizabeth Hall, South Bank, London.
14th June (Temptation) and 22nd June (Rani Shantala), 1967. .
The temptation of Buddha c. U.S. Krishna Rao and Chandrabhaga Devi m. Chandrahas Paigankar; Rani Shantala c. U.S. Krishna Rao and Chandrabhaga Devi.
[Performance Programmes: Asian Music Circle. Box AMC]

Association of Ballet Clubs

Rudolf Steiner Theatre.
23rd May, 1964. .
An evening of ballet : Overture ; The golden age presented by Nina Hubbard Ballet Club c. Nina Hubbard m. Shostakovitch; Gretna Green or Better late than never presented by The Masque Ballet Club c. E>C> Mason m. Guiraud and Hertel; Macedonian oro dance c. Maria Zybina ; Kolo dance from the opera Ero the joker c. Oscar Harmos, cos. Daphne Neech m. Gotovac; Gone is the night presented by the Wimbledon Ballet and Arts Society c. Letty Littlewood cos. Mary Kent Harrison m. Schumann; Legen presented by Lewisham Ballet Theatre Club c. Maria Zybina cos. Paddy Ann Holman m. Weber; Divertissements presented by Wimbledon Ballet and Arts Society c. Letty Littlewood; The magic potion presented by Nina Hubbard BAllet Club c. Nina Hubbard cos. Ursula Scott m Holst .
[Performance programmes: Association of Ballet Clubs. Box ABC].

Australian Ballet

Royal Opera House, Covent Garden.
1st October, 1965. .
Le conservatoire c. Bournonville revised by Poul Gnatt cos. Desmond Digby m. Paulli and Kuhlau; Namouna [c.Gareth Welch] m. Lalo;The dislpay c. Robert Helpman cos. Sidney Nolan m. Malcolm Williamson; Yugen c. Robert Helpman cos. Desmond Heeley m. Yuzo Toyama.
[Performance programmes: Australian Ballet. Box AUB]

Royal Opera House, Covent Garden.
2nd October, 1965. .
Le Conservatoire c. Bournonville revised by Poul Gnatt cos. Desmond Digby m. Paulli and Kuhlau; The display c. Robert Helpman cos. Sidney Nolan m. Malcolm Williamson; Melbourne Cup c. Rex Reid cos. Ann Church.
[Performance programmes: Australian Ballet. Box AUB]

New Victoria Theatre, London.
16th December, 1965. .
Raymonda .
[Performance programmes: Australian Ballet. Box AUB]

Azumi Kabuki Dancers and Musicians

Empire Theatre.
5th September, 1955. .
Kojo; Sambaso; Shakkyo; Dojoji; Fukitori-Tsuma; Taki; Tsuchigumo; Ninin-Wankyu; O-Matsuri no hi.
[Performance programmes: Azuma Kabuki Dancers. Box AZ]

 Royal Opera House Covent Garden.
12th September, 1955. .
Kojo; Sambaso; Shakkyo; Dojoji; Fukitori-Tsuma; Tsuchigumo; Ninin-Wankyu; O-Matsuri No HI.
[Performance programmes: Azuma Kabuki Dancers. Box AZ]

Ballet Club

Mercury Theatre.
13 and 16 March, 1938.
Foyer de danse. Ballet by Frederick Ashton (after Degas). Music by Lord Berners.
The Tartans. Suite of dances by Frank Staff. Music by Boyce.
La Péri. Choreography by Frank Staff. Music by Paul Dukas. Décor by Nadia Benois.
Death and the maiden. (The Andante cantabile from the Quartet in D minor). Choreography and costumes by Andrée Howard. Music by Schubert.
Capriol suite. Dances by Frederick Ashton. Music by Peter Warlock. Costumes by William Chappell .
[Performance Programmes:  Ballet Club.  Box BC]

Mercury Theatre.
29 May, 1938.
Croquis de "Mercure" (Sketches for "Mercury"). Choreography and costumes by Andrée Howard. Music by Satie.
Two gramophone sketches. Music by Shostakovich. (a) The two Igors, arranged by Frank Staff. (b) A la polka, arranged by Andrée Howard.
The Planets. Ballet by Antony Tudor. Music by Gustav Holst. Costumes and setting by Hugh Stevenson.
Death and the maiden. (The Andante cantabile from the Quartet in D minor). Choreography and costumes by Andrée Howard. Music by Schubert.
Capriol suite. Dances by Frederick Ashton. Music by Peter Warlock. Costumes by William Chappell .
[Performance Programmes:  Ballet Club.  Box BC]

Mercury Theatre.
27 February, 2,6, and 9 March, 1938.
Les Sylphides. Ballet by Fokine. Music by Chopin.
The Tartans. Suite of dances by Frank Staff. Music by Boyce.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Costumes and setting by Hugh Stevenson.
Cross gartered. Choreography by Wendy Toye. Music by Frescobaldi. Costumes after Burnacini. Setting by Panmela Bocquet.
Croquis de "Mercure" (Sketches for "Mercury"). Choreography and costumes by Andrée Howard. Music by Satie.
[Performance Programmes:  Ballet Club.  Box BC]

Mercury Theatre.
October (various dates), 1935.
Our Lady's juggler. In two scenes. Ballet, costumes and scenery by Susan Salaman and Andrée Howard. Music by Respighi.
Dances from Aurora's Wedding. Choreography by Petipa. Music by Tchaikowsky.
Les Masques (ou, Changement de Dames). Ballet by Frederick Ashton. Music by Poulenc. Scene and costumes by Sophie Fedorovitch.
[Performance Programmes:  Ballet Club.  Box BC]

Mercury Theatre.
3 and 7 November, 1935.
Capriol suite. Dances by Frederick Ashton. Music by Peter Warlock. Costumes by William Chappell.
A Florentine picture. Groupings by Frederick Ashton. Music by Corelli.
Dances from Aurora's Wedding. Choreography by Petipa. Music by Tchaikowsky.
Les Masques (ou, Changement de Dames). Ballet by Frederick Ashton. Music by Poulenc. Scene and costumes by Sophie Fedorovitch.
[Performance Programmes:  Ballet Club.  Box BC]

Mercury Theatre.
December (various dates), 1935.
The Descent of Hebe. Ballet by Antony Tudor. Music by Ernest Bloch. Costumes and settings by Nadia Benois.
Mermaid. Ballet in four scenes by Andrée Howard and Susan Salaman. Music by Ravel. Costumes by Andrée Howard.
Bar aux Folies-Bergère. Ballet by Ninette de Valois. Music by Chabrier. Costumes and settings by William Chappell.
[Performance Programmes:  Ballet Club.  Box BC]

Mercury Theatre.
November (various dates), 1935.
Capriol suite. Dances by Frederick Ashton. Music by Peter Warlock. Costumes by William Chappell.
A Florentine picture. Groupings by Frederick Ashton. Music by Corelli.
The Rape of the lock. From the poem by Alexander Pope. Choreography, costumes and settings by Andrée Howard. Music by Haydn.
The Planets. Ballet by Antony Tudor. Music by Gustav Holst. Costumes and setting by Hugh Stevenson.
[Performance Programmes:  Ballet Club.  Box BC]

Ballet de la Jeuness Anglaise

Garrick Theatre.
November, 1941.
Derby day (After Frith). Choreography by Catharine Marks. Music by Strauss.
The Weathercock. Music by Chopin. Choreography by Catharine Marks.
Divertissement.
Cherry stones. Music by Iris Greep. Decor and costumes by Babette Stern. Choreography by Catharine Marks.
Cinderella. A fairy tale in three acts. Music by Verdi. Choreography and costumes by Lydia Kyasht, Junr.
Chopiniana.
Romance d'un voyageur. Music by Glazounov. Choreography by Betty Davis.
Ballerina. Concerto No. 1 in E flat major by Liszt. Costumes and decor by Eleanor Watts. Choreography by Lydia Kyasht, Junr.
Sylvia. Music by Leo Delibes. Choreography by Lydia Kyasht, Junr.
Crinoline cameo. Music by Verdi. Choreography by Ailne Phillips.
Pharaoh's vigil. Music from "Aida" by Verdi. Choreography by Lydia Kyasht, Junr.
[Performance programmes: Ballet de la Jeunesse Anglaise. Box BJA]

Whitehall Theatre.
28 September, 1943.
Heraldic. A fantasy on the age of chivalry. Music by Edward Elgar. Decor by Ronald Smythe-Wilson and Irene Coultous. Choreography by Lydia Kyashr Junr.
Divertissement.
Kinderscenen suite. Costumes by Toni del Renzio. Music by Schumann. A three dimensional orchestration in choreographic form. Arranged by Catharine Marks and John Regan.
Katyusha. Choreography by John Regan. Costumes and decor by V. Polunin. (Painted for the Ballet de la Jeunesse Anglaise by the Students of the Slade School).
Casse-Noisette Act II. Music by Tchaikovsky. Choreography by Petipa.
Derby day (After Frith). Choreography by Catharine Marks. Music by Strauss.
Ballerina. Concerto No. 1 in E flat major by Liszt. Choreography by Lydia Kyasht, Junr. Costumes by Eleanor Watts. Decor by Ronald Smythe-Wilson.
St. Bartholomew's eve. August 24th, 1572. The massacre of the Hugenots of Paris, heralded by the tolling of the bells.
Mors et vita. Music by Gounod. Choreography by Lydia Kyasht, Junr.
Marie Antoinette. An impressionistic study. Music by Mozart. Choreography by Catharine Marks. Decor and costumes by Guy Shepherd.
Cinderella. A fairy tale in three acts. Music by Verdi. Choreography and costumes by Lydia Kyasht, Junr. .
[Performance programmes: Ballet de la Jeunesse Anglaise. Box BJA]

Whitehall Theatre.
September, 1943.
Sylvia. Music by Leo Delibes. Choreography by Lydia Kyasht, Junr.
Chopiniana.
Divertissement.
Katyusha. Choreography by John Regan. Costumes and decor by V. Polunin. (Painted for the Ballet de la Jeunesse Anglaise by the Students of the Slade School).
Casse-Noisette Act II. Music by Tchaikovsky. Choreography by Petipa.
Ballerina. Concerto No. 1 in E flat major by Liszt. Choreography by Lydia Kyasht, Junr. Costumes by Eleanor Watts. Decor by Ronald Smythe-Wilson.
St. Bartholomew's eve. August 24th, 1572. The massacre of the Hugenots of Paris, heralded by the tolling of the bells.
Mors et vita. Music by Gounod. Choreography by Lydia Kyasht, Junr.
Marie Antoinette. An impressionistic study. Music by Mozart. Choreography by Catharine Marks. Decor and costumes by Guy Shepherd.
Cinderella. A fairy tale in three acts. Music by Verdi. Choreography and costumes by Lydia Kyasht, Junr.
[Performance programmes: Ballet de la Jeunesse Anglaise. Box BJA]

Whitehall Theatre.
15 September, 1941.
Derby day (After Frith). Choreography by Catharine Marks. Music by Strauss.
Divertissement.
The Weather Cock. Music by Chopin. Choreography by Catharine Marks.
Blue bird. Pas de deux.
Cinderella. A fairy tale in three acts. Music by Verdi. Choreography and costumes by Lydia Kyasht, Junr.
Cherry stones. Music by Iris Greep. Decor and costumes by Babette Stern. Choreography by Catharine Marks.
Chopiniana.
Picnic. Music by Strauss. Choreography by Anne Duse.
Romance d'un voyageur. Music by Glazounov. Choreography by Betty Davis.
Ballerina. Concerto No. 1 in E flat major by Liszt. Costumes and decor by Eleanor Watts. Choreography by Lydia Kyasht, Junr.
Sylvia. Music by Leo Delibes. Choreography by Lydia Kyasht, Junr.
Pastourelle. Music by Poulenc. Choreography by Felicity Adreae.
Crinoline cameo. Music by Verdi. Choreography by Ailne Phillips.
Pharaoh's vigil. Music from "Aida" by Verdi. Choreography by Lydia Kyasht, Junr.
[Performance programmes: Ballet de la Jeunesse Anglaise. Box BJA]

Winter Garden Theatre.
9 March, 1944.
Katyusha. Music traditional. Choreography by John Regan. Costumes and decor designed and painted by V. Polunin and Students of the Slade School.
Cinderella. A fairy tale in three acts. Music by Verdi. Choreography and costumes by Lydia Kyasht, Junr.
Chopiniana. Music by Chopin.
Heraldic. A fantasy on the age of chivalry. Music by Edward Elgar. Choreography by Lydia Kyashr Junr. Decor by Ronald Smythe-Wilson and Irene Coultous. Costumes by Kyril Semeonov.
Divertissement.
Pas de Deux. From Act II of "Le Lac de Cygnes".
[Performance programmes: Ballet de la Jeunesse Anglaise. Box BJA]

Ballet du Theatre National de l'Opera de Paris

Royal Opera House, Covent Garden.
8 October, 1954.
Romeo et Juliette. Music by Piotr Ilich Tchaikovsky. Ballet in one act by Serge Lifar, after the tragedy by William Shakespeare. Choreography by Serge Lifar. Scenery by Moulène.
Prélude á l'après-midi d'un faune. Music by Claude Debussy. Choreography by Serge Lifar. Scenery and costumes after Bakst.
L'Oiseau de feu. Music by Igor Stravinsky. Scenario by Michel Fokine. Choreography and production by Serge Lifar. Scenery and costumes by Wakhevitch .
Guignol et Pandore. Music by André Jolivet. Choreography by Serge Lifar. Scenery and costumes by André Dignimont.
Printemps a Viénne. Music by Franz Schubert (Symphony No. 2 in B flat). Choreography by Harald Lander. Scebery and costumes by Jean-Denis Maillart .
[Performance programmes: Ballet du Théâtre National de l'Opéra de Paris. Box BTN]

Ballet Group

Little Theatre (John Street, Adelphi).
17 February, 1941.
"Pavane pour une infante defunte". Music by Ravel, arranged by Percival Garrett. Choreography, decor and costumes by Pauline Grant.
Divertissements. (a) Harmony in grey and green (after Whistler). Music by Mozart. Choreography by Pauline Grant (b) Serenade for a wealthy widow. Music by Reginald Forsythe. Choreography by Llewellyn David (c) Pastorale. Music by Schubert. Choreography by Peggy Best (d) Hungarian czardas. Music by Kela Bela. Choreography by Derra de Moroda (e) "Can-Can". Music by Strauss.
Les Fantoches. Music by Schumann. Decor and costumes by Elizabeth Agombar. Choreography by Pauline Grant.
[Performance programmes: The Ballet Group. Box BGr]

Little Theatre (John Street, Adelphi).
10 February, 1941.
"Gardone". Music - traditional Neapolitan songs, arranged by Gwendolyn Reiche. Choreography and costumes by Pauline Grant. Decor by Elizabeth Agombar.
Divertissements: (a) "Variation". Music by Rubinstein, arranged by Percival Garrett. Composed by Peggy Best (b) "Black and White Caroline". Music by Elgar, arranged by Percival Garrett (c) "Valse". Music by Strauss.
"A Wedgewood suite". Music by Romagnoli, arranged by Percival Garrett. Decor and costumes by Joan Jefferson-Farjeon. Choreograhy by Pauline Grant.
[Performance programmes: The Ballet Group. Box BGr]

Little Theatre (John Street, Adelphi).
6 March, 1941.
Les Fantoches. Music by Schumann. Decor and costumes by Elizabeth Agombar. Choreography by Pauline Grant.
Divertissements: (a) "Shelter sketch". Music by Conlo. Choreography by Maria Britnieva (b) "Black and White Caroline". Music by Elgar, arranged by Percival Garrett (c) Harmony in grey and green (after Whistler). Music by Mozart. Choreography by Pauline Grant.
"Legend of the Garabancias". Traditional Hungarian musi. Choreography and costumes by Pauline Grant. Decor by Elizabeth Agombar .
[Performance programmes: The Ballet Group. Box BGr]

Little Theatre (John Street, Adelphi).
13 February, 1941.
"Pavane pour une infante defunte". Music by Ravel, arranged by Percival Garrett. Choreography, decor and costumes by Pauline Grant.
Divertissements: (a) Harmony in grey and green (after Whistler). Music by Mozart. Choreography by Pauline Grant (b) Serenade for a wealthy widow. Music by Reginald Forsythe. Choreography by Llewellyn David (c) Pastorale. Music by Schubert. Choreography by Peggy Best (d) Hungarian czardas. Music by Kela Bela. Choreography by Derra de Moroda (e) "Can-Can". Music by Strauss.
Les Fantoches. Music by Schumann. Decor and costumes by Elizabeth Agombar. Choreography by Pauline Grant.
[Performance programmes: The Ballet Group. Box BGr]

Little Theatre (John Street, Adelphi).
24 February, 1941.
"A Wedgewood suite". Music by Romagnoli, arranged by Percival Garrett. Decor and costumes by Joan Jefferson-Farjeon. Choreograhy by Pauline Grant.
"Legend of the Garabancias". Traditional Hungarian musi. Choreography and costumes by Pauline Grant. Decor by Elizabeth Agombar .
[Performance programmes: The Ballet Group. Box BGr]

Little Theatre (John Street, Adelphi).
27 February, 1941.
"Gardone". Music - traditional Neapolitan songs, arranged by Gwendolyn Reiche. Choreography and costumes by Pauline Grant. Decor by Elizabeth Agombar.
Divertissements: (a) "Shelter sketch". Music by Conloy. Choreography by Maria Britnieva (b) "Valse". Music by Strauss, or "Variation". Music by Rubinstein, arranged by Percival Garrett. Choreography by Peggy Best (c) Alpine idyll. Music by Basil. Choreography by John Pygram.
"Pavane pour une infante defunte". Music by Ravel, arranged by Percival Garrett. Choreography, decor and costumes by Pauline Grant.
Les Fantoches. Music by Schumann. Decor and costumes by Elizabeth Agombar. Choreography by Pauline Grant.
[Performance programmes: The Ballet Group. Box BGr]

Ballet Guild

"Q" Theatre, Kew Bridge.
13 September, 1942.
Les Sylphides. Music, Chopin. Décor, Joseph Carl. Choreography, Michel Fokine.
Grand Divertissement: (a) Clair de lune. Debussy (b) Pas de trois - Swan lake, Act I. Tschaikowski (c) Polka-Mazurka (Les Parisiennes). Ed. Wolff (d) Pas de Deux and Variation - Swan Lake Act III. Tschaikowski.
La Petite fadette. Book, Deryck Lynham. Music, Fauré-Tunnard. Costumes, Sylvia Green. Décor, Beryl Dean. Choreography, Molly Lake.
[Performance programmes: Ballet Guild. Box BGu]

Toynbee Hall Theatre.
17 May, 1942.
Soirée musicale. Music by Rossini-Britten. Dances arranged by Antony Tudor. Décor by Hugh Stephenson.
Giselle-Act II. Music by Adolphe Adam. Ballet by Theophile Gautier. Choreography by Coralli and Jules Perrot.
Judgement of Paris. Music by Kurt Weill. Dances arranged by Antony Tudor. Theme and costumes by Hugh Laing.
Mr. Henry's ball (first performance). Music by Offenbach, arranged by Viola Tunnard. Choreography by Molly Lake. Theme devised by Deryck Lynham after Albert Smith. Costumes by Sylvia Green.
[Performance programmes: Ballet Guild. Box BGu]

Ballets Minerva

Open air entertainments in Waterlow Park, Highgate and Streatham Common, London.
7th June, 1954. .
Swan Lake (act 2) c. Leon Ivanoff m Tchaikovsky; Rondo c. Alan Carter m. Chopin; Watch the dicky bird c. Stanley Newby m. Gung'l; Casse-Noisette (act 2) c. Petipa m. Tchaikovsky all performed on Wed. and Frid evening; Coppelia (act 2) c. St Leon m. Delibes; Divertissement selected from The catch c. and cos. Alan Carter m. Bela Bartok, pas de deux from Swan lake (act 3 the black swan) c. Marius Petipa m. Tchaikovsky, pas de deux from Giselle (act 1) c. Coralli m. Adolph Adam, grande pas de deux and variations from Sleeping princess (the blue birds) c. Petipa m. Tchaikovsky; Giselle (act 2).
[Performance Programames: Ballets Minerva. Box BMI]

 26th March, 1964. .
A Christmas Carol c. Edward Gaillard and Kathleen Gray m. Berlioz and Smetana.
[Performance Programames: Ballets Minerva. Box BMI]

 20th January, 1965. .
The pied piper of Hamelin c. Edward Gaillard and Kathleen Gray.
[Performance Programames: Ballets Minerva. Box BMI]

 1st January, 1965. .
Alice's adventures in wonderland and through the looking glass c. Edward Gaillard and Kathleen Gray m. Gustave Mahler (matinee); Images c. Edward Gaillard and Kathleen Gray m Chabrier and Bizet; Concerto c. Harold Foster m. Wieniawski; Day trip m. Waldteufel; Circe and Ulysses c. Harold Foster m. Richard Strauss.
[Performance Programames: Ballets Minerva. Box BMI]

 13th January, 1966. .
The three kings c. Edward Gaillard and Kathleen Gray m. Rimsky-Korsakov and Massenet.
[Performance Programames: Ballets Minerva. Box BMI]

 30th September, 1966. .
Festina lente c. Miro Zolan cos. Sandra Vane m. Thomas McLelland Young; Suites Romantiques c. Norman Dixon cos. Norman Dixon m. Messager; Radio music an entertainment c. Teresa Early; Wedding song c. Norman Dixon m. Robert Schumann; S.W.3 c. Danie Retief m. Dudley Moore; Manfred c. Edward Gaillard and Katheleen Gray m. Tchaikovsky; Circe and Ulysses c. Harold Foster m. Richard Strauss; Les Sylphides c. Fokine m Chopin; Swan lake (pas de trois from act 1); Concerto c. Harold Foster m. Wienawski; Images c. Edward Gaillard and Kathleen Gray m. Chabrier and Bizet; Impressions c. Harold Foster m. Bizet; Variants c.Harold Foster m. Brahms; Suites de ballet c. Harold Foster m. Gounod; Day trip m. Waldteufel; Plat du jour c. Edward Gaillard and Kathleen Gray; The big top c. Harold Foster m. Strauss; Diana's mythtake.
[Performance Programames: Ballets Minerva. Box BMI]

 WimbledonTheatre.
22nd March, 1967. .
Suite romantique; Plat du jour; Rococo c. Joy Fisher m. Tchaikovsky; Restina lente; Radio music.
[Performance Programames: Ballets Minerva. Box BMI]

 Commonwealth Institute, London.
5th May, 1967. .
Impressions c. Harold Foster cos. Vera Hodges m. Bizet; Festina lente c. Miro Zoland cos. Sandra Vane m. Thomas Young; Plat du jour c. Edward Gaillard and Kathleen Gray m. Sullivan; Wedding song c. Norman Dixon cos Banks and Hutchings m. Robert Schumann; Radio music - an entertainment c. Teresa Early.
[Performance Programames: Ballets Minerva. Box BMI]

 ?, 1968. .
Les sylphides c. Fokine m. Chopin; Manfred c. Edward Galliard and Kathleen Gray m Tchaikovsky; Grande pas de troi classique c. William Martin m. Drigo; Images c. Edward Gaillard and Kathleen Gray m. Chabrier and Bizet; Wedding song c. Norman Dixon m. Schumann; Radio music - an entertainment c. Teresa Early; Barriers c. Danie Retief cos. Margaret Cameron m. L. Janacek; Festina lente c. Miro Zolan cos. Sandra Vane m. Thomas McLelland Young; Impressions c. Harold Foster m. Bizet; Circe and Ulysses c. Harold Foster m. Richard Strauss; Rococo c. Joy Fisher cos. Vera Hodges m. Tchaikovsky; Frankie and Johnny c. William Martion cos. William Martin m. Stewart Johnson; Faust (Scenes de ballet) c. William Martin cos. William Martin m. Gounod; Hansel and Gretel c. Edward Galliard m. Dvorak, Tchaikovsky, Berlioz; Tom Sawyer c. Edward Galliard m. Vladimir Padwa; Pas de six + three c. Alan Carter cos. Alan Carter m. Jacques Ibert; Day trip m. Waldteufel; Death and the maiden c. Andree Howard ml Schumann.
[Performance Programames: Ballets Minerva. Box BMI]

 1st October, 1964. .
Casse Noisette (act 3) c. Petipa m Tchaikovsky; Coppelia (act 2) c. St Leon m. Delibes; Swan lake (act 2) c. Leon Ivanhoff m. Tchaikovsky; Plat du jour c. Edward Gaillard and Kathleen Gray m. Degas; Les sylphides c. Fokine m. Chopin; Day trip m. Waldteufel; The big top c. Harold Foster m. Strauss; Circe and Ulysses c. Harold Foster m. Richard Strauss; Othello c. Harold Foster m. Richard Strauss; The ugly duckling c. Edward Gaillard and Kathleen Gray m. Offenbach; Giselle (act 2); Images c. Edward Gaillard and Kathleen Gray m. Chabrier and Bizet; Variants c. Harold Foster m. Brahms.
[Performance Programames: Ballets Minerva. Box BMI]

Ballet Rambert

Alexandra Theatre, Birmingham.
8 July, 10 July, 12 July, 1941.
Dances from The Sleeping pricess. Choreography by Petipa. Music by Tchaikowsky.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes, Leon Bakst.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Czerny 2. Choreography by Frank Staff. Music by Czerny. Decor by Eve Swinstead-Smith.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Cap over mill. Ballet in two scenes. Choreography by Walter Gore. Music by Stanley Bate. Scenery and costumes by Nadia Benois.
Lady into fox. Ballet in three scenes. (After the novel by David Garnett). Choreography by Andree Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Shepherd's wooing. Music by Handel (arr. Beecham). Choreography by Balanchine.
Spanish dances. Arranged by Elsa Brunelleschi. (a) Alegrias de Jerez. Music traditional, arr by Roberto Gerard. (b) Exorcism by fire. Music by De Falla. (c) Farruca. Music traditional. (d) Panaderos. Costumes by Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre.
15 May, 1941.
Mephisto valse. Ballet by Frederick Ashton. Music by Liszt. Costumes and setting by Sophie Fedorovitch.
Czerny 2. (1st. performance) Choreography by Frank Staff. Music by Czerny. Decor by Eve Swinstead-Smith.
Mermaid. Choreography by Andree Howard and Susan Salaman. Music by Ravel. Costumes and setting by Andree Howard.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor by Hugh Stevenson.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor by Hugh Stevenson.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre.
29 June, 1940.
Les Valses sentimentales. Choreography by Walter Gore. Music by Ravel. Scenery and costumes by Sophie Fedorovitch.
Tartans. Dances by Frank Staff. Music by Boyce. Costumes by William Chappell.
La Fête étrange. Choreography by Andree Howard. Music by Fauré (selected by Ronald Crichton). Décor and costumes by Sophie Fedorovitch.
Facade. Ballet by Frederick Ashton. Music by William Walton. Decor and costumes by John Armstrong.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre.
2 December, 1940.
Le Pas des déesses. Ballet by Keith Lester. Music by César Pugni, arranged by Leighton Lucas. Setting and costumes, after contemporary lithographs, by John Guthrie and Hugh Stevenson respectively.
Enigma variations (first London performance). Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Gala performance. Music by Prokofiev. Décor by Hugh Stevenson.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes by Bakst.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre.
24-29 June, 1941.
Chopiniana. Music by Chopin.
Dark elegies. Choreography by Antony Tudor. Music by Mahler. Decor and costumes by Nadia Benois.
Divertissements (Bartlemas dances. Arranged by Walter Gore. Music by Holst;  Circus wings (arranged by Andree Howard);
A Florentine picture. Arranged by Frederick Ashton. Music by Corelli;  The Two Igors, arranged by Frank Staff. Music by Shostokowitz;  Algerias de Jerez. Arranged by Elsa Brunelleschi;  Shepherd's wooing. Music by Handel (arr. Beecham). Choreography by Balanchine;  Panderos. Costumes by Hugh Stevenson: Pavane pour une infante defunte. Music by Ravel. Costumes by Hugh Stevenson;  Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie).
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Bar aux Folies-Bergère (after Manet's painting). Choreography by Ninette de Valois. Music by Chabrier. Scenery and costumes by William Chappell.
Enigma variations. Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Soirée musicale. Dances arranged by Anthony Tudor. Music by Rossini-Britten. Décor by Hugh Stevenson.
Mephisto valse. Ballet by Frederick Ashton. Music by Liszt. Costumes and setting by Sophie Fedorovitch.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Lady into fox. (After the novel by David Garnett). Choreography by Andrée Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Carnival. Music by Schumann. Costumes after Bakst.
Czerny 2. (Choreography by Frank Staff. Music by Czerny. Décor by Eve Swinstead-Smith.
La Fête étrange. Choreography by Andrée Howard. Music by Fauré, selected by Ronald Crichton. Décor by Sophie Fedorovitch.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes by Bakst.
Dances from Auorora's wedding. Choreography by Petipa. Music by Tchaikowsky.
Planets. Ballet by Antony Tudor. Music by Gustav Holst. Décor by Hugh Stevenson.
Facade (original version). Ballet by Frederick Ashton. Music by William Walton. Décor and costumes by John Armstrong.
Capriol suite. Music by Peter Warlock (on themes by Thoinot-Arbeau). Choreography by Frederick Ashton. Costumes by William Chappell.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre.
4 December, 1940.
Les Masques (ou, Changement de dames). Ballet by Frederick Ashton. Music by Poulenc. Décor and costumes by Sophie Fedorovitch.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre.
3 December, 1940.
Tartans. Music by Boyce. Ballet by Frank Staff.
Judgement of Paris. Dances arranged by Antony Tudor. Music by Kurt Weill. Theme and costumes by Hugh Laing.
Gala performance. Music by Prokofiev. Décor by Hugh Stevenson.
Enigma variations. Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Les Masques (ou, Changement de dames). Ballet by Frederick Ashton. Music by Poulenc. Décor and costumes by Sophie Fedorovitch.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre.
22 June, 1940.
Mermaid. Choreography by Andree Howard and Susan Salaman. Music by Ravel. Costumes and setting by Andree Howard.
Capriol suite. Choreography by Frederick Ashton. Music by Peter Warlock (on themes by Thoinot-Arbeau). Costumes by William Chappell.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor by Hugh Stevenson.
Facade. Choreography by Frederick Ashton. Music by William Walton. Setting and costumes by John Armstrong.
[Performance programmes:  Ballet Rambert.  Box BR]

Arts Theatre of Cambridge.
25-30 November, 1940.
La Fête étrange. Choreography by Andree Howard. Music by Fauré (selected by Ronald Crichton). Décor and costumes by Sophie Fedorovitch.
The Tartans. Dances by Frank Staff. Music by Boyce. Costumes by William Chappell.
Lady into fox. (After the novel by David Garnett). Choreography by Andree Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Bar aux Folies-Bergère. Choreography by Ninette de Valois. Music by Chabrier. Scenery and costumes by William Chappell.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Enigma variations. Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor by Hugh Stevenson.
La Fête étrange. Choreography by Andree Howard. Music by Fauré (selected by Ronald Crichton). Décor and costumes by Sophie Fedorovitch.
Dark elegies. Ballet by Antony Tudor. Music by Mahler. Decor and costumes by Nadia Benois.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Judgement of Paris. Dances arranged by Antony Tudor. Music by Kurt Weill. Theme and costumes by Hugh Laing.
Capriol suite. Music by Peter Warlock (on themes by Thoinot-Arbeau). Choreography by Frederick Ashton. Costumes by William Chappell.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes by Bakst.
Les Masques (ou, Changement de dames). Ballet by Frederick Ashton. Music by Poulenc. Décor and costumes by Sophie Fedorovitch.
Mephisto valse. Ballet by Frederick Ashton. Music by Liszt. Costumes and setting by Sophie Fedorovitch.
[Performance programmes:  Ballet Rambert.  Box BR]

Ashcroft Theatre, Croydon.
7-9 September (during 2 weeks commencing 31 August), 1964.
Les Sylphides. Music: Chopin. Orchestrated by R. Smith-Brindle. Choreography: Fokine. Decor and costumes: Alix Stone.
Sweet dancer. Music: Frank Martin. Orchestrated by Geoffrey Corbett. Based on poem by W.B. Yeats. Choreography (in memory of L.J.H.B.): Walter Gore. Scenery and costumes: Harry Cordwell.
The Travellers. Music: Leonard Salzedo. Choreography: Norman Morrice. Designed: Ralph Koltai.
[Performance programmes:  Ballet Rambert.  Box BR]

Ashcroft Theatre, Croydon.
8-6 September, 1965.
Les Sylphides. Music: Chopin. Orchestrated by R. Smith-Brindle. Choreography: Fokine. Decor and costumes: Alix Stone.
The Realms of choice. Music: Leonard Salzedo. Choreographer: Norman Morrice. Designer: Nadine Baylis.
Gala performance. Music - Prokofiev. Choreography - Anthony Tudor. Costumes and scenery - Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Birmingham Repertory Theatre.
8-20 July, 1940.
Soirée musicale. Dances arranged by Anthony Tudor. Music by Rossini-Britten. Decor and costumes by Hugh Stevenson.
Our Lady's juggler. Ballet, costumes and settings by Andree Howard and Susan Salaman. Music by Respighi.
Lady into fox. (After the novel by David Garnett). Choreography by Andree Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor and costumes by Hugh Stevenson.
Valses sentimentales. Choreography by Walter Gore. Music by Ravel. Scenery and costumes by Sophie Fedorovitch.
Mermaid. Choreography, scenery and costumes by Andree Howard. Music by Ravel.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Les Sylphides. Choreography by Michel Fokine. Music by Chopin.
Sporting sketches. Choreography and costumes by Susan Salaman. a. Le Cricket. Music by Arthur Benjamin. b. Le Rugby. Music by Poulenc. c. Le Boxing. Music by Lord Berners.
Facade. Choreography by Frederick Ashton. Music by William Walton. Decor and costumes by John Armstrong.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Death and the maiden. Choreography and costumes by Andree Howard. Music by Schubert - the Andante cantabile from Quartet in D minor.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor and costumes by Hugh Stevenson.
Bar aux Folies-Bergère (after Manet's painting). Choreography by Ninette de Valois. Music by Chabrier. Scenery and costumes by William Chappell.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie.
La Fête étrange. Décor and costumes by Sophie Fedorovitch. Music by Fauré, selected by Ronald Crichton.
[Performance programmes:  Ballet Rambert.  Box BR]

Brockwell Open Air Theatre - Herne Hill
21-26 June, 1943.
Les Sylphides. Music, Chopin. Choreography , Fokine.
Tartans. Music, Boyce. Choreography, Frank Staff. Costumes, William Chappell.
Jardin aux lilas. Music, Chausson. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson.
Foyer de danse. Music, Berners. Choreography, Frederick Ashton (1932).
Peter and the wolf. Music, Prokofiev. Choreography, frank Staff. Scenery and costumes, Guy Sheppard.
Capriol suite. Music , Peter Warlock. Choreography, Frederick Ashton (1930). Costumes, William Chappell.
Carnival of animals. Music, Saint-Saens. Choreography, scenery and costumes: Andree Howard.
[Performance programmes:  Ballet Rambert.  Box BR]

Brockwell Park Open Air Theatre - Herne Hill.
21-26 June, 1943.
Les Sylphides. Music, Chopin. Choreography, Fokine.
Tartans. Music, Boyce. Choreography, Frank Staff.
Jardin aux lilas. Music, Chausson. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson.
Foyer de danse. Music, Berners. Choreography, Frederick Ashton (1932).
Peter and the wolf (A fable without a moral). Narrator, Guy Sheppard. Music, Prokofiev. Choreography, Frank Staff. Scenery and costumes, Guy Sheppard .
Capriol suite. Music, Peter Warlock. Choreography, Frederick Ashton (1930). Costumes, William Chappell.
Carnival of animals. Music, Saint-Saens. Choreography, scenery and costumes, Andree Howard.
[Performance programmes:  Ballet Rambert.  Box BR]

Cambridge Arts Theatre.
15-16 July, 1968.
Freefall. Music, Max Schubel (dedicated to Frank Martin). Choreographer and Designer, Glen Tetley. Lighting, John B. Read.
The Act. Music, Billy Page/Buddy Johnson. Choreography and Design, Linda Hodes. Lighting, Ehud Ben-David.
1-2-3. Music, Ben-ion Orgad. Choreographer, Norman Morrice. Choreographer, Norman Morrice. Lighting John B. Read.
Deserts. Edgar Varese. Choreographer, Anna Sokolow.
[Performance programmes:  Ballet Rambert.  Box BR]

Cambridge Arts Theatre Trust.
19-20 (evening), 1945.
Carnaval. Choreography, Fokine. Costumes, Bakst. Music, Schumann.
Death and the maiden. Choreography and costumes, Andree Howard. Music, Andante cantabile from the Quartet in D minor by Schubert.
The Fugitive. Choreography, Andree Howard. Theme, decor and costumes, Hugh Stevenson. Music, Leonard Salzedo.
Gala performance. Choreography. Antony Tudor. Decor, Hugh Stevenson. Music, Prokofiev.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
9 December, 1966.
Diversities. Electronic music: Henk Badings. Choreographer: Jonathan Taylor. Designer: Ralph Koltai.
Night island. Music: Debussy. Based on a quotation from The Dialogue of Self and Soul by W.B. Yeats. Choreographer: Rudi van Danzig. Designer: Toer van Schayk.
Judgment of Paris. Music: Kurt Weill. Choreographer: Antony Tudor. Theme, costumes: Hugh Laing.
Time base. Music: Lutoslawski. Choreographer: John Chesworth. Designer: Nadine Baylis. Lighting: John Wyckham.
Lilac garden. Music: Chausson Choreographer: Antony Tudor. Designer: Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
1 December, 1966.
Numeros. Choreographer: Pierre Lacotte.
Night island. Music: Debussy. Based on a quotation from The Dialogue of Self and Soul by W.B. Yeats. Choreographer: Rudi van Danzig. Designer: Toer van Schayk.
Judgement of Paris. Music: Kurt Weill. Choreographer: Antony Tudor. Theme, costumes: Hugh Laing.
Diversities. Electronic music: Henk Badings. Choreographer: Jonathan Taylor. Designer: Ralph Koltai.
Lilac garden. Music: Chausson Choreographer: Antony Tudor. Designer: Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
4-5, and 7 December, 1968.
Hazard. Music, Leonard Salzedo. Choreographer, Norman Morrice. Designer, Nadine Baylis. Lighting, Kenneth Reeder.
Pawn to king 5. Music, The Pink Floyd. Setting, Michael Carney. Choreographer, John Chesworth. Lighting, John B. Read.
L'Après-midi d'un faune. Music, Claude Debussy. Choreographer, Vlaslav Nijinsky. Costumes, Leon Bakst.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
28-29 November, 1967.
Ziggurat. Music, Karlheinz Stockhausen. Choreographer, Glen Tetley. Designer, Nadine Baylis. Lighting, John B. Read.
Freefall. Music, Max Schubel (dedicated to Frank Martin). Choreographer and Designer, Glen Tetley. Lighting, John B. Read.
Hazard. Music, Max Schubel (dedicated to Frank Martin). Choreographer and Designer, Glen Tetley. Lighting, John B. Read .
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
13-15 November, 1967.
Night island. Music: Debussy. Based on a quotation from The Dialogue of Self and Soul by W.B. Yeats. Choreographer: Rudi van Danzig. Designer: Toer van Schayk .
Freefall. Music, Max Schubel (dedicated to Frank Martin). Choreographer and Designer, Glen Tetley. Lighting, John B. Read.
Hazard. Music, Leonard Salzedo. Choreographer, Norman Morrice. Designer, Nadine Baylis. Lighting, Kenneth Reeder.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
21 and 23 November, 1968.
1-2-3. Music, Ben-ion Orgad. Choreographer, Norman Morrice. Choreographer, Norman Morrice. Lighting John B. Read.
The Act. Music, Billy Page/Buddy Johnson. Choreography and Design, Linda Hodes. Lighting, Ehud Ben-David.
Embrace tiger and return to mountain. Music, Morton Sorbotnick. Choreographer, Glen Tetley. Designer, Nadine Baylis.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
29-30 May, 1968.
Freefall. Music, Max Schubel (dedicated to Frank Martin). Choreographer and Designer, Glen Tetley. Lighting, John B. Read.
Tic-tack. Music, Fritz Kreisler (arr. Serge Rachmaninov). Design and drawings, Tomi Ungerer. Direction, John Chesworth.
1-2-3. Music, Ben-ion Orgad. Choreographer, Norman Morrice. Choreographer, Norman Morrice. Lighting John B. Read.
Them and us. Music, Iannis Xenakis. Choreographer, Norman Morrice. Designer, Nadine Baylis. Lighting, John B. Read.
Intermède. Music: Vivaldi. Choreographer: Pierre Lacotte. Designer: Jean-Jacques Corre.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
20-23 November, 1967.
Ziggurat. Music, Karlheinz Stockhausen. Choreographer, Glen Tetley. Designer, Nadine Baylis. Lighting, John B. Read.
Ricercare. Music, Mordecai Seter. Choreographer, Glen Tetley. Designer, Rouben Ter-Arutunian. Lighting designed by Maxine Glorsky and Gilbert Hemsley.
Deserts. Edgar Varese. Choreographer, Anna Sokolow.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
3 and 5 June, 1968.
Lilac garden. Music: Chausson Choreographer: Antony Tudor. Designer: Hugh Stevenson.
L'Après-midi d'un faune. Music, Claude Debussy. Choreographer, Vlaslav Nijinsky. Costumes, Leon Bakst.
Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois.
Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
5 December, 1966.
Intermède. Music: Vivaldi. Choreographer: Pierre Lacotte. Designer: Jean-Jacques Corre .
The Realms of choice. Music: Leonard Salzedo. Choreographer: Norman Morrice. Designer: Nadine Baylis.
Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois. Music: Frank Martin. Choreography: Kenneth MacMillan. Decor and costumes: Kenneth Rowell.
[Performance programmes:  Ballet Rambert.  Box BR]

Jeannetta Cochrane Theatre.
7 and 9 August, 1967.
Night Island. Music: Debussy. Based on a quotation from The Dialogue of Self and Soul by W.B. Yeats. Choreographer: Rudi van Danzig. Designer: Toer van Schayk.
Judgment of Paris. Music: Kurt Weill. Choreographer: Antony Tudor. Theme, costumes: Hugh Laing.
Pierrot lunaire. Music, Arnold Schoenberg. Choreographer, Glen Tetley. Designer, Rouben Ter-Arutunian.
Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
15-27 October, 1951.
Giselle, Act I. Book by Saint-Georges, Gautier and Coralli. Choreography, Coralli & Perrot. Scenery and costumes, Hugh Stevenson. Music, Adolphe Adam.
Fireflies. Choreography (for B) by Walter Gore. Decor and costumes by Ronald Wilson. Music by Brahms/Paganini.
Canterbury prologue (London premiere). Choreography by David Paltenghi. Music by Peter Racine Fricker. Decor and costumes by Edward Burra.
Facade (The Original Version). Choreography, Frederick Ashton. Scenery and costumes, John Armstrong. Music, William Walton.
The Eve of St. Agnes. Choreography, David Paltenghi. Decor and costumes, Roger Furse. Music, César Franck, arranged and orchestrated by Geoffrey Corbett.
Soirée musicale. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson. Music, Rossini, arranged by Benjamin Britten.
Scherzi della sorte. Choreography, David Paltenghi. Decor and costumes, Leslie Hurry. Music, early Italian, arranged and orceshtrated by Geoffrey Corbett.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
9 June (matinee), 1945.
Les Sylphides. Choreography, Fokine. Decor, Ronald Wilson. Music, Chopin.
Capriol suite. Choreography, Frederick Ashton (1930). Costumes, William Chappell. Music, Peter Warlock.
The Fugitive. Choreography, Andree Howard. Theme, decor and costumes, Hugh Stevenson. Music, Leonard Salzedo.
Peter and the wolf (A fable without a moral). Choreography, Frank Staff. Decor, Guy Sheppard. Music, Prokofiev.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
26-27 October, 1950.
Swan lake, Act II. Choreography, Petipa and Ivanov. Decor, John Browning. Music, Tchaikovsky.
Antonia. Choreography (dedicated to F.A.), Walter Gore. Decor, Harry Cordwell. Music, Sibelius.
Czernyana. Music, Czerny. Choreography, Frank Staff. Decor and costumes, Eve Swinstead-Smith.
Prismatic variations. Choreography, David Paltenghi. Decor and costumes, Vivienne Kernot. Music, Beethoven' variations on a waltz by Diabelli. Orchestrated by Geoffrey Corbett.
Facade (The Original Version). Choreography, Frederick Ashton. Scenery and costumes, John Armstrong. Music, William Walton.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
21-22 October, 1946.
Swan lake, Act II. Choreography, Petipa. Scenery and costumes, Harry Cordwell. Music, Tchaikowsky.
Jardin aux lilas. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson. Music, Chausson.
Mr. Punch. (A ballet in 5 scenes). Choreography, Walter Gore. Scenery and costumes, Ronald Wilson. Music, Arthur Oldham.
Soirée musicale. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson. Music, Rossini, arranged by Benjamin Britten.
Giselle. Book by Saint-Georges, Gautier and Coralli. Choreography, Coralli and Perrot. Scenery and costumes, Hugh Stevenson. Music, Adolphe Adam.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
29 October, 1945.
Giselle, Act 2. Choreography, Coralli. Decor, Hugh Stevenson. Music , Adolphe Adam.
Simple symphony. Choreograpy, (dedicated to D.M.) Walter Gore. Decor, Ronald Wilson. Music, Benjamin Britten.
Un Songe. Choreography, Frank Staff. Decor, Ronald Wilson. Music, Lekeu.
Peter and the wolf (A fable without a moral). Choreography, Frank Staff. Decor, Guy Sheppard. Music, Prokofiev.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
4 June (evening), 1945.
Simple symphony. Choreograpy, (dedicated to D.M.) Walter Gore. Decor, Ronald Wilson. Music, Benjamin Britten.
Death and the maiden. Choreography and costumes, Andree Howard. Music, Andante cantabile from the Quartet in D minor by Schubert.
The Fugitive. Choreography, Andree Howard. Theme, decor and costumes, Hugh Stevenson. Music, Leonard Salzedo.
Peter and the wolf. A fable without a moral. Choreography, Frank Staff. Decor, Guy Sheppard. Music, Prokofiev.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
4-5 November, 1946.
Les Sylphides. Choreography, Fokine. Scenery, Ronald Wilson. Music, Chopin.
Soirée musicale. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson. Music, Rossini, arranged by Benjamin Britten.
Confessional. (A story of the Spanish Inquisition). Choreography, Walter Gore. Costumes, Andree Howard. Poem by Robert Browning. Music, Sibelius.
Mermaid. Choreography, Andree Howard and Susan Salaman. Costumes and settings, Andree Howard. Music, Ravel.
Concerto burlesco (first performance). Choreography, Walter Gore. Decor and costumes, Eve Swinstead-Smith. Music, Bartok, arranged and orchestrated by Arthur Oldham.
Swan lake, Act II. Choreography, Petipa. Scenery and costumes, Harry Cordwell. Music, Tchaikowsky.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
30 October, 1945.
The Fugitive. Choreography, Andree Howard. Theme and decor, Hugh Stevenson. Music, Leonard Salzedo.
Soirée musicale. Choreography, Antony Tudor. Costumes, Hugh Stevenson. Music, Rossini, arranged by Benjamin Britten.
Confessional (To the poem by Robert Browning). Choreography, Walter Gore. Costumes, Andree Howard. Music, Sibelius.
Giselle, Act 2. Choreography, Coralli. Decor, Hugh Stevenson. Music, Adolphe Adam.
[Performance programmes:  Ballet Rambert.  Box BR]

King's Theatre, Hammersmith.
1 November, 1945.
The Fugitive. Choreography, Andree Howard. Theme and decor, Hugh Stevenson. Music, Leonard Salzedo.
Les Sylphides. Choreography, Fokine. Decor, Ronald Wilson. Music, Chopin.
Soirée musicale. Choreography, Antony Tudor. Costumes, Hugh Stevenson. Music, Rossini, arranged by Benjamin Britten.
Dark elegies (Kindertotenlieder). Choreography. Antony Tudor. Decor, Nadia Benois. Music, Gustav Mahler.
[Performance programmes:  Ballet Rambert.  Box BR]

Lyric Theatre, Hammersmith.
15 August, 1944.
Les Sylphides. Choreography: Fokine. Decor: Ronald Wilson. Music: Chopin.
Capriol suite. Choreography: Fredereick Ashton (1930). Music: Peter Warlock. Costumes: William Chappell.
Jardin aux lilas. Choreography: Antony Tudor. Scenery and costumes: Hugh Stevenson. Music: Chausson.
Czernyana. Choreography: Frank Staff. Music: Czerny. Decor: Eve Swinstead-Smith.
[Performance programmes:  Ballet Rambert.  Box BR]

Lyric Theatre, Hammersmith.
2-6 May, 1950.
Plaisance. Choreography, Walter Gore. Decor & costumes, Harry Cordwell. Music, Rossini.
Judgement of Paris. Choreography, Antony Tudor. Theme & costumes, Hugh Laing. Music, Kurt Weill.
Winter night (first performance in England). Choreography, Walter Gore. Costumes, Kenneth Rowell. Music, Rachmaninoff.
The Gala performance. Choreography, Antony Tudor. Costumes & scenery, Hugh Stevenson. Music, Prokofiev.
Lady into fox. Choreography, Andree Howard. Decor, Nadia Benois. Music, Arthur Honegger.
Jardin aux lilas. Choreography, Antony Tudor. Decor, Hugh Stevenson. Music, Chausson.
Czernyana. Choreography, Frank Staff. Scenery & costumes, Eve Swinstead-Smith. Music, Czerny.
Bar aux Folies-Bergère. Choreography, Ninetter de Valois (1937). Music, Chabrier. Decor, William Chappell (after Manet).
[Performance programmes:  Ballet Rambert.  Box BR]

Nottingham Playhouse.
20-25 February, 1967.
Numeros. Choreographer: Pierre Lacotte.
Time base. Music: Lutoslawski. Choreographer: John Chesworth. Designer: Nadine Baylis. Lighting: John Wyckham.
Night island. Music: Debussy. Based on a quotation from The Dialogue of Self and Soul by W.B. Yeats. Choreographer: Rudi van Danzig. Designer: Toer van Schayk.
The Realms of choice. Music: Leonard Salzedo. Choreographer: Norman Morrice. Designer: Nadine Baylis.
Intermède. Music: Vivaldi. Choreographer: Pierre Lacotte. Designer: Jean-Jacques Corre.
Judement of Paris. Music: Kurt Weill. Choreographer: Antony Tudor. Theme, costumes: Hugh Laing.
Lilac garden. Music: Chausson Choreographer: Antony Tudor. Designer: Hugh Stevenson.
Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong.
Diversities. Electronic music: Henk Badings. Choreographer: Jonathan Taylor. Designer: Ralph Koltai.
Ricercare. Music, Mordecai Seter. Choreographer, Glen Tetley. Designer, Rouben Ter-Arutunian. Lighting designed by Maxine Glorsky and Gilbert Hemsley.
Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois.
[Performance programmes:  Ballet Rambert.  Box BR]

Palace Theatre, Watford.
21-26 October, 1968.
Lilac garden. Music: Chausson Choreographer: Antony Tudor. Designer: Hugh Stevenson.
1-2-3. Music, Ben-ion Orgad. Choreographer, Norman Morrice. Choreographer, Norman Morrice. Lighting John B. Read.
The Act. Music, Billy Page/Buddy Johnson. Choreography and Design, Linda Hodes. Lighting, Ehud Ben-David.
Intermède. Music: Vivaldi. Choreographer: Pierre Lacotte. Designer: Jean-Jacques Corre.
Them and us. Music, Iannis Xenakis. Choreographer, Norman Morrice. Designer, Nadine Baylis. Lighting, John B. Read.
L'Après-midi d'un faune. Music, Claude Debussy. Choreographer, Vlaslav Nijinsky. Costumes, Leon Bakst.
Judgment of Paris. Music: Kurt Weill. Choreographer: Antony Tudor. Theme, costumes: Hugh Laing.
Deserts. Edgar Varese. Choreographer, Anna Sokolow.
[Performance programmes:  Ballet Rambert.  Box BR]

Perth Theatre.
28 January, 1958.
Giselle. Music - Adolphe Adam. Book by Saint-George, Gautier, and Coralli. Scenery and costume - Hugh Stevenson.
The Gala performance. Music - Prokofiev. Choreography - Anthony Tudor. Costumes and scenery - Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Phoenix Theatre.
6 February, 1968.
Ziggurat. Choreographer, Glen Tetley. Designer, Nadine Baylis. Music, Karlheinz Stockhausen. Lighting, John B. Read.
Intermede. Choreographer, Pierre Lacotte. Designer, Jean-Jacques Corre. Music, Antonio Vivaldi.
"H". Theme, John Chesworth. Music, Krzyszof Penderecki. Lighting, John B. Read.
Hazard. Choreographer, Norman Morrice. Designer, Nadine Baylis. Music, Leonard Salzedo. Lighting, Kenneth Reeder.
[Performance programmes:  Ballet Rambert.  Box BR]

Phoenix Theatre.
9 February, 1968.
Freefall. Choreographer/Designer, Glen Tetley. Music, Max Schubel (dedicated to Frank Martin). Lighting, John B. Read.
L'Après-midi d'un faune. Choreographer, Vlaslav Nijinsky. Costumes, León Bakst. Music, Claude Debussy.
Pierrot lunaire. Choreographer, Glen Tetley. Designer, Rouben Ter-Arutunian. Music, Arnold Schoenberg. Lighting designed by Maxine Glorsky and Gilbert Hemsley.
Facade. Choreographer, Frederick Ashton. Designer, John Armstrong. Music, William Walton.
[Performance programmes:  Ballet Rambert.  Box BR]

Pier Pavilion, Worthing.
Week including 6 June [?], 1966.
Conflicts. Music: Ernest Bloch (Quinet for piano and strings). Choreography: Norman Morrice. Realisation: Ralph Koltai.
Sweet dancer. Music: Frank Martin. Orchestrated by Geoffrey Corbett. Based on poem by W.B. Yeats. Choreography (in memory of L.J.H.B.): Walter Gore. Scenery and costumes: Harry Cordwell.
Gala performance. Music - Prokofiev. Choreography - Anthony Tudor. Costumes and scenery - Hugh Stevenson.
Laiderette. Music: Frank Martin. Choreography: Kenneth MacMillan. Decor and costumes: Kenneth Rowell .
The realms of choice. Music: Leonard Salzedo. Choreographer: Norman Morrice. Designer: Nadine Baylis.
Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong.
[Performance programmes:  Ballet Rambert.  Box BR]

Richmond Theatre.
24 January - 5 February, 1966.
The realms of choice. Music: Leonard Salzedo. Choreographer: Norman Morrice. Designer: Nadine Baylis .
Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois.
Gala performance. Music - Prokofiev. Choreography - Anthony Tudor. Costumes and scenery - Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Richmond Theatre.
22-27 January?, 1968.
Ziggurat. Music, Karlheinz Stockhausen. Choreographer, Glen Tetley. Designer, Nadine Baylis. Lighting, John B. Read.
L'Après-midi d'un faune. Music, Claude Debussy. Choreographer, Vlaslav Nijinsky. Costumes, Leon Bakst.
Freefall. Music, Max Schubel (dedicated to Frank Martin). Choreographer and Designer, Glen Tetley. Lighting, John B. Read.
Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong.
Intermède. Music: Vivaldi. Choreographer: Pierre Lacotte. Designer: Jean-Jacques Corre.
Ricercare. Music, Mordecai Seter. Choreographer, Glen Tetley. Designer, Rouben Ter-Arutunian. Lighting designed by Maxine Glorsky and Gilbert Hemsley.
"H". Music, Krzyszof Penderecki. Theme, John Chesworth. Lighting, John B. Read.
Hazard. Music, Leonard Salzedo. Choreographer, Norman Morrice. Designer, Nadine Baylis. Lighting, Kenneth Reeder.
[Performance programmes:  Ballet Rambert.  Box BR]

Richmond Theatre.
23-28 January, 1967.
Intermède. Music: Vivaldi. Choreographer: Pierre Lacotte. Designer: Jean-Jacques Corre.
Judgment of Paris. Music: Kurt Weill. Choreographer: Antony Tudor. Theme, costumes: Hugh Laing.
Night island. Music: Debussy. Based on a quotation from The Dialogue of Self and Soul by W.B. Yeats. Choreographer: Rudi van Danzig. Designer: Toer van Schayk.
Laiderette. Music: Frank Martin. Choreography: Kenneth MacMillan. Decor and costumes: Kenneth Rowell.
Numeros. Choreographer: Pierre Lacotte.
Time Base. Music: Lutoslawski. Choreographer: John Chesworth. Designer: Nadine Baylis. Lighting: John Wyckham.
Pierrot lunaire. Music, Arnold Schoenberg. Choreographer, Glen Tetley. Designer, Rouben Ter-Arutunian .
Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
12 July, 1946.
Giselle. Book by Saint-Georges, Gautier and Coralli. Choreography, Coralli and Perrot. Scenery and costumes, Hugh Stevenson. Music, Adolphe Adam.
Facade (The Original Version). Choreography, Frederick Ashton. Scenery and costumes, John Armstrong. Music, William Walton.
[Performance programmes: Ballet Rambert. Box BR]

Sadler's Wells Theatre.
1 August, 1946.
Swan Lake (Act II). Choreography, Petipa. Scenery and costumes, Harry Cordwell. Music, Tchaikovsky.
Jardin aux lilas. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson. Music, Chausson.
L'Après-midi d'un faune. Choreographer, Vlaslav Nijinsky. Costumes, León Bakst. Music, Claude Debussy.
Facade (The Original Version). Choreography, Frederick Ashton. Scenery and costumes, John Armstrong. Music, William Walton.
[Performance programmes: Ballet Rambert. Box BR]

Sadler's Wells Theatre.
1 July, 1946.
Soirée musicale. Choreography, Antony Tudor. Scenery and costumes, Hugh Stevenson. Music, Rossini, arranged by Benjamin Britten.
Lady into fox. A ballet Scenery and costumes, Nadia Benois. Music, Arthur Honegger.
Mr. Punch. A ballet in 5 scenes. Choreography, Walter Gore. Scenery and costumes, Ronald Wilson. Music, Arthur Oldham.
Gala performance. Choreography. Antony Tudor. Costumes and scenery, Hugh Stevenson. Music, Prokofiev.
[Performance programmes: Ballet Rambert. Box BR]

Sadler's Wells Theatre.
18-19 July, 1961.
Night shadow. Music: Vittorio Rieti (after themes of Vincenzo Bellini). Reproduce by John Taras. Choreography: George Balanchine. Decor and costumes: Alix Stone.
The Sylphide. Music: Lovenskjold arr. Paul London.. Reproduced by Elsa Marianne von Rosen with additional material by Ellen Price de Plane. Choreography: August Bournonville, 1836. Designed by Robin and Christopher Ironside.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
23 July, 1964.
Conflicts. Music: Ernest Bloch (Quinet for piano and strings). Choreography: Norman Morrice. Realisation: Ralph Koltai.
La Sylphide. Music: Lovenskjold arr. Paul London.. Reproduced by Elsa Marianne von Rosen with additional material by Ellen Price de Plane. Choreography: August Bournonville, 1836. Designed by Robin and Christopher Ironside.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
15-16 July, 1964.
Don Quixote; a ballet in four acts. Music [by] Ludwig Minkus arr. Geoffrey Corbett. [Adapted by] Petipa from Cervantes. Reproduced [by] Witold Borkowski. Choreography [by] Alexander Gorsky and Zakharoff. Designed [by] Voytek.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
20 July, 1965.
Sweet dancer. Music: Frank Martin. Orchestrated by Geoffrey Corbett. Based on poem by W.B. Yeats. Choreography (in memory of L.J.H.B.): Walter Gore. Scenery and costumes: harry Cordwell.
The Realms of choice. Music: Leonard Salzedo. Choreographer: Norman Morrice. Designer: Nadine Baylis.
Czernyana. Music: Czerny. Choreography: Frank Staff. Decor and costumes: Eve Swinstead-Smith.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
20-21 July, 1964.
Czerny-ana. Music: Czerny. Choreography: Frank Staff. Decor and costumes: Eve Swinstead-Smith.
Sweet dancer. Music: Frank Martin. Orchestrated by Geoffrey Corbett. Based on poem by W.B. Yeats. Choreography (in memory of L.J.H.B.): Walter Gore. Scenery and costumes: Harry Cordwell.
The Travellers. Music: Leonard Salzedo. Choreography: Norman Morrice. Designed: Ralph Koltai.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
!3-14 July, 1964.
Laiderette. Music: Frank Martin. Choreography: Kenneth MacMillan. Decor and costumes: Kenneth Rowell .
Cul-de-sac. Music, Christopher Whelen. Choreography, Norman Morrice. Design and lighting, Ralph Koltai.
Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong .
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
15-16 July, 1964.
Don Quixote;  a ballet in four acts. [Adapted by] Petipa from Cervantes. Music [by] Ludwig Minkus arr. Geoffrey Corbett. Reproduced [by] Witold Borkowski. Choreography [by] Alexander Gorsky and Zakharoff. Designed [by] Voytek.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
16 July, 1965.
Conflicts. Music: Ernest Bloch (Quinet for piano and strings). Choreography: Norman Morrice. Realisation: Ralph Koltai.
Czernyana. Music: Czerny. Choreography: Frank Staff. Decor and costumes: Eve Swinstead-Smith .
The Travellers. Music: Leonard Salzedo. Choreography: Norman Morrice. Designed: Ralph Koltai.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
24-25 Jul, 1964.
Night shadow. Music: Vittorio Rieti (after themes of Vincenzo Bellini). Reproduce by John Taras. Choreography: George Balanchine. Decor and costumes: Alix stone.
Sweet dancer. Music: Frank Martin. Orchestrated by Geoffrey Corbett. Based on poem by W.B. Yeats. Choreography (in memory of L.J.H.B.): Walter Gore. Scenery and costumes: Harry Cordwell.
The Travellers. Music: Leonard Salzedo. Choreography: Norman Morrice. Designed: Ralph Koltai.
Cul-de-sac. Music, Christopher Whelen. Choreography, Norman Morrice. Design and lighting, Ralph Koltai.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
24 July, 1965.
Giselle. Music - Adolphe Adam. Book by Saint-George, Gautier, and Coralli. Scenery and costume - Hugh Stevenson.
The Realms of choice. Music: Leonard Salzedo. Choreographer: Norman Morrice. Designer: Nadine Baylis.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
17 July, 1965.
La Sylphide, Music: Lovenskjold arr. Paul London.. Reproduced by Elsa Marianne von Rosen with additional material by Ellen Price de Plane. Choreography: August Bournonville, 1836. Designed by Robin and Christopher Ironside.
The Travellers. Music: Leonard Salzedo. Choreography: Norman Morrice. Designed: Ralph Koltai.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
10-12 August, 1953.
Swan Lake. Act II. Choreography: Petipa and Ivanov. Decor and costumes: Kenneth Rowell. Music: Tchaikovsky.
Fireflies. Choreography (for B): Walter Gore. Decor and costumes: Ronald Wilson. Music: Brahms/Paganini.
Dark elegies. Choreography: Antony Tudor. Scenery and costumes: Nadia Benois. Music: Gustav Mahler. Singer: Ellis Keeler.
Gala performance. Choreography: Antony Tudor. Costumes and scenery: Hugh Stevenson. Music: Prokofiev.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
22 July, 1965.
Giselle. Music - Adolphe Adam. Book by Saint-George, Gautier, and Coralli. Scenery and costume - Hugh Stevenson.
Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
17 July, 1964.
The Lilac garden. Music: Chausson Choreographer: Antony Tudor. Designer: Hugh Stevenson.
Soirée musicale. Music: Rossini/Britten. Choreography by Anthony Tudor. Scenery and costumes, Hugh Stevenson.
Judgment of Paris. Music: Kurt Weill. Choreographer: Antony Tudor. Theme, costumes: Hugh Laing.
Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois.
Gala performance. Music - Prokofiev. Choreography - Anthony Tudor. Costumes and scenery - Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Sadler's Wells Theatre.
18-19 July, 1963.
Conflicts. Music: Ernest Bloch (Quinet for piano and strings). Choreography: Norman Morrice. Realisation: Ralph Koltai.
Simple symphony. Music: Benjamin Britten. Choreography (dedicated to D.M.): Walter Gore 1944. Scenery and costumes: Ronald Wilson.
The Travellers. Music: Leonard Salzedo. Choreography: Norman Morrice. Designed: Ralph Koltai.
[Performance programmes:  Ballet Rambert.  Box BR]

Theatre Royal, Bath.
Gala performance, 12 June, 1967.
Intermède. Music: Vivaldi. Choreographer: Pierre Lacotte. Designer: Jean-Jacques Corre.
Ricercare. Music, Mordecai Seter. Choreographer, Glen Tetley. Designer, Rouben Ter-Arutunian. Lighting designed by Maxine Glorsky and Gilbert Hemsley.
Hazard. Music, Leonard Salzedo. Choreographer, Norman Morrice. Designer, Nadine Baylis. Lighting, Kenneth Reeder.
Lilac garden. Music: Chausson Choreographer: Antony Tudor. Designer: Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Theatre Royal, Brighton.
1-6 July, 1940.
Soirée musicale. Dances arranged by Anthony Tudor. Music by Rossini-Britten. Decor and costumes by Hugh Stevenson.
Lady into fox. (After the novel by David Garnett). Music by Arthur Honegger. Choreography by Andrée Howard. Scenery and costumes by Nadia Benois.
La Fête étrange. Music by Fauré, selected by Ronald Crichton. Décor and costumes by Sophie Fedorovitch. Choreography by Andrée Howard.
Bar aux Folies-Bergère (after Manet's painting). Music by Chabrier. Choreography by Ninette de Valois. Scenery and costumes by William Chappell.
Les Sylphides. Music by Chopin. Choreography by Michel Fokine.
Our Lady's juggler. Music by Respighi. Ballet, costumes and settings by Andree Howard and Susan Salaman.
Peter and the wolf. (A fable without a moral). Music by Prokofiev. Choreography by Frank Staff. Costumes and setting by Guy Sheppard.
Les Valses sentimentales. Music by Ravel. Choreography by Walter Gore. Scenery and costumes by Sophie Fedorovitch.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor and costumes by Hugh Stevenson.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Death and the maiden. Music by Schubert (the Andante cantabile from Quartet in D minor). Choreography and costumes by Andree Howard.
Facade. Ballet by Frederick Ashton. Music by William Walton. Decor and costumes by John Armstrong.
Sporting sketches. Choreography and costumes by Susan Salaman. 1. Le Cricket. Music by Arthur Benjamin. 2. Le Rugby. Music by Poulenc. 3. Le Boxing. Music by Lord Berners.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor and costumes by Hugh Stevenson.
[Performance programmes:  Ballet Rambert.  Box BR]

Theatre Royal, Nottingham.
12-17 April, 1965.
Sweet dancer. Music: Frank Martin. Orchestrated by Geoffrey Corbett. Based on poem by W.B. Yeats. Choreography (in memory of L.J.H.B.): Walter Gore. Scenery and costumes: Harry Cordwell .
La Sylphide. Music: Lovenskjold arr. Paul London.. Reproduced by Elsa Marianne von Rosen with additional material by Ellen Price de Plane. Choreography: August Bournonville, 1836. Designed by Robin and Christopher Ironside.
Giselle. Music - Adolphe Adam. Book by Saint-George, Gautier, and Coralli. Scenery and costume - Hugh Stevenson.
Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong.
[Performance programmes:  Ballet Rambert.  Box BR]

Wimbledon Theatre.
14-15 October (during week commencing 14 October), 1963.
Don Quixote; a ballet in four acts. Music [by] Ludwig Minkus arr. Geoffrey Corbett. [Adapted by] Petipa from Cervantes. Reproduced [by] Witold Borkowski. Choreography [by] Alexander Gorsky and Zakharoff. Designed [by] Voytek.
[Performance programmes:  Ballet Rambert.  Box BR]

Ballet Rambert and London Ballet

Alexandra Theatre, Birmingham.
8 July, 10 July, 12 July, 1941.
Dances from The Sleeping pricess. Choreography by Petipa. Music by Tchaikowsky.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes, Leon Bakst.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Czerny 2. Choreography by Frank Staff. Music by Czerny. Decor by Eve Swinstead-Smith.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Cap over mill. Ballet in two scenes. Choreography by Walter Gore. Music by Stanley Bate. Scenery and costumes by Nadia Benois.
Lady into fox. Ballet in three scenes. (After the novel by David Garnett). Choreography by Andree Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Shepherd's wooing. Music by Handel (arr. Beecham). Choreography by Balanchine.
Spanish dances. Arranged by Elsa BR/LBunelleschi. (a) Alegrias de Jerez. Music traditional, arr by Roberto Gerard. (b) Exorcism by fire. Music by De Falla. (c) Farruca. Music traditional. (d) Panaderos. Costumes by Hugh Stevenson.
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre.
24-29 june, 1941.
Chopiniana. Music by Chopin.
Dark elegies. Choreography by Antony Tudor. Music by Mahler. Decor and costumes by Nadia Benois.
Divertissements (Bartlemas dances. Arranged by Walter Gore. Music by Holst.
Circus wings (arranged by Andree Howard).
A Florentine picture. Arranged by Frederick Ashton. Music by Corelli.
The Two Igors, arranged by Frank Staff. Music by Shostokowitz.
Algerias de Jerez. Arranged by Elsa BR/LBunelleschi.
Shepherd's wooing. Music by Handel (arr. Beecham). Choreography by Balanchine.
Panderos. Costumes by Hugh Stevenson.
Pavane pour une infante defunte. Music by Ravel. Costumes by Hugh Stevenson.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie).
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Bar aux Folies-Bergère (after Manet's painting). Choreography by Ninette de Valois. Music by ChaBR/LBier. Scenery and costumes by William Chappell.
Enigma variations. Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Soirée musicale. Dances arranged by Anthony Tudor. Music by Rossini-BR/LBitten. Décor by Hugh Stevenson.
Mephisto valse. Ballet by Frederick Ashton. Music by Liszt. Costumes and setting by Sophie Fedorovitch.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Lady into fox. (After the novel by David Garnett). Choreography by Andrée Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Carnival. Music by Schumann. Costumes after Bakst.
Czerny 2. (Choreography by Frank Staff. Music by Czerny. Décor by Eve Swinstead-Smith.
La Fête étrange. Choreography by Andrée Howard. Music by Fauré, selected by Ronald Crichton. Décor by Sophie Fedorovitch.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes by Bakst.
Dances from Auorora's wedding. Choreography by Petipa. Music by Tchaikowsky.
Planets. Ballet by Antony Tudor. Music by Gustav Holst. Décor by Hugh Stevenson.
Facade (original version). Ballet by Frederick Ashton. Music by William Walton. Décor and costumes by John Armstrong.
Capriol suite. Music by Peter Warlock (on themes by Thoinot-Arbeau). Choreography by Frederick Ashton. Costumes by William Chappell.
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre.
4 December, 1940.
Les Masques (ou, Changement de dames). Ballet by Frederick Ashton. Music by Poulenc. Décor and costumes by Sophie Fedorovitch.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre.
3 December, 1940.
Tartans. Music by Boyce. Ballet by Frank Staff.
Judgement of Paris. Dances arranged by Antony Tudor. Music by Kurt Weill. Theme and costumes by Hugh Laing.
Gala performance. Music by Prokofiev. Décor by Hugh Stevenson.
Enigma variations. Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Les Masques (ou, Changement de dames). Ballet by Frederick Ashton. Music by Poulenc. Décor and costumes by Sophie Fedorovitch.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre.
2 December, 1940.
Le Pas des déesses. Ballet by Keith Lester. Music by César Pugni, arranged by Leighton Lucas. Setting and costumes, after contemporary lithographs, by John Guthrie and Hugh Stevenson respectively.
Enigma variations (first London performance). Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Gala performance. Music by Prokofiev. Décor by Hugh Stevenson.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes by Bakst.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre.
22 June, 1940.
Mermaid. Choreography by Andree Howard and Susan Salaman. Music by Ravel. Costumes and setting by Andree Howard.
Capriol suite. Choreography by Frederick Ashton. Music by Peter Warlock (on themes by Thoinot-Arbeau). Costumes by William Chappell.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor by Hugh Stevenson.
Facade. Choreography by Frederick Ashton. Music by William Walton. Setting and costumes by John Armstrong.
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre.
15 May, 1941.
Mephisto valse. Ballet by Frederick Ashton. Music by Liszt. Costumes and setting by Sophie Fedorovitch.
Czerny 2. (1st. performance) Choreography by Frank Staff. Music by Czerny. Decor by Eve Swinstead-Smith.
Mermaid. Choreography by Andree Howard and Susan Salaman. Music by Ravel. Costumes and setting by Andree Howard.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor by Hugh Stevenson.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor by Hugh Stevenson.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard .
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre.
29 June, 1940.
Les Valses sentimentales. Choreography by Walter Gore. Music by Ravel. Scenery and costumes by Sophie Fedorovitch.
Tartans. Dances by Frank Staff. Music by Boyce. Costumes by William Chappell.
La Fête étrange. Choreography by Andree Howard. Music by Fauré (selected by Ronald Crichton). Décor and costumes by Sophie Fedorovitch.
Facade. Ballet by Frederick Ashton. Music by William Walton. Decor and costumes by John Armstrong.
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Arts Theatre of Cambridge.
25-30 November, 1940.
La Fête étrange. Choreography by Andree Howard. Music by Fauré (selected by Ronald Crichton). Décor and costumes by Sophie Fedorovitch.
The Tartans. Dances by Frank Staff. Music by Boyce. Costumes by William Chappell.
Lady into fox. (After the novel by David Garnett). Choreography by Andree Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Bar aux Folies-Bergère. Choreography by Ninette de Valois. Music by ChaBR/LBier. Scenery and costumes by William Chappell.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Enigma variations. Choreography by Frank Staff. Music by Elgar. Designs by Guy Sheppard.
Death and the maiden. (The Andante cantabile from Schubert's Quartet in D minor). Choreography and costumes by Andree Howard.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor by Hugh Stevenson.
La Fête étrange. Choreography by Andree Howard. Music by Fauré (selected by Ronald Crichton). Décor and costumes by Sophie Fedorovitch.
Dark elegies. Ballet by Antony Tudor. Music by Mahler. Decor and costumes by Nadia Benois.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Judgement of Paris. Dances arranged by Antony Tudor. Music by Kurt Weill. Theme and costumes by Hugh Laing.
Capriol suite. Music by Peter Warlock (on themes by Thoinot-Arbeau). Choreography by Frederick Ashton. Costumes by William Chappell.
L'Après-midi d'un faune. Ballet by Nijinsky. Music by Debussy. Costumes by Bakst.
Les Masques (ou, Changement de dames). Ballet by Frederick Ashton. Music by Poulenc. Décor and costumes by Sophie Fedorovitch.
Mephisto valse. Ballet by Frederick Ashton. Music by Liszt. Costumes and setting by Sophie Fedorovitch .
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Birmingham Repertory Theatre.
8-20 July, 1940.
Soirée musicale. Dances arranged by Anthony Tudor. Music by Rossini-BR/LBitten. Decor and costumes by Hugh Stevenson.
Our Lady's juggler. Ballet, costumes and settings by Andree Howard and Susan Salaman. Music by Respighi.
Lady into fox. (After the novel by David Garnett). Choreography by Andree Howard. Music by Arthur Honegger. Scenery and costumes by Nadia Benois.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor and costumes by Hugh Stevenson.
Valses sentimentales. Choreography by Walter Gore. Music by Ravel. Scenery and costumes by Sophie Fedorovitch.
Mermaid. Choreography, scenery and costumes by Andree Howard. Music by Ravel.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Les Sylphides. Choreography by Michel Fokine. Music by Chopin.
Sporting sketches. Choreography and costumes by Susan Salaman. a. Le Cricket. Music by Arthur Benjamin. b. Le Rugby. Music by Poulenc. c. Le Boxing. Music by Lord Berners.
Facade. Choreography by Frederick Ashton. Music by William Walton. Decor and costumes by John Armstrong.
Peter and the wolf. (A fable without a moral). Choreography by Frank Staff. Music by Prokofiev. Costumes and setting by Guy Sheppard.
Death and the maiden. Choreography and costumes by Andree Howard. Music by Schubert - the Andante cantabile from Quartet in D minor.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor and costumes by Hugh Stevenson.
Bar aux Folies-Bergère (after Manet's painting). Choreography by Ninette de Valois. Music by ChaBR/LBier. Scenery and costumes by William Chappell.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie.
La Fête étrange. Décor and costumes by Sophie Fedorovitch. Music by Fauré, selected by Ronald Crichton .
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Theatre Royal, Brighton.
1-6 July, 1940.
Soirée musicale. Dances arranged by Anthony Tudor. Music by Rossini-BR/LBitten. Decor and costumes by Hugh Stevenson.
Lady into fox. (After the novel by David Garnett). Music by Arthur Honegger. Choreography by Andrée Howard. Scenery and costumes by Nadia Benois.
La Fête étrange. Music by Fauré, selected by Ronald Crichton. Décor and costumes by Sophie Fedorovitch. Choreography by Andrée Howard.
Bar aux Folies-Bergère (after Manet's painting). Music by ChaBR/LBier. Choreography by Ninette de Valois. Scenery and costumes by William Chappell.
Les Sylphides. Music by Chopin. Choreography by Michel Fokine.
Our Lady's juggler. Music by Respighi. Ballet, costumes and settings by Andree Howard and Susan Salaman.
Peter and the wolf. (A fable without a moral). Music by Prokofiev. Choreography by Frank Staff. Costumes and setting by Guy Sheppard.
Les Valses sentimentales. Music by Ravel. Choreography by Walter Gore. Scenery and costumes by Sophie Fedorovitch.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Décor and costumes by Hugh Stevenson.
Czernyana. Choreography by Frank Staff. Music by Czerny. Scenery and costumes by Eve Swinstead-Smith.
Death and the maiden. Music by Schubert (the Andante cantabile from Quartet in D minor). Choreography and costumes by Andree Howard.
Facade. Ballet by Frederick Ashton. Music by William Walton. Decor and costumes by John Armstrong.
Sporting sketches. Choreography and costumes by Susan Salaman. 1. Le Cricket. Music by Arthur Benjamin. 2. Le Rugby. Music by Poulenc. 3. Le Boxing. Music by Lord Berners.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Décor and costumes by Hugh Stevenson .
[Performance programmes: Ballet Rambert and London Ballet. Box BR/LB]

Ballets Jooss

Cambridge Arts Theatre.
23-28 February, 1953.
A Ball in old Vienna. Choreography by Kurt Jooss. Music by Joseph Lanner, arranged by F.A. Cohen. Costumes by Aino Siimola.
The Big city. Ballet by Kurt Jooss. Music by Alexandre Tansman. Costumes by Hein Heckroth.
Le Bosquet (The Grove). Ballet by Hans Zullig. Music by Jean Philippe Rameau, arranged by Martin Penny. Costumes and decor by Doris Zinkeisen.
Colombinade. Ballet by Kurt Jooss. Music by Johann Strauss and Aleida Montijn. Costumes by Rochus Gliese.
Fantasy. Composition for two soli and esnemble by Hans Zullig. Music by Franz Schubert. Costumes by Rochus Gliese.
The Green table. Dance-drama by Kurt Jooss. Music by F. A. Cohen. Costumes by Hein Heckroth.
Journey in the fog. Ballet in four movements by Kurt Jooss. Music by Aleida Montijn. Costumes by Robert Pudlich.
The Night train. Ballet by Kurt Jooss. Music by Alexandre Tansman. Costumes by Robert Pudlich.
Pavane. Choreography by Kurt Jooss. Music by Maurice Ravel. Costumes by Sigurd Leeder.
Song of youth (Dithyrambus). Ballet by Kurt Jooss. Music by G.F. Handel, arranged for two pianos by Horst Bitter. Costumes by Dimitri Bouchene.
[Performance programmes: Ballets Jooss. Box BJ]

King's Theatre, Hammersmith.
13 March, 1947.
Sailor's fancy. A farce in five scenes by Sigured Leeder. Music from Folk Melodies by Martin Penny. Costumes and decor by Hein Heckroth.
Le Bosquet (The Grove). Ballet by Hans Zullig. Music by Jean Philippe Rameau, arranged by Martin Penny. Costumes and decor by Doris Zinkeisen.
Pandora. Ballet in two parts by Kurt Jooss. Music by Roberto Gerhard. Costumes and decor by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

King's Theatre, Hammersmith.
12 March, 1947.
Ballade. Ballet by Kurt Jooss from an old French folk song. Music by James Colman (free variations on the same song). Costumes by Hein Heckroth.
The Big city. Ballet by Kurt Jooss. Music by Alexandre Tansman.
Company at the manor. Ballet in four movements by Kurt Jooss. Music by Beethoven: Sonata in F major (Spring Sonata). Arranged for two pianos by John Cook. Costumes and decor by Doris Zinkeisen.
The Green table. Dance-drama by Kurt Jooss. Music by F. A. Cohen. Costumes by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Old Vic.
22-27 May, 1939.
A Spring tale. Romantic ballet in four parts by Kurt Jooss. Music by F.A. Cohen. Costumes by Hein Heckroth.
The Big city. Ballet by Kurt Jooss. Music by Alexander Tansman. Costumes by Hein Heckroth.
Chronica. Dance drama in three acts and a prelude, by Kurt Jooss. Music by Berthold Goldschmidt. Costumes by Dimitri Bouchene.
The Seven heroes. Comic ballet by Kurt Jooss (from the Fairy-Tale by the Brothers Grimm). Music after Henry Purcell, by Fritz A. Cohen. Costumes and scenery by Hein Heckroth.
Pavane. Choreography by Kurt Jooss. Music by Maurice Ravel. Costumes by Sigurd Leeder.
The Green table. Dance-drama by Kurt Jooss. Music by Fritz. A. Cohen. Costumes by Hein Heckroth.
A Ball in old Vienna. Choreography by Kurt Jooss. Music by Joseph Lanner, arranged by Fritz. A. Cohen. Costumes by Aino Siimola.
[Performance programmes: Ballets Jooss. Box BJ]

Sadler's Wells Theatre.
7 April, 1953.
Song of youth (Dithyrambus). Ballet by Kurt Jooss. Music by G.F. Handel, arranged for two pianos by Horst Bitter. Costumes by Dimitri Bouchene.
The Big city. Ballet by Kurt Jooss. Music by Alexandre Tansman. Costumes by Hein Heckroth.
Colombinade. Ballet by Kurt Jooss. Music by Johann Strauss and Aleida Montijn. Costumes by Rochus Gliese.
The Green table. Dance-drama by Kurt Jooss. Music by F. A. Cohen. Costumes by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Sadler's Wells Theatre.
16 April, 1953.
Song of youth (Dithyrambus). Ballet by Kurt Jooss. Music by G.F. Handel, arranged for two pianos by Horst Bitter. Costumes by Dimitri Bouchene.
The Night train. Ballet by Kurt Jooss. Music by Alexandre Tansman. Costumes by Robert Pudlich.
A Ball in old Vienna. Choreography by Kurt Jooss. Music by Joseph Lanner, arranged by F.A. Cohen. Costumes by Aino Siimola.
The Green table. Dance-drama by Kurt Jooss. Music by F. A. Cohen. Costumes by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Theatre Royal, Brighton.
13 June, 1945.
The Prodigal son. A legend in dance by Kurt Jooss. Music by F.A. Cohen. Orchestrated by John Cook. Costumes by Dimitri Bouchene.
A Ball in old Vienna. Choreography by Kurt Jooss. Music by Joseph Lanner, arranged by F. A. Cohen. Orchestrated by Professor Edward J. Dent. Costumes by Aino Siimola.
The Green table. Dance-drama by Kurt Jooss. Music by F. A. Cohen. Costumes by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Winter Garden Theatre.
12 July, 1945.
Sailor's fancy. A farce in five scenes by Sigured Leeder. Music from Folk Melodies by Martin Penny. Costumes and decor by Hein Heckroth.
Pavane. Choreography by Kurt Jooss. Music by Maurice Ravel. Costumes by Sigurd Leeder.
A Ball in old Vienna. Choreography by Kurt Jooss. Music by Joseph Lanner, arranged by F. A. Cohen. Orchestrated by Professor Edward J. Dent. Costumes by Aino Siimola.
Pandora. Ballet in two part by Kurt Jooss. Music by Roberto Gerhard. Costumes and decor by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Winter Garden Theatre.
17 July, 1945.
The Prodigal son. A legend in dance by Kurt Jooss. Music by F.A. Cohen. Orchestrated by John Cook. Costumes by Dimitri Bouchene.
Le Bosquet (The Grove). Ballet by Hans Zullig. Music by Jean Philippe Rameau, arranged by Martin Penny. Costumes and decor by Doris Zinkeisen.
The Green table. Dance-drama by Kurt Jooss. Music by F. A. Cohen. Costumes by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Winter Garden Theatre.
20 August, 1945.
The Seven heroes. Comic ballet by Kurt Jooss (from the Fairy-Tale by the Brothers Grimm). Music after Henry Purcell, by F. A. Cohen. Orchestrated by John Cook. Costumes and scenery by Hein Heckroth.
Le Bosquet (The Grove). Ballet by Hans Zullig. Music by Jean Philippe Rameau, arranged by Martin Penny. Costumes and decor by Doris Zinkeisen.
Pandora. Ballet in two part by Kurt Jooss. Music by Roberto Gerhard. Costumes and decor by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Wimbledon Theatre.
11-12, 14 (matinee), and 16 October, 1943.
Ballade. Ballet by Kurt Jooss from an old French folk song. Music by John Colman (free variations on the same song). Costumes by Hein Heckforth.
The Big city. Ballet by Kurt Jooss. Music by Alexander Tansman. Costumes by Hein Heckroth.
Company at the manor. Ballet in four movements by Kurt Jooss. Music by Beethoven: Sonata in F major (Spring Sonata). Arranged for two pianos by J. Cook. Costumes and decor by Doris Zinkeisen.
The Prodigal son. A legend in dance by Kurt Jooss. Music by F.A. Cohen. Costumes by Dimitri Bouchene.
[Performance programmes: Ballets Jooss. Box BJ]

Winter Garden Theatre.
28 July, 1945.
The Seven heroes. Comic ballet by Kurt Jooss (from the Fairy-Tale by the Brothers Grimm). Music after Henry Purcell, by F. A. Cohen. Orchestrated by John Cook. Costumes and scenery by Hein Heckroth.
Le Bosquet (The Grove). Ballet by Hans Zullig. Music by Jean Philippe Rameau, arranged by Martin Penny. Costumes and decor by Doris Zinkeisen.
Pandora. Ballet in two part by Kurt Jooss. Music by Roberto Gerhard. Costumes and decor by Hein Heckroth.
[Performance programmes: Ballets Jooss. Box BJ]

Ballets Russes (Col. W. De Basil)

Royal Opera House, Covent Garden.
19 June, 1935.
Contes Russes (Children's tales). Music by Liadoff. Choreography by Léonide Massine. Scenery and costumes by Michel Larionoff.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
24 June, 1935.
Contes Russes (Children's tales). Music by Liadoff. Choreography by Léonide Massine. Scenery and costumes by Michel Larionoff.
Le Bal (The Ball). Ballet in one act and two scenes. Music by Vittorio Rieti. Book and choreography by Léonide Massine. Curtain, scenery and costumes by Georges de Chirico.
Le Beau Danube (The Beautiful Danube). Character ballet. Music by Johann Strauss. Arranged and orchestrated by Roger Desormiere. Book and choreography by Léonide Massine. Scenery by Vladimir Polunin, after Constantin Guys. Costumes by Count Etienne de Beaumont.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
23 July, 1935.
Les Sylphides. A romantic reverie in one act. Music by Chopin. Orchestrated by Vittorio Rieti. Choreography after Michel Fokine. Scenery by Prince A. Schervachidze, after Corot.
Jardin Public (The Public Gardens). Libretto by Vladimir Dukelsky and Léonide Massine based on a Fragment from André Gide's "The Counterfeiters". Music by Vladimir Dukelsky. Choreography by Léonide Massine. Scenery and costumes by Jean Lurçat.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
15 June, 1936.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
Choreartium. Choreographic symphony. Music, Brahms' 4th Symphony. Choreography by Léonide Massine. Scenery and costumes by Constantin Terechkovitch and Eugène Lourie. Curtain by Georges Annenkoff. Scenery executed by Elisabeth Polunin.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
24 July, 1936.
Les Cent Baisers (The Hundred Kisses). Libretto by Boris Kochno after the Fairy Tale by Hans Andersen. Music by Frederic d'Erlanger. Choreography by Bronisalva Nijinska. Scenery and costumes by Jean Hugo. Scenery executed by Prince A. Schervachidze.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
2 July, 1937.
Le Pavillon. Ballet by Boris Kochno on music by Borodine. Arranged and orchestrated by Antal Dorati. Choreography by David Lichine. Scenery and costumes by Cecil Beaton. Scenery executed by Prince A. Schervachidze. Costumes executed by Madame B. Karinsky.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Le Beau Danube (The Beautiful Danube). Character ballet. Music by Johann Strauss. Arranged and orchestrated by Roger Desormiere. Book and choreography by Léonide Massine. Scenery by Vladimir Polunin, after Constantin Guys. Costumes by Count Etienne de Beaumont.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
3 July, 1937.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
Choreartium. Choreographic symphony. Music, Brahms' 4th Symphony. Choreography by Léonide Massine. Scenery and costumes by Constantin Terechkovitch and Eugène Lourie. Curtain by Georges Annenkoff. Scenery executed by Elisabeth Polunin.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
6 July, 1937.
Les Femmes de bonne humeur (The Good-Humoured Ladies). Ballet in one act after a Comedy by Carlo Goldoni. Music by Domenico Scarlatti. Orchestrated and arranged by Vincenzo Tommasini. Choreography by Léonide Massine. Scenery and costumes by Léon Bakst.
Le Tricorne (The Three-Cornered Hat). Ballet by Martinez Sierra, drawn from a Fable by Alarcon. Music by Manuel de Falla. Choreography by Léonide Massine. Scenery and costumes by Pablo Picasso.
L'Après-Midi d'un faune. Choreographic poem. Music by Claude Debussy. Chorography after Waslaw Nijinsky. Scenery by Prince A. Schervachidze. Costumes by Léon Bakst.
Danses slaves et tziganes (Gypsy dances). From the Russian opera "Roussalka". Music by A. Dargomijsky. Choreography by Bronislava Nijinska. Scenery by A. Golovine. Costumes by C. Korovine, executed by helene Pons, New York.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
6 September, 1937.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
Petrouchka. A burlesque in four acts. Book by Alexadre Benois and Igor Stravinsky. Music by Igor Stravinsky. Choreography by Michel Fokine. Curtain, scenery and costumes by Alexandre Benois.
Prince Igor. Polovtsien dances from the opera "Prince Igor". Music by Borodine. Choreography by Michel Fokine. Choreography of the first two Dances by Bronislava Nijinska. Scenery and costumes by Nicholas Boerich .
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
18 September (8.45 p.m.), 1937.
Les Sylphides. A romantic reverie in one act by Michel Fokine. Music by Chopin. Orchestrated by Vittorio Rieti. Choreography after Michel Fokine. Scenery by Prince A. Schervachidze, after Corot. Costumes executed by O. Larose.
Francesca da Rimini. Ballet in two scenes by David Lichine and Henry Clifford, partly drawn from Dante. Music by P. Tchaikovsky. Choreography by David Lichine. Scenery and costumes by Oliver Messel. Scenery executed by Prince A. Schervachidze. Costumes executed by B. Karinsky.
Les Dieux mendiants (The Gods Go A-Begging). Pastorale by Sobeka. Music by Handel, arranged by Sir Thomas Beecham. Choreography by David Lichine. Scenery by Léon Bakst. Costumes by Juan Gris.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
15 July, 1937.
Les Sylphides. A romantic reverie in one act. Music by Chopin. Orchestrated by Vittorio Rieti. Choreography after Michel Fokine. Scenery by Prince A. Schervachidze, after Corot. Costumes executed by O. Larose.
Francesca da Rimini (First performance). Ballet in two scenes by David Lichine and Henry Clifford, partly drawn from Dante. Music by P. Tchaikovsky. Choreography by David Lichine. Scenery and costumes by Oliver Messel. Scenery executed by Prince A. Schervachidze. Costumes executed by B. Karinsky.
Le Spectre de la rose (The Spirit of the Rose). Romantic poem in one act by J.J. Vaudoyer after the poem by Theophile Gautier. Music by C.M. Weber. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
1 July, 1937.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
7 July, 1937.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Scheherazade. Choreographic drama in one act by Michel Fokine and Léon Bakst. Music by Rimsky-Korsakoff. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
8 July, 1937.
Papillons (The Butterflies). Ballet in one act. Music by Robert Schumann, arranged by N. Tcherepnine. Choreography by Michel Fokine. Scenery designed and executed by M. Doboujinsky. Costumes by Léon Bakst.
Jeux d'enfants (Children's games). Ballet by Boris Kochno. Music by Georges Bizet. Curtain, scenery, costumes and designs by Joan Miro. Choreography by Léonide Massine. Curtain painted by Joan Miro. Scenery painted by Prince A. Schervachidze. Costumes executed by Madame B. Karinsky.
Le Beau Danube (The Beautiful Danube). Character ballet. Music by Johann Strauss. Arranged and orchestrated by Roger Desormiere. Book and choreography by Léonide Massine. Scenery by Vladimir Polunin, after Constantin Guys. Costumes by Count Etienne de Beaumont.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
10 July (2.30 p.m.), 1937.
Les Femmes de bonne humeur (The Good-Humoured Ladies). Ballet in one act after a Comedy by Carlo Goldoni. Music by Domenico Scarlatti. Orchestrated and arranged by Vincenzo Tommasini. Choreography by Léonide Massine. Scenery and costumes by Léon Bakst.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Danses slaves et tziganes (Gypsy dances). From the Russian opera "Roussalka". Music by A. Dargomijsky. Choreography by Bronislava Nijinska. Scenery by A. Golovine. Costumes by C. Korovine, executed by Helene Pons, New York.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
13 July (8.45 p.m.), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Le Spectre de la rose (The Spirit of the Rose). Romantic poem in one act by J.J. Vaudoyer after the poem by Theophile Gautier. Music by C.M. Weber. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
Danses slaves et tziganes (Gypsy dances). From the Russian opera "Roussalka". Music by A. Dargomijsky. Choreography by Bronislava Nijinska. Scenery by A. Golovine. Costumes by C. Korovine, executed by Helene Pons, New York.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
14 July (8.45 p.m.), 1937.
Les Cent Baisers (The Hundred Kisses). Libretto by Boris Kochno after the Fairy Tale by Hans Andersen. Music by Frederic d'Erlanger. Choreography by Bronisalva Nijinska. Scenery and costumes by Jean Hugo. Scenery executed by Prince A. Schervachidze.
Choreartium. Choreographic symphony. Music, Brahms' 4th Symphony. Choreography by Léonide Massine. Scenery and costumes by Constantin Terechkovitch and Eugène Lourie. Curtain by Georges Annenkoff. Scenery executed by Elisabeth Polunin.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
15 July (8.45 p.m.), 1937.
Les Sylphides. A romantic reverie in one act. Music by Chopin. Orchestrated by Vittorio Rieti. Choreography by Michel Fokine. Scenery by Prince A. Schervachidze, after Corot.
Francesca da Rimini (First performance). Ballet in two scenes by David Lichine and Henry Clifford, partly drawn from Dante. Music by P. Tchaikovsky. Choreography by David Lichine. Scenery and costumes by Oliver Messel. Scenery executed by Prince A. Schervachidze. Costumes executed by B. Karinsky.
Le Spectre de la rose (The Spirit of the Rose). Romantic poem in one act by J.J. Vaudoyer after the poem by Theophile Gautier. Music by C.M. Weber. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
19 July (8.45 p.m.), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Francesca da Rimini. Ballet in two scenes by David Lichine and Henry Clifford, partly drawn from Dante. Music by P. Tchaikovsky. Choreography by David Lichine. Scenery and costumes by Oliver Messel. Scenery executed by Prince A. Schervachidze. Costumes executed by B. Karinsky.
Choreartium. Choreographic symphony. Music, Brahms' 4th Symphony. Choreography by Léonide Massine. Scenery and costumes by Constantin Terechkovitch and Eugène Lourie. Curtain by Georges Annenkoff. Scenery executed by Elisabeth Polunin .
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
21 July (2.30 p.m.), 1937.
Le Pavillon. Ballet by Boris Kochno on music by Borodine. Arranged and orchestrated by Antal Dorati. Choreography by David Lichine. Scenery and costumes by Cecil Beaton. Scenery executed by Prince A. Schervachidze. Costumes executed by Madame B. Karinsky.
Jeux d'enfants (Children's games). Ballet by Boris Kochno. Music by Georges Bizet. Curtain, scenery, costumes and designs by Joan Miro. Choreography by Léonide Massine. Curtain painted by Joan Miro. Scenery painted by Prince A. Schervachidze. Costumes executed by Madame B. Karinsky.
Scuola di Ballo (The School of Dance). A comedy by Carlo Goldoni. Arranged and adapted by Léonide Massine. Music by Boccherini. Orchestrated by J. Francaix. Choreography by Léonide Massine. Scenery and costumes by Count Etienne de Beaumont. Scenery executed by Prince A. Schervachidze.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
24 July (8.45 p.m.), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain .
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
27 July (8.45 p.m.), 1937.
Jeux d'enfants (Children's games). Ballet by Boris Kochno. Music by Georges Bizet. Curtain, scenery, costumes and designs by Joan Miro. Choreography by Léonide Massine. Curtain painted by Joan Miro. Scenery painted by Prince A. Schervachidze. Costumes executed by Madame B. Karinsky.
Cleopatra. Choreographic drama in one act. Music by A. Arensky, Glazounoff, Glinka, Moussorgsky, Rimsky-Korsakoff, Tanaieff, Tcherepnine. Choreography by Michel Fokine. Scenery by Robert Delauny. Costumes by Leon Bakst.
L'Oiseau de feu (The Fire-Bird). Ballet in two scenes by Michel Fokine drawn from Russian folk tales. Music by Igor Stravinsky. Choreography by Michel Fokine. Scenery and costumes by N. Gontcharova.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
29 July (8.45 p.m.), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Le Tricorne (The Three-Cornered Hat). Ballet by Martinez Sierra, drawn from a Fable by Alarcon. Music by Manuel de Falla. Choreography by Léonide Massine. Scenery and costumes by Pablo Picasso.
Le Spectre de la rose (The Spirit of the Rose). Romantic poem in one act by J.J. Vaudoyer after the poem by Theophile Gautier. Music by C.M. Weber. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
Prince Igor. Polovtsien dances from the opera "Prince Igor". Music by Borodine. Choreography by Michel Fokine. Choreography of the first two Dances by Bronislava Nijinska. Scenery and costumes by Nicholas Boerich .
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
31 July (8.45 p.m.), 1937.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
Francesca da Rimini. Ballet in two scenes by David Lichine and Henry Clifford, partly drawn from Dante. Music by P. Tchaikovsky. Choreography by David Lichine. Scenery and costumes by Oliver Messel. Scenery executed by Prince A. Schervachidze. Costumes executed by B. Karinsky.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
8 September (2.30 p.m.), 1937.
La Boutique fantasque (The Fantastic Toy-Shop). A ballet in one act. Music by G. Rossini. Orchestrated by Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
Prince Igor. Polovtsien dances from the opera "Prince Igor". Music by Borodine. Choreography by Michel Fokine. Choreography of the first two Dances by Bronislava Nijinska. Scenery and costumes by Nicholas Boerich.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
8 September (8.45 p.m), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Choreartium. Choreographic symphony. Music, Brahms' 4th Symphony. Choreography by Léonide Massine. Scenery and costumes by Constantin Terechkovitch and Eugène Lourie. Curtain by Georges Annenkoff. Scenery executed by Elisabeth Polunin.
Le Beau Danube (The Beautiful Danube). Character ballet. Music by Johann Strauss. Arranged and orchestrated by Roger Desormiere. Book and choreography by Léonide Massine. Scenery by Vladimir Polunin, after Constantin Guys. Costumes by Count Etienne de Beaumont.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
14 September (8.45 p.m.), 1937.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Le Beau Danube (The Beautiful Danube). Character ballet. Music by Johann Strauss. Arranged and orchestrated by Roger Desormiere. Book and choreography by Léonide Massine. Scenery by Vladimir Polunin, after Constantin Guys. Costumes by Count Etienne de Beaumont.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
18 September (2.30 p.m.), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Petrouchka. A burlesque in four acts. Book by Alexadre Benois and Igor Stravinsky. Music by Igor Stravinsky. Choreography by Michel Fokine. Curtain, scenery and costumes by Alexandre Benois.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
22 September (2.30 p.m.), 1937.
Les Dieux mendiants (The Gods Go A-Begging). Pastorale by Sobeka. Music by Handel, arranged by Sir Thomas Beecham. Choreography by David Lichine. Scenery by Léon Bakst. Costumes by Juan Gris.
Francesca da Rimini. Ballet in two scenes by David Lichine and Henry Clifford, partly drawn from Dante. Music by P. Tchaikovsky. Choreography by David Lichine. Scenery and costumes by Oliver Messel. Scenery executed by Prince A. Schervachidze. Costumes executed by B. Karinsky.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
22 September (8.45 p.m.), 1937.
Les Sylphides. A romantic reverie in one act by Michel Fokine. Music by Chopin. Orchestrated by Vittorio Rieti. Choreography by Michel Fokine. Scenery by Prince A. Schervachidze, after Corot. Costumes executed by O. Larose.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Danses slaves et tziganes (Gypsy dances). From the Russian opera "Roussalka". Music by A. Dargomijsky. Choreography by Bronislava Nijinska. Scenery by A. Golovine. Costumes by C. Korovine, executed by Helene Pons, New York.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
25 September (2.30 p.m.), 1937.
Les Sylphides. A romantic reverie in one act by Michel Fokine. Music by Chopin. Orchestrated by Vittorio Rieti. Choreography by Michel Fokine. Scenery by Prince A. Schervachidze, after Corot. Costumes executed by O. Larose.
Les Dieux mendiants (The Gods Go A-Begging). Pastorale by Sobeka. Music by Handel, arranged by Sir Thomas Beecham. Choreography by David Lichine. Scenery by Léon Bakst. Costumes by Juan Gris.
Le Spectre de la rose (The Spirit of the Rose). Romantic poem in one act by J.J. Vaudoyer after the poem by Theophile Gautier. Music by C.M. Weber. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
29 September (2.30 p.m.), 1937.
Les Sylphides. A romantic reverie in one act by Michel Fokine. Music by Chopin. Orchestrated by Vittorio Rieti. Choreography by Michel Fokine. Scenery by Prince A. Schervachidze, after Corot. Costumes executed by O. Larose.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Danses slaves et tziganes (Gypsy dances). From the Russian opera "Roussalka". Music by A. Dargomijsky. Choreography by Bronislava Nijinska. Scenery by A. Golovine. Costumes by C. Korovine, executed by Helene Pons, New York.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
29 September (8.45 p.m.), 1937.
Les Dieux mendiants (The Gods Go A-Begging). Pastorale by Sobeka. Music by Handel, arranged by Sir Thomas Beecham. Choreography by David Lichine. Scenery by Léon Bakst. Costumes by Juan Gris.
Le Coq d'or (The Golden Cockerel). Ballet in three scenes based on the fairy tale by Pouchkine and the Opera libretto by Bielsky. Choreographic version by Michel Fokine. Music from the opera "Le Coq d'or" by Rimsky-Korsakoff. Adapted by N. Tcherepnine. Curtain, scenery and costumes by Nathalie Gontcharova. Scenery executed by Prince A. Schervachidze. Costumes executed by Madame B. Karinska.
Prince Igor. Polovtsien dances from the opera "Prince Igor". Music by Borodine. Choreography by Michel Fokine. Choreography of the first two Dances by Bronislava Nijinska. Scenery and costumes by Nicholas Boerich.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
2 October (2.30 p.m.), 1937.
Jeux d'enfants (Children's games). Ballet by Boris Kochno. Music by Georges Bizet. Curtain, scenery, costumes and designs by Joan Miro. Choreography by Léonide Massine. Curtain painted by Joan Miro. Scenery painted by Prince A. Schervachidze. Costumes executed by Madame B. Karinsky.
Le Mariage d'Aurore (Aurora's Wedding). Ballet in one act. Music by P. Tchaikovsky. Choreography after Marius Petipa. Scenery by Léon Bakst. Costumes by Alexandre Benois.
Les Dieux mendiants (The Gods Go A-Begging). Pastorale by Sobeka. Music by Handel, arranged by Sir Thomas Beecham. Choreography by David Lichine. Scenery by Léon Bakst. Costumes by Juan Gris.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
2 October (8.45 p.m.), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Scheherazade. Choreographic drama in one act by Michel Fokine and Léon Bakst. Music by Rimsky-Korsakoff. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
Choreartium. Choreographic symphony. Music, Brahms' 4th Symphony. Choreography by Léonide Massine. Scenery and costumes by Constantin Terechkovitch and Eugène Lourie. Curtain by Georges Annenkoff. Scenery executed by Elisabeth Polunin.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
5 October (8.45 p.m.), 1937.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Symphonie Fantastique (An Episode in the Life of an Artist). Choreographic symphony. Music and book by Berlioz. Choreography by Léonide Massine. Scenery and costumes by Christian Berard. Scenery executed by Prince A. Schervachidze.
Les Dieux mendiants (The Gods Go A-Begging). Pastorale by Sobeka. Music by Handel, arranged by Sir Thomas Beecham. Choreography by David Lichine. Scenery by Léon Bakst. Costumes by Juan Gris.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
6 October (2.30 p.m.), 1937.
Jeux d'enfants (Children's games). Ballet by Boris Kochno. Music by Georges Bizet. Curtain, scenery, costumes and designs by Joan Miro. Choreography by Léonide Massine. Curtain painted by Joan Miro. Scenery painted by Prince A. Schervachidze. Costumes executed by Madame B. Karinsky.
Scheherazade. Choreographic drama in one act by Michel Fokine and Léon Bakst. Music by Rimsky-Korsakoff. Choreography by Michel Fokine. Scenery and costumes by Léon Bakst.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Royal Opera House, Covent Garden.
8 October, 1937.
Les Dieux mendiants (The Gods Go A-Begging). Pastorale by Sobeka. Music by Handel, arranged by Sir Thomas Beecham. Choreography by David Lichine. Scenery by Léon Bakst. Costumes by Juan Gris.
Le Coq d'or (The Golden Cockerel). Ballet in three scenes based on the fairy tale by Pouchkine. Choreographic version by Michel Fokine. Music from the opera "Le Coq d'or" by Rimsky-Korsakoff. Adapted by N. Tcherepnine. Curtain, scenery and costumes by Nathalie Gontcharova. Scenery executed by Prince A. Schervachidze. Costumes executed by Madame B. Karinska.
Le Lion amoureux (The Lion in Love). Ballet in one act by David Lichine and Henry Clifford. Suggested by the fable of La Fontaine. Music by Karol Rathaus. Choreography by David Lichine. Curtain, scenery and costumes by Pierre Roy. Scenery executed by Prince A. Schervachidze. Costumes executed by Madame B. Karinska.
[Performance programmes: Ballets Russes (Col. W. de Basil). Box BRUB]

Ballet Theatre

Royal Opera House, Covent Garden.
4 July, 1946.
Les Sylphides. A ballet in one act by Michel Fokine. Music by Frederic Chopin. Orchestrated by Benjamin Britten. Choreography by Michel Fokine. Decor by Eugene Dunkel after Jean Corot. Costume fabrics by Dazian.
Fancy free. A ballet in one scene by Jerome Robbins. Music by Leonard Bernstein. Choreography by Jerome Robbins. Scenery designed by Oliver Smith. Costumes designed by Kermit Love. Scenery executed by Eugene B. Dunkel Studio. Ladies' costumes executed by Lutyens. Lighting by Peter Lawrence.
Black Swan. (Grand Pas-de-Deux from Act III, "Swan Lake"). Choreography by Anton Dolin after Petipa. Music by Tchaikovsky. Costumes by Karinska.
Bluebeard. Ballet by Michel Fokine after the opera bouffe by Meilhac and Halevy. Music by Jacques Offenbach arranged by Karinska. Hats for principals executed by John Frederics. Scenery executed by Eugene B. Dunkel Studio .
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
5 July, 1946.
Les Sylphides. A ballet in one act by Michel Fokine. Music by Frederic Chopin. Orchestrated by Benjamin Britten. Choreography by Michel Fokine. Decor by Eugene Dunkel after Jean Corot. Costume fabrics by Dazian.
Pillar of fire. Ballet by Antony Tudor. Music by Arnold Schoenberg ("Verklaerte Nacht"). Setting and costumes by Joe Mielziner. Settings executed by Bergman Sudios. Costumes executed by Karinska.
Grand Pas de Deux from Don Quixote. Music by Leon Minkus. Choreography by Anatole Oboukhoff after Marius Petipa. Costumes by Karinska.
Helen of Troy. Ballet in prologue and Three Scenes by David Lichine and Antal Dorati. Music by Offenbach, arranged and orchestrated by Antal Dorati. Scenery and costumes by Marcel Vertes. Choreography by David Lichine. Supervised by Dimitri Romanoff. Costumes executed by Karinska Inc., and Mme Berthe.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
10 July, 1946.
Les Sylphides. A ballet in one act by Michel Fokine. Music by Frederic Chopin. Orchestrated by Benjamin Britten. Choreography by Michel Fokine. Decor by Eugene Dunkel after Jean Corot. Costume fabrics by Dazian.
Pillar of fire. Ballet by Antony Tudor. Music by Arnold Schoenberg ("Verklaerte Nacht"). Setting and costumes by Joe Mielziner. Settings executed by Bergman Sudios. Costumes executed by Karinska.
Grand Pas de Deux from Don Quixote. Music by Leon Minkus. Choreography by Anatole Oboukhoff after Marius Petipa. Costumes by Karinska.
Helen of Troy. Ballet in prologue and Three Scenes by David Lichine and Antal Dorati. Music by Offenbach, arranged and orchestrated by Antal Dorati. Scenery and costumes by Marcel Vertes. Choreography by David Lichine. Supervised by Dimitri Romanoff. Costumes executed by Karinska Inc., and Mme Berthe.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
11 July, 1946.
Petrouchka. A burlesque in one act. By Igor Stravinsky and Alexandre Benois. Choreography by Michel Fokine. Decor after Alexandre Benois from the original dessigns in the Avery memorial Museum, Hartford, Connecticut.
Interplay. Ballet in one act by Jerome Robbins. Music by Morton Gould. Choreography by Jerome Robbins. Scenery by Oliver Smith. Executed by Eugene B. Dunkel Studios. Costumes by Irene Sharaff. Executed by Karinska.
Pas de Deux from "Casse Noisette". Choreography by Anton Dolin afer Ivanoff. Music by Tchaikowsky.
Gala performance. A ballet by Antony Tudor. Music by Serge Prokofieff. Choreography by Antony Tudor. Scenery and costumes by Nicolas de Molas. Scenery executed by Eugene Dunkel Studios .
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
15 July, 1946.
Giselle. A classsic ballet in two acts. Scenario by Theophile Gautier on a theme by Heinrich Heine. Music by Adolphe Adam, orchestrated by Harold Byrns. Choreography by Anton Dolin after Jean Coralli. Restaged by Anton Dolin. Scenery and costumes by Lucinda Ballard.
Three virgins and a devil. A ballet in one act by Ramon Reed. Music by Ottorino Respighi. Choreography by Agnes de Mille. Costumes by Motley. Scenery by Arne Lundborg after sketches by Miss Harris. Costumes executed by Karinska.
Interplay. Ballet in one act by Jerome Robbins. Music by Morton Gould. Choreography by Jerome Robbins. Scenery by Oliver Smith. Executed by Eugene B. Dunkel Studios. Costumes by Irene Sharaff. Executed by Karinska.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
18 July, 1946.
The Tragedy of Romeo and Juliet. Narrative ballet in one act by Antony Tudor. Based on the play by William Shakespeare. Music by Frederick Delius. Arranged by Antal Dorati. Scenery and costumes by Eugene Berman. Costumes executed by Karinska. Sets executed by Curran Productions.
Apollo (Apollon Musagete). Ballet in two scenes. Libretto and music for String Orchestra by Igor Stravinsky. Choreography by George Balanchine. Scenery by E.B. Dunkel Studios. Costumes by Karinska, Inc..
Fancy free. A ballet in one scene by Jerome Robbins. Music by Leonard Bernstein. Choreography by Jerome Robbins. Scenery designed by Oliver Smith. Costumes designed by Kermit Love. Scenery executed by Eugene B. Dunkel Studio. Ladies' costumes executed by Lutyens. Lighting by Peter Lawrence.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
29 July, 1946.
Apollo (Apollon Musagete). Ballet in two scenes. Libretto and music for String Orchestra by Igor Stravinsky. Choreography by George Balanchine. Scenery by E.B. Dunkel Studios. Costumes by Karinska, Inc..
Tally-ho, or The Frail quarry. A ballet by Agnes de Mille. Music by Gluck, arranged for ballet by Paul Nordoff. Costumes and scenery by Motley. Scenery executed by Triangle Scenic Studios. Ladies' costumes executed by Edith Lutyens. Mens' costumes executed by Eaves Costume Company.
On stage!. A ballet by Michael Kidd. Music by Norman Dello Joio. Choreography by Michael Kidd. Scenery by Oliver Smith, executed by Eugene B. Dunkel Studio. Costumes by Alvin Colt, executed by Eaves Costume Co..
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
22 July, 1946.
Graziana. Music, Mozart's Concerto for Violin and Orchestra in G Major K216. Choreography by John Taras. Costumes by Alvin Colt. Executed by Rose Schogel. Coiffures by Antoine.
On stage. A ballet by Michael Kidd. Music by Norman Dello Joio. Choreography by Michael Kidd. Scenery by Oliver Smith, executed by Eugene B. Dunkel Studio. Costumes by Alvin Colt, executed by Eaves Costume Co..
Black Swan. (Grand Pas-de-Deux from Act III, "Swan Lake"). Choreography by Anton Dolin after Petipa. Music by Tchaikovsky. Costumes by Karinska.
Fancy free. A ballet in one scene by Jerome Robbins. Music by Leonard Bernstein. Choreography by Jerome Robbins. Scenery designed by Oliver Smith. Costumes designed by Kermit Love. Scenery executed by Eugene B. Dunkel Studio. Ladies' costumes executed by Lutyens. Lighting by Peter Lawrence.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
25 July, 1946.
Graziana. Music, Mozart's Concerto for Violin and Orchestra in G Major K216. Choreography by John Taras. Costumes by Alvin Colt. Executed by Rose Schogel. Coiffures by Antoine.
Pillar of fire. Ballet by Antony Tudor. Music by Arnold Schoenberg ("Verklaerte Nacht"). Setting and costumes by Joe Mielziner. Settings executed by Bergman Sudios. Costumes executed by Karinska.
Helen of Troy. Ballet in prologue and Three Scenes by David Lichine and Antal Dorati. Music by Offenbach, arranged and orchestrated by Antal Dorati. Scenery and costumes by Marcel Vertes. Choreography by David Lichine. Supervised by Dimitri Romanoff. Costumes executed by Karinska Inc., and Mme Berthe.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
30 July, 1946.
Petrouchka. A burlesque in one act. By Igor Stravinsky and Alexandre Benois. Choreography by Michel Fokine. Decor after Alexandre Benois from the original dessigns in the Avery memorial Museum, Hartford, Connecticut.
Jardin aux lilas (Lilac Garden). Ballet in one act by Antony Tudor. Music by Ernest Chausson. Choreography by Antony Tudor. Scener and costumes by Raymond Sovey after sketches by Hugh Stevenson.
Three virgins and a devil. A ballet in one act by Ramon Reed. Music by Ottorino Respighi. Choreography by Agnes de Mille. Costumes by Motley. Scenery by Arne Lundborg after sketches by Miss Harris. Costumes executed by Karinska.
Gala performance. A ballet by Antony Tudor. Music by Serge Prokofieff. Choreography by Antony Tudor. Scenery and costumes by Nicolas de Molas. Scenery executed by Eugene Dunkel Studios .
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
6 August, 1946.
Les Sylphides. A ballet in one act by Michel Fokine. Music by Frederic Chopin. Orchestrated by Benjamin Britten. Choreography by Michel Fokine. Decor by Eugene Dunkel after Jean Corot. Costume fabrics by Dazian.
Undertow. ballet by Antony Tudor. After a suggestion by John Van Druten. Music by William Schuman. Scenery and costumes by Raymond Breinin. Scenery and costumes executed by Eugene B. Dunkel Studio. Costumes executed by Lutyens.
Black Swan. (Grand Pas-de-Deux from Act III, "Swan Lake"). Choreography by Anton Dolin after Petipa. Music by Tchaikovsky. Costumes by Karinska.
Tally-ho, or The Frail quarry. A ballet by Agnes de Mille. Music by Gluck, arranged for ballet by Paul Nordoff. Costumes and scenery by Motley. Scenery executed by Triangle Scenic Studios. Ladies' costumes executed by Edith Lutyens. Mens' costumes executed by Eaves Costume Company .
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
13 August, 1946.
Waltz academy. A series of Waltz Variations suggesting a rehearsal hall in Continental Europe. By George Balanchine, to an original composition by Vittorio Rieti. Scenery designed by Oliver Smith. Costumes designed by Alvin Colt. Scenery executed by Eugene B. Dunkel Studios. Costumes executed by Karinska.
On stage!. A ballet by Michael Kidd. Music by Norman Dello Joio. Choreography by Michael Kidd. Scenery by Oliver Smith, executed by Eugene B. Dunkel Studio. Costumes by Alvin Colt, executed by Eaves Costume Co..
Helen of Troy. Ballet in prologue and Three Scenes by David Lichine and Antal Dorati. Music by Offenbach, arranged and orchestrated by Antal Dorati. Scenery and costumes by Marcel Vertes. Choreography by David Lichine. Supervised by Dimitri Romanoff. Costumes executed by Karinska Inc., and Mme Berthe.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
23 August, 1946.
Apollo (Apollon Musagete). Ballet in two scenes. Libretto and music for String Orchestra by Igor Stravinsky. Choreography by George Balanchine. Scenery by E.B. Dunkel Studios. Costumes by Karinska, Inc..
Pillar of fire. Ballet by Antony Tudor. Music by Arnold Schoenberg ("Verklaerte Nacht"). Setting and costumes by Joe Mielziner. Settings executed by Bergman Sudios. Costumes executed by Karinska.
Fancy free. A ballet in one scene by Jerome Robbins. Music by Leonard Bernstein. Choreography by Jerome Robbins. Scenery designed by Oliver Smith. Costumes designed by Kermit Love. Scenery executed by Eugene B. Dunkel Studio. Ladies' costumes executed by Lutyens. Lighting by Peter Lawrence.
[Performance programmes: Ballet Theatre. Box BTH]

Royal Opera House, Covent Garden.
26 August, 1946.
The Tragedy of Romeo and Juliet. Narrative ballet in one act by Antony Tudor. Based on the play by William Shakespeare. Music by Frederick Delius. Arranged by Antal Dorati. Scenery and costumes by Eugene Berman. Costumes executed by Karinska. Sets executed by Curran Productions.
Pas de Quatre. Choreography by Keith Lester. Music by Cesar Pugni, arranged and orchestrated by Leighton Lucas. Costumes after Chalon.
Interplay. Ballet in one act by Jerome Robbins. Music by Morton Gould. Choreography by Jerome Robbins. Scenery by Oliver Smith. Executed by Eugene B. Dunkel Studios. Costumes by Irene Sharaff. Executed by Karinska.
On stage!. A ballet by Michael Kidd. Music by Norman Dello Joio. Choreography by Michael Kidd. Scenery by Oliver Smith, executed by Eugene B. Dunkel Studio. Costumes by Alvin Colt, executed by Eaves Costume Co..
[Performance programmes: Ballet Theatre. Box BTH]

Ballets Trois Arts

Lyric Theatre, Hammersmith.
11 December, 1939.
Chanson choreographique. Music by Schumann. Choreography by John Regan. Scenery and costumes by Toni del Renzio.
Midas. A Paranoiac-critical association of imaagery by Toni del Renzio. Choreographic interpretation by Celia Franca. Music by Elisabeth Lutyens. Costumes and stage decorations by Toni del Renzio.
Suite de danse. Music by Mozart. Choreography by John Regan.
Spectre de la rose. Music by Weber. Choreography by Fokine. Costumes by Toni del Renzio.
Big top. Music by Rossini. Choreography by John Regan.
[Performance programmes: Les Ballets Trois Arts. Box BTA]

Lyric Theatre, Hammersmith.
18 November, 1939.
Chanson choreographique. Music by Schumann. Choreography by John Regan. Scenery and costumes by Toni del Renzio.
Sorcerer's apprentice. Music by Dukas. Choreography by Joan Innes. Costumes by Grace M. Kelly and Toni de Renzio.
Divertissement. Music by Tchaikovsky and Handel, also Traditional.
Drole aventure. Music by Johann Strauss. Choreography by John Regan. Costumes by Toni del Renzio.
[Performance programmes: Les Ballets Trois Arts. Box BTA]

Lyric Theatre, Hammersmith.
23 November, 1939.
Sorcerer's apprentice. Music by Dukas. Choreography by Joan Innes. Costumes by Grace M. Kelly and Toni de Renzio.
Suite de danse. Music by Mozart. Choreography by John Regan.
The Pas de Trois from Lac de Cygnes.
Spectre de la rose. Music by Weber. Choreography by Fokine. Costumes by Toni del Renzio.
Perseus. Ballet, by John Regan, after traditional Greek legend. Music by Stanley Bate. Decor and costumes by Toni del Renzio.
Big top. Music by Rossini. Choreography by John Regan.
[Performance programmes: Les Ballets Trois Arts. Box BTA]

Lyric Theatre, Hammersmith.
20 November, 1939.
Sorcerer's apprentice. Music by Dukas. Choreography by Joan Innes. Costumes by Grace M. Kelly and Toni de Renzio.
Suite de danse. Music by Mozart. Choreography by John Regan.
The Pas de Trois from Lac de Cygnes.
Spectre de la rose. Music by Weber. Choreography by Fokine. Costumes by Toni del Renzio.
Perseus. Ballet, by John Regan, after traditional Greek legend. Music by Stanley Bate. Decor and costumes by Toni del Renzio.
Drole aventure. Music by Johann Strauss. Choreography by John Regan. Costumes by Toni del Renzio.
[Performance programmes: Les Ballets Trois Arts. Box BTA]

Lyric Theatre, Hammersmith.
December, 1939.
Les Danses. Music by John Field. Choreography by John Regan. Orchestrated by Dorian Barnard and James O. Turner. Costumes designed by E. Elizabeth Agombar.
executed by Grace M. Kelly. Setting by Edward Smyth.
Elizabeth suite. Music by Lawes, Farnaby and Byrd. Arranged by Robert Still. Costumes and decor by Rosa M. Groom. Costumes executed by Grace M. Kelly.
Divertissement.
Big top. Music by Rossini. Choreography by John Regan.
[Performance programmes: Les Ballets Trois Arts. Box BTA]

Bolshoi Ballet

Metropolitan Opera House, Madison Square Garden.
24 May, 1966.
Giselle. Scenario by Théophile Gautier; on a theme of Heinrich Heine, V. Saint-Georges and Jean Coralli. Music by Adolphe Adam. Choreography by Jean Coralli, Jules Perrot, and Marius Petipa; revised by Leonid Lavrovsky. Designer: B.I. Volkov .
[Performance programmes: Bolshoi Ballet . Box BUB]

Metropolitan Opera House, Madison Square Garden.
25 April, 1966.
Giselle. Scenario by Théophile Gautier; on a theme of Heinrich Heine, V. Saint-Georges and Jean Coralli. Music by Adolphe Adam. Choreography by Jean Coralli, Jules Perrot, and Marius Petipa; revised by Leonid Lavrovsky. Designer: B.I. Volkov .
[Performance programmes: Bolshoi Ballet . Box BUB]

Music Hall Theatre, Boston.
24 November, 1962.
Chopiniana. A choreographic suite to Chopin's music. Orchestration: Alexander Glazounov. Choreography: Mikhail Fokine. Revived in 1958 by E.N. Geidenreikh. Designer: Vadim Rindin.
Walpurgis night. Music: Charles Gounod. Choreography: Leonid Lavrovsky. Designer: Vadim Rindin.
Ballet School. Music by Liadov, Liapunov, Glazunov, Shostakovich. Designer: Vadim Rindin. Produced by Asaf Messerer.
Bayaderka. Act IV - The Kingdom of the Shades. Music: Ludwig Minkus. Choreography: Marius Petipa. Designer: Vadim Rindin.
Gayane, Act IV. Music: Aram Khachaturian. Choreography: Nina Anisimova. Decor: Vadim Rindin.
Diveertissements (Polonaise and Krakowiak from Ivan Sussanin. Music: Mikhail Glinka. Choreography: Rotislav Zkharov.
Diana and Acteon. Music: Riccardo Drigo. Choreography: Aggrippina Vaganova.
Gopak. Music: Soloviev-Sedoi. Choreography: Rotislav Zacharov.
Shamil Yagudin.
Spring Waters. Music: Sergei Rachmaninoff. Choreography: Asaf Messerer.
The Dying swan. Music: Camille Saint-Saens. Choreography: Mikhail Fokine .
[Performance programmes: Bolshoi Ballet. Box BUB]

Rank Organisation.
1956.
The Bolshoi Ballet. A Harmony film directed by Paul Czinner ... released through Rank Film Disrtributors Ltd.
[Performance programmes: Bolshoi Theatre Ballet. Box BUB]

[Royal Opera House, Covent Garden].
19 July, 1963.
Gayane. Libretto by Boris Pletnev. Music by Aram Khachaturian. Choreography by Nina Anisimova. Decor by Vadim Rindin.
Paganini. Libretto by Leonid Lavrovsky. Muisc by Sergei Rachmaninov. Choreography by Leonid Lavrovsky. Decor by Vadim Rindin.
Divertissements (Etude. Music by Franz Liszt. Choreography by Leonid Lavrovsky.
Taras Bulba. Gopak. Music by Vasily Soloviev-Sedoi. Choreography by Rostislav Zakharov.
Etude. Music by Reinhold Gliere. Choreography by Alexander Lapauri.
Don Quixote. Pas de Deux. Music by Ludwig Minkus. Choreography by Alxander Gorsky.
Elégie. Music by Sergei Rachmaninov. Choreography by Kassian Goleizovsky.
Le Cygne. Music by Camille Saint Saens. Choreography by Mikhail Fokine).
[Performance programmes: Bolshoi Ballet. Box BUB]

[Royal Opera House, Covent Garden].
26 July, 1963.
Gayane. Libretto by Boris Pletnev. Music by Aram Khachaturian. Choreography by Nina Anisimova. Decor by Vadim Rindin.
Lieutenant Kije. Libretto by Andrei Veitsler, Alexander Lapauri, Alexander Misharin and Olga Tarasova. Music by Sergei Prokofiev. Choreography by Alexander Lapauri and Olga Tarasova. Scenery and costumes by Boris Messerer.
School of ballet. Music by Dmitri Shostakovich. Choreography by Asaf Messerer. Scenery by Vadim Rindin.
[Performance programmes: Bolshoi Ballet. Box BUB]

[Royal Opera House, Covent Garden].
22 july, 1963.
Don Quixote Act I. Music by Ludwig Minkus. Choreography by Alxander Gorsky. Scenery and costumes by Vadim Rindin.
Paganini. Libretto by Leonid Lavrovsky. Muisc by Sergei Rachmaninov. Choreography by Leonid Lavrovsky. Decor by Vadim Rindin.
Lieutenant Kije. Libretto by Andrei Veitsler, Alexander Lapauri, Alexander Misharin and Olga Tarasova. Music by Sergei Prokofiev. Choreography by Alexander Lapauri and Olga Tarasova. Scenery and costumes by Boris Messerer.
[Performance programmes: Bolshoi Ballet. Box BUB]

[Royal Opera House, Covent Garden].
20 July, 1963.
Gayane. Libretto by Boris Pletnev. Music by Aram Khachaturian. Choreography by Nina Anisimova. Decor by Vadim Rindin.
Paganini. Libretto by Leonid Lavrovsky. Music by Sergei Rachmaninov. Choreography by Leonid Lavrovsky. Decor by Vadim Rindin.
Divertissements (Giselle. Pas de Deux Act II. Music by Adolphe Adam. Choreography by Marius Petipa.
Taras Bulba. Gopak. Music by Vasily Soloviev-Sedoi. Choreography by Rostislav Zakharov.
Etude. Music by Reinhold Gliere. Choreography by Alexander Lapauri.
Acteon and Diana. Music by Cesare Pugni. Choreography by Leonid Lavrovsky.
Elégie. Music by Sergei Rachmaninov. Choreography by Kassian Goleizovsky.
Le Cygne. Music by Camille Saint Saens. Choreography by Mikhail Fokine).
[Performance programmes: Bolshoi Ballet. Box BUB]

Royal Opera House, Covent Garden.
8 October, 1956.
Le Lac des cygnes. Music by P. Tchaikovsky. Libretto by V. Begichev and V. Geltser. Choreography: A. Gorsky (Acts I, II, III) and A. Messerer (Act IV). Revised by A. Messerer and A. Radunsky. Designer, S. Versaladze.
[Performance Programmes: Bolshoi Ballet. Box BUB]

Royal Opera House, Covent Garden.
12 October, 1956.
Giselle. Music by A. Adam. Libretto by T. Gautier, B. Saint-George and G. Coralli. Choreography by G. Coralli, G. Perrot and M. Petipa. Present production revised by L. Lavrovsky. Designer, B. Volkov.
[Performance Programmes: Bolshoi Ballet. Box BUB]

Royal Opera House, Covent Garden.
13 October, 1956.
Giselle. Music by A. Adam. Libretto by T. Gautier, B. Saint-George and G. Coralli. Choreography by G. Coralli, G. Perrot and M. Petipa. Present production revised by L. Lavrovsky. Designer, B. Volkov.
[Performance Programmes: Bolshoi Ballet. Box BUB]

Royal Opera House, Covent Garden.
29 October, 1956.
Le Lac des cygnes. Music by P. Tchaikovsky. Libretto by V. Begichev and V. Geltser. Choreography: A. Gorsky (Acts I, II, III) and A. Messerer (Act IV). Revised by A. Messerer and A. Radunsky. Designer, S. Versaladze.
[Performance Programmes: Bolshoi Ballet. Box BUB]

Royal Opera House, Covent Garden.
1 July, 1963.
Swan Lake. Ballet in four acts. Music by Piotr Ilich Tchaikovsky. Libretto by Vladimir Begichev and Vasili Geltser. Choreography by Alexander Gorsky (Acts I, II, III) and Asaf Messerer (Act IV). Decor by Simon Virsalandze.
[Performance programmes: Bolshoi Ballet. Box BUB]

Canadian National Ballet

Eaton Auditorium.
12-14 November, 1951.
Les Sylphides. Music by Chopin. Choreography by Fokine. Decor by James Pape.
The Dance of Salomé. A dance-drama based on the Oscar Wilde play, "Salomé". Music by James Hartley. Orchestrated by Oscar Morewetz. Choreography by Celia Franca. Decor by Robert Hall. Costumes by Gerald Budner.
Pas de Deux from Giselle - Act I. Music by Burgmüller. Choreography by Coralli-Perrot.
Etude. Music by Tchaikovsky. Choreography and costumes by Kay Armstrong: Polovetsian dances from Prince Igor. Music by Borodin. Choreography by Fokine. Decor by Alan Lett. Costumes by Suzanne Mess.
[Performance programmes: Canadian National Ballet. Box CNB]

Grand Nallet de Monte Carlo

Royal Opera House, Covent Garden.
21 June, 1949.
Swan Lake (Act II). Music by Tchaikovsky. Choreography after Marius Petipa and Lev Ivanoff. Scenery by Jean Robier.
Night shadows (La Somnambule). Choreography by George Balanchine. Music by Vittorio Rieti after Bellini. Scenery and costumes by Jean Robier.
Black Swan. Grand Pas-de-Deux (from Act III of "Swan Lake"). Music by Tchaikovsky. Choreography after Marius Petipa. Costumes by Jean Robier.
Le Beau Danube. Character ballet by Leonide Massine. Music by Johann Strauss, arranged for orchestra by Roger Desormière. Choreography by leonide Massine. Décor and costumes after Constantine Guys.
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

Royal Opera House, Covent Garden.
28 July, 1949.
Giselle. A ballet in two acts by Saint Georges, Theophile Gautier and Coralli. Music by Adolphe Adam. Choreography after Marius Petipa. Scenery after Alexandre Benois. Costumes by Jean Robier.
Le Beau Danube. Character ballet by Leonide Massine. Music by Johann Strauss, arranged for orchestra by Roger Desormière. Choreography by Leonide Massine. Décor and costumes after Constantine Guys .
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

Royal Opera House, Covent Garden.
14 July, 1949.
Concerto barocco. Concerto in D for two violins by Bach. Choreography by George Balanchine.
Enchanted Mill. Ballet by Leandre Vaillat and David Lichine. Music by Franz Schubert. Arranged and orchestrated by Gustave Cloez. Choreography by David Lichnine. Scenery and costumes by Alexandre Benois. Costumes executed by Mme Karinska.
Don Quixote. A classical Pas-de-Deux. Music by Minkus. Choreography after Marius Petipa. Costumes by Jean Robier.
Les Biches. A ballet in one act. Music and story after popular songs by Francis Poulenc. Choreography by Bronislava Nijinska. Costumes and scenery by Marie Laurencin. Scenery executed by Raymond Deshayes. Costumes executed by Muelle.
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

Royal Opera House, Covent Garden.
2 August, 1948.
Sebastian. A ballet in three scenes by Gian-Carlo Menotti. Music by Gian-Carlo Menotti. Choreography by Edward Canton. Décor by Oliver Smith. Costumes by Milena.
Constantia. A classical ballet by William Dollar. Music by Chopin ("F" Minor Piano Concerto). Choreography by William Dollar. Décor by Raveling.
Mute wife. Story based on "The Man who Married a Dumb Wife" by Anatole France. Music by Paganini, arranged and orchestrated by Vittorio Rieti. Choreography by Antonia Cobos. Scenry and costumes by Rico Lebrun.
Noir et blanc. A ballet by Serge Lifar. Music by Edward Lalo. Choreauthor Serge Lifar.
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

Royal Opera House, Covent Garden.
7 August, 1948.
Swan Lake (Act II). Music by Tchaikovsky. Choreography after Marius Petipa and Lev Ivanoff. Scenery by Eugene Dunkel.
Concerto barocco. Concerto in D for two violins by Bach. Choreography by George Balanchine.
Five gifts. Music by Dohnanyi (Variations on a Nursery Theme). From a story by Mark Twain. Choreography by William Dollar. Costumes and décor by Léonor Fini.
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

Royal Opera House, Covent Garden.
23 August, 1948.
Constantia. A classical ballet by William Dollar. Music by Chopin ("F" Minor Piano Concerto). Choreography by William Dollar. Décor by Raveling.
Romeo and Juliet. A ballet in four scenes by Serge Lifar. Music by Tchaikovsky. Choreauthor Serge Lifar. Costumes by Jean Robier.
Black Swan. Grand Pas-de-Deux (from Act III of "Swan Lake"). Music by Tchaikovsky. Choreography after Marius Petipa. Costumes by Jean Robier.
Les Biches. A ballet in one act. Music and story after popular songs by Francis Poulenc. Choreography by Bronislava Nijinska. Costumes and scenery by Marie Laurencin. Scenery executed by Raymond Deshayes. Costumes executed by Muelle.
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

Royal Opera House, Covent Garden.
28 August, 1948.
Night shadows (La Somnambule). Choreography by George Balanchine. Music by Vittorio Rieti after Bellini. Scenery and costumes by Jean Robier.
Concerto barocco. Concerto in D for two violins by Bach. Choreography by George Balanchine.
La Fille mal gardée. A ballet in one act by Dauberval and Aumer. Music by Herold. Choreography by Alexandre Balachova after Marius Petipa. Décor by Coletti. Costumes by Jean Robier .
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

Royal Opera House, Covent Garden.
16 August, 1948.
Swan Lake (Act II). Music by Tchaikovsky. Choreography after Marius Petipa and Lev Ivanoff. Scenery by Eugene Dunkel.
Aubade. A ballet by Serge Lifar. Music by Francis Poulenc. Choreauthor Serge Lifar.
Brahms variations. A ballet in two scenes by Bronislava Nijinska. Music by Brahms, orchestrated by Ivan Boutnikoff (Variations on themes by Handel and Paginini). Choreography by Bronislava Nijinska. Costumes and scenery by Marcel Vertes. Costumes executed by Barbara Karinska.
[Performance programmes: Grand Ballet de Monte Carlo (Marquis de Cuevas). Box GBMC]

International Ballet

Alexandra Theatre, Stoke Newington.
8-13 November, 1943.
Giselle. Reproduced by N. Sergueeff. Music by Adolphe Adam. Choreography by Jean Coralli. Orchestration by Frederic Austin. Costumes and decor by Doris Zinkeisen.
Twelfth night. Ballet in two acts, produced by Mona Inglesby. Music by Grieg. Choreography by Andree Howard. Costumes and decor by Doris Zinkesien. Song settings by Ernest Irving and Christopher Wilson.
Carnaval. Music by Schumann. Orchestration by Frederic Austin. Choreography by Fokine. Reproduced by Madame Evina. Costumes by Bakst.
Dances from Fête Bohème. Music by Dvorak. Choreography by Harold Turner. Costumes and decor by Beryl Dean.
Le Lac des cygnes (Swan Lake) Act II. Reproduced by N. Sergueeff. Music by Tchaikovsky. Choreography by L. Ivanoff. Costumes and decor by William Chappell.
Les Sylphides. Music by Chopin. Choreography by Fokine. Orchestration by Frederic Austin. Decor by Rex Whistler.
Everyman. Produced by Leslie French. Choreography by Mona Inglesby. Music by Richard Strauss (arranged from original scores of Ernest Irving). Decor by Rex Whistler. Costumes by William Chappell.
[Performance programmes: International Ballet. Box IB]

His Majesty's Theatre.
4 September, 1945.
Danses espagnoles. Orchestrations by Ernest Irving. Decor and costumes by Hein Heckroth.
Dances from Prince Igor. Reproduced by Nicolai Sergueeff. Music by Borodin. Choreography by L. Ivanoff.
Giselle. Reproduced by Nicolai Sergueeff. Music by Adolphe Adam. Choreography by Jean Coralli. Orchestration by Frederic Austin. Costumes and decor by Doris Zinkeisen..
[Performance programmes: International Ballet. Box IB]

His Majesty's Theatre.
18 September, 1945.
Carnaval. Music by Schumann. Orchestration by Frederic Austin. Choreography by Fokine. Costumes by Bakst.
Grand pas d'action from The Sleeping princess. Reproduced by Nicolai Sergueeff. Choreography by Marius Petipa. Music by P.I. Tchaikovsky. Orchestration by Ernest Irving. Costumes and decor by Doris Zinkeisen.
Everyman. Produced by Leslie French. Choreography by Mona Inglesby. Music by Richard Strauss (arranged from the original scores by Ernest Irving). Decor by Rex Whistler. Costumes by William Chappell.
[Performance programmes: International Ballet. Box IB]

His Majesty's Theatre.
10 September, 1942.
Twelfth night. Ballet in two acts by Mona Inglesby. Music by Grieg. Choreography by Andree Howard. Costumes and decor by Doris Zinkesien. Orchestrations by Grieg, Ernest Irving, and Julian Clifford. Songs by Christopher Wilson and Ernest Irving.
Les Sylphides. Music by Chopin. Choreography by Fokine. Orchestration by Frederic Austin. Decor by Rex Whistler.
[Performance programmes: International Ballet. Box IB]

His Majesty's Theatre.
1 Octaober, 1942.
Dances from Fête Bohème. Music by Dvorak. Choreography by Harold Turner. Costumes and decor by Beryl Dean.
Excerpts from Shaespeare.
Love me not. A nonsensical epsiode - with apologies to ballet. Music by Ernest Irving. Costumes by Doris Zinkeisen. Choreography by N. Whocares.
Carnaval. Music by Schumann. Orchestration by Frederic Austin. Choreography by Fokine. Reproduced by Madame Evina. Costumes by Bakst.
[Performance programmes: International Ballet. Box IB]

His Majesty's Theatre.
15 September, 1942.
Dances from Fête bohème. Music by Dvorak. Choreography by Harold Turner. Costumes and decor by Beryl Dean.
Giselle. Reproduced by N. Sergueeff. Music by Adolphe Adam. Choreography by Jean Coralli. Orchestration by Frederic Austin. Costumes and decor by Doris Zinkeisen.
[Performance programmes: International Ballet. Box IB]

London Coliseum.
6 September, 1946.
Grand pas d'action from The Sleeping princess. Reproduced by Nicolai Sergueeff. Choreography by Marius Petipa. Music by P.I. Tchaikovsky. Orchestration by Ernest Irving. Costumes and decor by Doris Zinkeisen.
Les Sylphides. Music by Chopin. Choreography by Fokine. Orchestration by Frederic Austin. Decor by Rex Whistler.
Everyman. Produced by Leslie French. Music by Richard Strauss (arranged from the original scores by Ernest Irving). Choreography by Mona Inglesby. Decor by Rex Whistler. Costumes by William Chappell.
[Performance programmes: International Ballet. Box IB]

Lyric Theatre.
13 July, 1943.
Les Sylphides. Music by Chopin. Choreography by Fokine. Orchestration by Frederic Austin. Decor by Rex Whistler.
Everyman. Produced by Leslie French. Choreography by Mona Inglesby. Music by Richard Strauss (arranged from the original scores by Ernest Irving). Decor by Rex Whistler. Costumes by William Chappell.
[Performance programmes: International Ballet. Box IB]

Lyric Theatre.
14 July, 1943.
Le Lac des cygnes (Swan Lake) Act II. Reproduced by N. Sergueeff. Music by Tchaikovsky. Choreography by L. Ivananoff. Costumes and ecord by William Chappell.
Dances from Fête Bohème. Music by Dvorak. Choreography by Harold Turner. Costumes and decor by Beryl Dean.
Everyman. Produced by Leslie French. Choreography by Mona Inglesby. Music by Richard Strauss (arranged from the original scores by Ernest Irving). Decor by Rex Whistler. Costumes by William Chappell.
[Performance programmes: International Ballet. Box IB]

Lyric Theatre.
1 July, 1943.
Dances from Fête Bohème. Music by Dvorak. Choreography by Harold Turner. Costumes and decor by Beryl Dean.
Giselle. Reproduced by N. Sergueeff. Music by Adolphe Adam. Choreography by Jean Coralli. Orchestration by Frederic Austin. Costumes and decor by Doris Zinkeisen.
[Performance programmes: International Ballet. Box IB]

Lyric Theatre.
15-16 September, 1941.
Carnaval. Reproduced by Madame Evina. Music by Schumann. Choreography by Fokine. Costumes by Bakst.
Amoras. Music by Elgar. Choreography by Mona Inglesby. Costumes and decor by William Chappell.
Planetomania. Humorous ballet in 2 acts. Music by Norman Demuth. Choreography by Mona Inglesby. Costumes and decor by Doris Zinkeisen.
[Performance programmes: International Ballet. Box IB]

Princes Theatre, London.
n.d., 1942.
Les Sylphides. Music by Chopin. Orchestration by Frederic Austin. Choreography by Fokine. Decor by Rex Whistler.
Aurora's wedding (first performance). Music by Tchaikovsky. Choreography by Petipa. Costumes and decor by Doris Zinkeisen.
Everyman. Produced by Leslie French. Choreography by Mona Inglesby. Music by Richard Strauss (arranged from the original scores by Ernest Irving). Decor by Rex Whistler. Costumes by William Chappell.
[Performance programmes: International Ballet. Box IB]

Princes Theatre, London.
n.d., 1942.
Coppélia. Book by C.H. Nuitter and Saint-Leon. Choreography by Marius Petipa, reproduced by Nicloai Sergueeff. Music by Leo Delibes, orchestrated (after Delibes) by Ernest Irving. Decor and costumes designed by Hein Heckroth .
[Performance programmes: International Ballet. Box IB]

Kirov Ballet

Royal Opera House, Covent Garden.
19 September, 1966.
Chopiniana. Music by Frederick Chopin. Choreography by Michel Fokine.
Leningrad symphony. Music by Dmitry Shostakovich. Choreography by Igor Belsky.
Divertissements (Kurdish dance from Gayaneh. Music by Aram Khachaturian. Choreography by Nina Anisimova.
Snow maiden. Music by Serge Prokofiev. Choreography by Leonid Jacobson.
Walpurgis night. Music by Charles Gounod. Choreography by Leonid Lavrovsky.
Le Corsaire. Classical duet. Music by Riccardo Drigo. Choreography by Alexander Chekrigin.
The Hunter and the bird. Music by Edvard Grieg. Choreography by Leonid Jacobson.
Gossipers. Music by Shiko Aranov. Choreography by Leonid Jacobson.
Valse. Music by Dmitry Shostakovich. Choreography by Alla Shelest.
Taras Bulba. Zaporozhtse dance. Music by Vassily Soloviev-Sedoi. Choreography by Boris Fenster).
[Performance programmes: Leningrad State Kirov Ballet. Box KB]

Royal Opera House, Covent Garden.
17 September, 1966.
Chopiniana. Music by Frederick Chopin. Choreography by Michel Fokine.
Leningrad symphony. Music by Dmitry Shostakovich. Choreography by Igor Belsky.
Divertissements (Kurdish dance from Gayaneh. Music by Aram Khachaturian. Choreography by Nina Anisimova.
Snow maiden. Music by Serge Prokofiev. Choreography by Leonid Jacobson.
Walpurgis night. Music by Charles Gounod. Choreography by Leonid Lavrovsky.
Le Corsaire. Classical duet. Music by Riccardo Drigo. Choreography by Alexander Chekrigin.
The Hunter and the bird. Music by Edvard Grieg. Choreography by Leonid Jacobson.
Gossipers. Music by Shiko Aranov. Choreography by Leonid Jacobson.
Valse. Music by Dmitry Shostakovich. Choreography by Alla Shelest.
Taras Bulba. Zaporozhtse dance. Music by Vassily Soloviev-Sedoi. Choreography by Boris Fenster).
[Performance programmes: Leningrad State Kirov Ballet. Box KB]

Royal Opera House, Covent Garden.
1 October, 1966.
Chopiniana. Music by Frederick Chopin. Choreography by Michel Fokine.
Leningrad symphony. Music by Dmitry Shostakovich. Choreography by Igor Belsky.
Divertissements (Kurdish dance and Dance of the sabres from Gayaneh. Music by Aram Khachaturian. Choreography by Nina Anisimova.
Melody. Music by Christophopher Gluck. Choreography by Vachtang Chabukiani.
The Blind girl. Music by Manuel Ponce, arranged by Heifetz. Choreography by Leonid Jackobson.
Gopak dance from Taras Bulba. Music by Vassily Soloviev-Sedoi. Choreography by Boris Fenster.
The Dying swan. Music by Camille Saint Saëns. Choreography by Michel Fokine.
Casse noisette. Pas de deux and The Rose waltz. Music by Piotr Ilich Tchaikovsky. Choreography by Vassily Vainonen).
[Performance programmes: Leningrad State Kirov Ballet. Box KB]

Royal Opera House, Covent Garden.
23 September, 1966.
La Bayadère. Music by Ludwig Minkus. Choreography by Marius Petipa.
Gayaneh. Libretto by Konstantin Derzavin. Music by Aram Khachaturian. Choreography by Nina Anisimova.
Divertissements (Melody. Music by Christopher Gluck. Choreography by Vachtang Chabukiani.
The Flames of Paris. Classical duet. Music by Boris Asafiev. Choreography by Vassily Vainonen.
Gypsy dance. Music by Pavel Feldt. Choreography by Nina Anisimova.
The Blind girl. Music by Pons-Heifetz. Choreography by Leonid Jacobson.
Prelude. Music by Alexander Scriabin. Choreography by Konstantin Boyarsky).
[Performance programmes: Leningrad State Kirov Ballet. Box KB]

London Ballet (Antony Tudor)

Arts Theatre.
3-8 June, 1940.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Decor by Hugh Stevenson.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Decor by Hugh Stevenson.
La Fête étrange (Premiere). Choreography by Andreé Howard. Music by Fauré. Decor and costumes by Sophie Fedorovitch (Selected by Ronald Crichton).
Judgement of Paris. Dances arranged by Antony Tudor. Music by Kurt Weill. Theme and costumes by Hugh Laing.
Soirée musicale. Dances arranged by Anthony Tudor. Music by Rossini-Britten. Decor and costumes by Hugh Stevenson.
Dark elegies. Ballet by Antony Tudor. Music by Mahler. Decor by Nadia Benois.
Le Pas des déesses. Ballet by Keith Lester. Music by César Pugni, arranged by Leighton Lucas. Setting and costumes, after contemporary lithographs, by John Guthrie and Hugh Stevenson respectively.
The Shepherd's wooing. Music by Handel Choreography by C. Balanchine.
La Leçon apprise. Ballet by Wendye Toye. Music by Milhaud. Decor by Joseph Carl .
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
30 May - 1 June, 1940.
Soirée musicale. Dances arranged by Antony Tudor. Music by Rossini-Britten. Costumes by Hugh Stevenson.
Love-in-idleness. Choreography by Charlotte Bidmead. Music by Henry Purcell. Costumes by John Guthrie.
Dark elegies. Ballet by Antony Tudor. Music by Mahler. Decor by Nadia Benois.
La Fête étrange. Choreography by Andree Howard. Music by Fauré, selected by Ronald Crichton. Decor and costumes by Sophie Fedorovitch ... [et al.].
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
7-9 March, 1940.
The Descent of Hebe. Ballet by Antony Tudor. Music by Bloch. Decor by Nadia Benois.
Dark elegies. ballet by Antony Tudor. Music by Mahler. Decor by Nadia Benois.
Divertissement [Variation (2 dances). Music by Tchaikowsky.
Caterina, ou La Fille du bandit. Arranged by Frank Staff. Music by Clementi].
La Leçon apprise. Ballet by Wendye Toye. Music by Milhaud. Decor by Joseph Carl.
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
12-13 March, 1940.
Le Pas des déesses. Ballet by Keith Lester. Music by César Pugni, arranged by Leighton Lucas. Setting and costumes, after contemporary lithographs, by John Guthrie and Hugh Stevenson respectively.
The Planets. Ballet by Antony Tudor. Music by Holst. Decor by Hugh Stevenson.
The Seasons. Ballet by Frank Staff. Music by Glazouniv. Decor by William Chappell.
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
14-15 March, 1940.
La Leçon apprise. Ballet by Wendye Toye. Music by Milhaud. Decor by Joseph Carl.
Judgement of Paris. Dances arranged by Antony Tudor. Music by Kurt Weill. Theme and costumes by Kugh Laing.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Decor by Hugh Stevenson.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Decor by Hugh Stevenson .
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
Week commencing 30 November, 1939.
The Planets. Ballet by Antony Tudor. Music by Holst. Decor by Hugh Stevenson.
Le Pas des déesses (First performance). Ballet by Keith Lester. Music by César Pugni, arranged by Leighton Lucas. Setting and costumes, after contemporary lithographs, by John Guthrie and Hugh Stevenson respectively.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Decor by Hugh Stevenson .
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
Week commencing 7 December, 1939.
Le Pas des déesses. Ballet by Keith Lester. Music by César Pugni, arranged by Leighton Lucas. Setting and costumes, after contemporary lithographs, by John Guthrie and Hugh Stevenson respectively.
Dark elegies. ballet by Antony Tudor. Music by Mahler. Decor by Nadia Benois.
Judgement of Paris. Dances arranged by Antony Tudor. Music by Kurt Weill. Theme and costumes by Kugh Laing.
Soirée musicale. Dances arranged by Antony Tudor. Music by Rossini-Britten. Costumes by Hugh Stevenson.
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
28-29 May, 1940.
Soirée musicale. Dances arranged by Antony Tudor. Music by Rossini-Britten. Costumes by Hugh Stevenson.
Judgement of Paris. Ballet by Antony Tudor. Music by Kurt Weill. Theme and costumes by Kugh Laing.
The Planets. Ballet by Antony Tudor. Music by Holst. Decor by Hugh Stevenson.
La Fête étrange. Choreography by Andree Howard. Music by Fauré, selected by Ronald Crichton. Decor and costumes by Sophie Fedorovitch.
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
6 March, 1940.
The Seasons. Ballet by Frank Staff. Music by Glazouniv. Decor by William Chappell.
La Leçon apprise (First performance). Ballet by Wendye Toye. Music by Milhaud. decor by Joseph Carl.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Decor by Hugh Stevenson.
Soirée musicale. Dances arranged by Antony Tudor. Music by Rossini-Britten. Decor by Hugh Stevenson .
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
23-25 May, 1940.
La Leçon apprise. Ballet by Wendye Toye. Music by Milhaud. Decor by Joseph Carl.
La Fête étrange (Première). Choreography by Andree Howard. Music by Fauré, selected by Ronald Crichton. Decor and costumes by Sophie Fedorovitch.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Decor by Hugh Stevenson .
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Arts Theatre Club.
26 - 28 December, 1939.
The Descent of Hebe. Ballet by Antony Tudor. Music by Bloch. Decor by Nadia Benois.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Decor by Hugh Stevenson.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Decor by Hugh Stevenson .
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Toynbee Hall Theatre.
20 February, 1949.
The Descent of Hebe. Ballet by Antony Tudor. Music by Bloch. Decor by Nadia Benois.
Dark elegies. ballet by Antony Tudor. Music by Mahler. Decor by Nadia Benois.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Decor by Hugh Stevenson.
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Toynbee Hall Theatre.
3 April, 1939.
The Descent of Hebe. Ballet by Antony Tudor. Music by Bloch. Decor by Nadia Benois.
Divertissement [Judgement of Paris. Theme and costumes by Hugh Laing. Music by Kurt Weill. Dances arr. by Antony Tudor.
Shepherd's wooing. Arranged by C. Balanchine. Music by Handel.
Joie de vivre. Arranged by Antony Tudor.
Variation. Music by Tchaikowsky].
Soirée musicale. Dances arr. by Antony Tudor. Music by Rossini-Britten. Costumes by Hugh Stevenson.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Decor by Hugh Stevenson.
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Toynbee Hall Theatre.
1938.
The London ballet (Antony Tudor). Director, Antony Tudor. Director of Music, Hans Gellhorn. [Programme for season 1938/39].
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

Toynbee Hall Theatre.
26 April, 1939.
Soirée musicale. Dances arr. by Antony Tudor. Music by Rossini-Britten. Costumes by Hugh Stevenson.
Jardin aux lilas. Ballet by Antony Tudor. Music by Chausson. Decor by Hugh Stevenson.
The Planets. Ballet by Antony Tudor. Music by Holst. Decor by Hugh Stevenson.
Gala performance. Ballet by Antony Tudor. Music by Prokofiev. Decor by Hugh Stevenson.
[Performance programmes: London Ballet (Antony Tudor). Box LBt]

London Ballet(Walter Gore)

Hippodrome, Brighton.
30 April - 5 April, 1962.
Giselle. Ballet by Vernoy de St. Georges, Theophile Gautier, Jean Coralli and Heinrich Heine. Music by Adolphe Adam. Orchestrated by Michael Pilkington and Dudley Simpson. Choreography by Jean Coralli and Jules Perrot. Act I: Decor interpreted and painted by Robert Lush. Costumes by Harry Cordwell. Act II: Decor interpreted by Disley Jones.
Light fantastic. Music by Chabrier. Orchestrated by Michael Pilkington. Choreography by Walter Gore. Setting and costumes by James Deakin.
Swan lake (Act II), A ballet in four acts by Begitchev and Geltser. Music by Tchaikowsky. Orchestrated by Leighton Lucas. Choreography by Petipa. Decor suggested by a painting by Turner.
Night and silence. A ballet of jealousy created for the Edinburgh Festival, 1958. Music by Bach, chosen by Walter Gore. Orchestrated by Charles Mackerras. Choreography by Walter Gore. Decor and costumes by Ronal Wilson.
Recontre (Chance meeting). Music by Gareth Walters. Orchestrated for London Ballet by the composer. Choreography by Susan Salomon. Ladies' costumes designed and created by Kayser.
Shindig. Music by Don Gillis. Orchestrated by Wilfred Josephs. Story, decor, costumes and choreography by Loyd Tygett.
Les Sylphides. Music by Frederic Chopin. Orchestrated by Leighton Lucas. Choreography by Michael Fokine. Decor after Corot.
Eaters of darkness (Die im Schatten leben). Choreography by Walter Gore. Decor and costumes by James Deakin.
Peepshow (Der Guckkasten). Music by Jean Francaix. Choreography (for L.J.H.B.) and setting by Walter Gore.
The Fair maid. Music by Georges Bizet. Choreography by Walter Gore. Costumes and setting by Andree Howard.
[Performance programmes: London Ballet (Walter Gore). Box LBg]

Hippodrome, Brighton.
1- 6 October, 1962.
Giselle. Ballet by Vernoy de St. Georges, Theophile Gautier, Jean Coralli and Heinrich Heine. Music by Adolphe Adam. Orchestrated by Michael Pilkington and Dudley Simpson. Choreography by Jean Coralli and Jules Perrot. Act I: Decor interpreted and painted by Robert Lush. Costumes by Harry Cordwell. Act II: Decor interpreted by Disley Jones.
Shindig. Music by Don Gillis. Orchestrated for London Ballet by Wilfred Josephs. Story, decor, costumes and choreography by Loyd Tygett.
The Nutcracker. A fairy tale by Marius Petipa. Music by Tchaikowsky. Orchestrated for London Ballet by Geoffrey Corbett. Choreography, Ivanov/Gore. Decor and costumes, Harry Cordwell.
The Sassenachs. Music by Malcolm Arnold. Choreography (dedicated to the City of Edinburgh) by Walter Gore.
[Performance programmes: London Ballet (Walter Gore). Box LBg]

Opera House, Tunbridge Wells.
23-29 April, 1962.
Giselle. Ballet by Vernoy de St. Georges, Theophile Gautier, Jean Coralli and Heinrich Heine. Music by Adolphe Adam. Orchestrated by Michael Pilkington and Dudley Simpson. Choreography by Jean Coralli and Jules Perrot. Act I: Decor interpreted and painted by Robert Lush. Costumes by Harry Cordwell. Act II: Decor interpreted by Disley Jones.
Light fantastic. Music by Chabrier. Orchestrated by Michael Pilkington. Choreography by Walter Gore. Setting and costumes by James Deakin.
Swan lake (Act II), A ballet in four acts by Begitchev and Geltser. Music by Tchaikowsky. Orchestrated by Leighton Lucas. Choreography by Petipa. Decor suggested by a painting by Turner.
Night and silence. A ballet of jealousy created for the Edinburgh Festival, 1958. Music by Bach, chosen by Walter Gore. Orchestrated by Charles Mackerras. Choreography by Walter Gore. Decor and costumes by Ronal Wilson.
Recontre (Chance meeting). Music by Gareth Walters. Orchestrated for London Ballet by the composer. Choreography by Susan Salomon.
Shindig. Music by Don Gillis. Orchestrated for London Ballet by Wilfred Josephs. Story, decor, costumes and choreography by Loyd Tygett.
Les Sylphides. Music by Frederic Chopin. Orchestrated by Leighton Lucas. Choreography by Michael Fokine. Decor after Corot.
Eaters of darkness (Die im Schatten leben). Choreography by Walter Gore. Decor and costumes by James Deakin.
Peepshow (Der Guckkasten). Music by Jean Francaix. Choreography (for L.J.H.B.) and setting by Walter Gore.
The Fair maid. Music by Georges Bizet. Choreography by Walter Gore. Costumes and setting by Andree Howard.
[Performance programmes: London Ballet (Walter Gore). Box LBg]

Theatre Royal, Exeter.
26-28 February, 1-3 May, 1962.
Giselle. Ballet by Vernoy de St. Georges, Theophile Gautier, Jean Coralli and Heinrich Heine. Music by Adolphe Adam. Orchestrated by Michael Pilkington and Dudley Simpson. Choreography by Jean Coralli and Jules Perrot. Act I: Decor interpreted and painted by Robert Lush. Costumes by Harry Cordwell. Act II: Decor interpreted by Disley Jones.
Light fantastic. A ballet suggested by a Kenneth Rowell dessign. Music by Chabrier. Orchestrated by Michael Pilkington. Choreography by Walter Gore. Setting and costumes by James Deakin.
Swan lake (Act II), A ballet in four acts by Begitchev and Geltser. Music by Tchaikowsky. Orchestrated by Leighton Lucas. Choreography by Petipa. Decor suggested by a painting by Turner.
Night and silence. A ballet of jealousy created for the Edinburgh Festival, 1958. Music by Bach, chosen by Walter Gore. Orchestrated by Charles Mackerras. Choreography by Walter Gore. Decor and costumes by Ronal Wilson.
Les Joyeux. Music by Francis Poulenc. (Sonata for Flute and Piano). Played by James Gregory and Michael Pilkington. Choreography (for M. and Mme. Boucher) by Walter Gore.
Shindig. Music by Don Gillis. Orchestrated by Wilfred Josephs. Story, decor, costumes and choreography by Loyd Tygett.
Les Sylphides. Music by Frederic Chopin. Orchestrated by Leighton Lucas. Choreography by Michael Fokine. Decor after Corot.
Eaters of darkness (Die im Schatten leben). Choreography by Walter Gore. Decor and costumes by James Deakin.
Peepshow (Der Guckkasten). Music by Jean Francaix. Choreography (for L.J.H.B.) and setting by Walter Gore.
The Fair maid. Music by Georges Bizet. Choreography by Walter Gore. Costumes and setting by Andree Howard.
[Performance programmes: London Ballet (Walter Gore). Box Lbg]

London Dance Theatre

Opera House, Manchester.
13, 15, 16 (evening) July, 1964.
The Four seasons (I Quattro Stagioni). Choreography by Jack Carter. Music by Verdi. Designs by Norman McDowell.
La Repetition de Phaedre (The Rehearsal of Phaedre). Choreography by Janine Charrat. Music by Wilfred Josephs. Designs by Philip Tomasi.
Grands pas de fiancées. Choreography by Jack Carter. Music by Tchaikovsky. Designs by Norman McDowell.
Agriona. Choreography by Jack Carter. Music by Leonard Salzedo. Decor and costumes by Peter Farmer.
Let's make a ballet. Choreography by Terry Gilbert. Music by Joseph Horovitz. Designs by the Delanys. Scenario by Michael Bentine. Commentary by Michael Bentine.
[Performance programmes: London Dance Theatre. Box LDT]

London's Festival Ballet

Congress Theatre, Eastbourne.
17-20 October, 1966.
Swan lake. Music by P.I. Tchaikovsky. Choreography and production by Jack Carter after Petipa/Ivanov..
[Performance programmes: London's Festival Ballet. Box LFB]

Congress Theatre, Eastbourne.
16-19 February, 1970.
Paquita. Music: Deldevez and Minkus. Choreography: Mazilier asnd Petipa reproduced by Roland Casenave. Designs: Norman Mcdowell.
Coppelia. Ballet in three acts by Nuitter and Saint-Leon. Music: Delibes. Production: Jack Carter adapted from the choreography of Saint-Leon and Petipa. Designs: Peter Farmer. Lighting: Charles Bristow.
[Performance programmes: London's Festival Ballet. Box LFB]

Granada Theatre, Woolwich.
8-10 February, 1965.
Giselle. Romantic ballet in two acts. Music by Adolphe Adam. Choreography by Anton Dolin after Jean Coralli. decor and costumes by Hugh Stevenso. Production by Anton Dolin.
Walpurgis Night - from Gounod's 'Faust'. Music by Charles Gounod. Choreography and production by Vaslav Orlikowsky. Decor by Anthony Holland. Costumes by Rony Reiter.
[Performance programmes: London's Festival Ballet. Box LFB]

Granada Theatre, Woolwich.
11-13 February, 1965.
Swan lake (Act II). Music by Peter I. Tchaikovsky. Choreography by Vladimier Bourmeister after Ivanov. Designed by Edward Delany.
The Rose adage from 'The Sleeping beauty'. Music by Peter I. Tchaiikovsky. Choreography by Petipa.
Tchaikovsky suite, no. 3. Music by Peter I. Tchaiikovsky. Choreography by David Adams. Costumes by Mel Clifford.
The Nutcracker - Kingdom of sweets. Music by Peter I. Tchaiikovsky. Choreography by David Lichine. Designed by Alexanfre Benois.
[Performance programmes: London's Festival Ballet. Box LFB]

New Theatre, Oxford.
8-12 March, 1966.
Swan lake. Music by P.I. Tchaikovsky. Choreography and production by Jack Carter after Petipa/Ivanov..
[Performance programmes: London's Festival Ballet. Box LFB]

New Theatre, Oxford.
27 February - 11 March, 1967.
Paquita. Music: Deldevez/Minkus. Choreography by Mazilier reproduced by Roland Casenave. Designed by Norman Mcdowell.
The Witch boy. Ballet in one act and three scenes. Music by Leonard Salzedo. Choreography by Jack Carter. Designed by Norman McDowell.
Corsair - pas de deux with variations and coda. Music by Drigo. Choreography by Klavin. Designed by Peter Docherty.
Graduation Ball. Ballet in one act by David Lichine. Music by Johann Strauss, orchestrated by Antol Dorati. Choreography by David Lichine. Designed by Alexandre Benois.
[Performance programmes: London's Festival Ballet. Box LFB]

New Theatre, Oxford.
27 May - 1 June, 1968.
The Sleeping beauty. Music by Tchaikovsky. Choreography after Petipa with additional choreography by Ben Stevenson. Artistic adviser Beryl Grey. Staged by Ben Stevenson. Designed by Norman McDowell. Lighting by Charles Bristow. Scenic designs adapted for New Theatre, Oxford] by Geoffrey Guy.
[Performance programmes: London's Festival Ballet. Box LFB]

New Theatre, St Martin's Lane.
13-18 June, 1968.
Les Sylphides. Music by Chopin. Choreography by Michel Fokine. Decor designed by Peter Farmer.
Corsair - Pas de Deux. Music by Drigo. Choreography by Klavin. Designed by Peter Farmer.
The Witch boy. Ballet in one act and three scenes. Music by Leonard Salzedo. Choreography by Jack Carter. Designed by Norman McDowell.
Bourrée fantasque. Music by Chabrier. Choreography by George Balanchine. Designed by Peter Farmer.
[Performance programmes: London's Festival Ballet. Box LFB]

New Theatre, St Martin's Lane.
19-22 June, 1968.
Noir et blanc. Ballet in one act by Serge Lifar. Music by Lalo. Choreography by Serge Lifar reproduced by Roland Casenave. Designed by Norman McDowell.
Night shadow. Music by Rieti from themes by Bellini. Choreography by George Balanchine reproduced by John Taras. Designed by Peter Farmer.
Minkus - Pas de Trois. Music by Minkus. Choreography by George Balanchine. Reproduced by André Prokovsky. Designed by Norman McDowell.
The Polovtsian dances from the opera Prince Igor. Music by Borodin. Choreography by Michel Fokine, reproduced by Vassilie Trunoff. Designed after Roerich.
[Performance programmes: London's Festival Ballet. Box LFB]

New Victoria Theatre.
24 December, 1964. Illus.
The Nutcracker (Casse-Noisette). Ballet in a Prologue and Two Acts, based on Fairy Tale by E.T.A Hoffman. Music by Ilich Tchaikovsky. Choreography by David Lichine. Decor, costumes andl production under the supervision of Alexandre Benois.
[Performance programmes: London's Festival Ballet. Box LFB]

New Victoria Theatre.
8-14 July, 1965. Illus.
Swan Lake. Music by Piotr Ilyich Tchaikovsky. Production by Vaslay Orlikovsky after the choreography of Vladimir Bourmeister and Agippina Vaganova. Mise-en-scene by Joyce Graeme. Decor and costume dessign by John Truscott. Lighting by Charles Bristow.
[Performance programmes: London's Festival Ballet. Box LFB]

Odeon Theatre, Southend on Sea.
31 July-3 August, 1968. Illus.
Swan lake - Act 2. Music by Tchaikovsky. Choreography by Jack Carter after Petipa and Ivanov. Designed by Peter Farmer.
Corsair. Music by Drigo. Choreography by Klavin. Designed by Peter Farmer.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Tchaikovsky. Choreography after Petipa with additional choreography by Ben Stevenson. Artistic adviser, Beryl Grey. Staged by Ben Stevenson. Designed by Norman McDowell. Scenic designs adapted for this theatre [i.e. Odeon Theatre, Southend on Sea] by Geoffrey Guy.
Night shadow. Music by Rieti from themes by Bellini. Choreography by George Balanchine reproduced by John Taras. Designed by Peter Farmer.
The Polovtsian dances from the opera Prince Igor. Music by Borodin. Choreography by Fokine, reproduced by Vasilie Trunoff. Designed after Nicholai Roerich.
[Performance programmes: London's Festival Ballet. Box LFB]

Pavilion Theatre, Bournemouth.
29 October - 2 November, 1968. Illus.
Coppelia. Ballet by Ch. Nuitter and A. Saint-Leon. Music by Delibes. Production by Jack Carter adapted from the Choreography of Sain-Leon and Petipa. Designed by Peter Farmer. Lighting by Charles Bristow.
Corsair - pas de deux. Music by Drigo. Choreography by Klavin. Designed by Peter Farmer.
Noir et blanc. Ballet in one act by Serge Lifar. Music by Lalo. Choreography by Serge Lifar reproduced by Roland Casenave. Designed by Norman McDowell.
[Performance programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
12-17 September, 1966. Illus.
Les Sylphides. Romantic ballet in one act. Music by Chopin. Choreography by Michel Fokine. Designs after Hugh Stevenson.
The Corsair pas de deux with variations and coda. Music by Drigo. Choreography after Petipa.
Phedre (The Rehearsal of Phaedre). Choreography by Janine Charrat. Music by Wilfred Josephs. Designs by Philip Tomasi.
Etudes. Music by Knudage Riisager, adapted from Czerny's 'Etudes'. Ballet in one act by Harald Lander. Choreography by Harald Lander.
Noir et Blanc. Ballet in one act by Serge Lifar. Music by Lalo. Choreography by Serge Lifar. Designs by Norman McDowell.
The Witch boy. Ballet in one act and three scenes. Choreography by Jack Carter. Music by Leonard Salzedo. Designed by Norman McDowell.
Graduation Ball. Ballet in one act by David Lichine. Choreography by David Lichine. Music by Johann Strauss, orchestrated by Antal Dorati. Designed by Alexandre Benois.
[Performance programmes: Royal Festival Hall. Box LFB]

Royal Festival Hall.
26-30 December, 1967.
The Nutcracker. Music by Tchaikovsky. Choreography after Petipa and Ivanov. Designs after Alexandre Benois. Revised choreography by Jack Carter, Andree Howard, Vasilie Trunoff. Costumes supervised by Norman McDowell. Lighting By Charles Bristow.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
8-10 August, 1968. Illus.
The Sleeping beauty. Ballet in a prologue and three acts based on the Fairy Stories by Charles Perrault. Music by Tchaikovsky. Choreography after Petipa with additional choreography by Ben Stevenson. Artistic adviser, Beryl Grey. Staged by Ben Stevenson. Designed by Norman McDowell.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
12-14 August, 1968. Illus.
The Sleeping beauty. Ballet in a prologue and three acts based on the Fairy Stories by Charles Perrault. Music by Tchaikovsky. Choreography after Petipa with additional choreography by Ben Stevenson. Artistic adviser, Beryl Grey. Staged by Ben Stevenson. Designed by Norman McDowell.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
23-24 August, 1968. Illus..
The Sleeping beauty. Ballet in a prologue and three acts based on the Fairy Stories by Charles Perrault. Music by Tchaikovsky. Choreography after Petipa with additional choreography by Ben Stevenson. Artistic adviser, Beryl Grey. Staged by Ben Stevenson. Designed by Norman McDowell.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
11 August, 1958. Illus.
Giselle. Classical ballet in two acts. Scenario by Theophile Gautier on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Anton Dolin, after Jean Coralli. Decor and costumes by Hugh Stephenson. The production by Anton Dolin.
Symphony for fun. Ballet in four movements. Music: "Symphony number Five-and-a-half" by Don Gillis. Choreography by Michael Charnley. Decor and costumes by Tom Lingwood.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
31 August, 1966. Illus.
Beatrix (La Jolie fille de gand). Ballet in 3 acts and 5 scenes by Jack Carter from the original libretto of Saint-Georges. Music by Adam arranged by Joseph Horovitz. Choreography by Jack Carter. Decor by Henry Bardon. Costumes by David Walker. Lighting by Charles Bristow.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
22-27 August, 1957. Illus.
Petrouchka. Ballet in four scenes by Igor Stravinsky and Alexandre Benois. Music by Igor Stravinsky. Choreography by Michel Fokine, reproduced by Nicholas Beriosoff. Decor and costumes after Alexandre Benois, reproduced by Bilibin].
The Pas de quatre. Music by Cesare Pugni. Choreography by Anton Dolin. Costumes after lithographs by A.E. Chalon.
Harlequinade - pas de deux romantique. Music by Drigo. Choreography by Anton Dolin.
Symphony for fun. Ballet in four movements. Music: "Symphony Five-and-a-half", by Don Gillis. Choreography by Michael Charnley. Decor and costumes by Tom Lingwood.
[Performance programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
8 September, 1958. Illus.
Concerti. Music: Concerto in C for Oboe and Strings by Marcello and Concerto Grosso in D minor by Vivaldi. Idea and choreography by David Lichine.
Giselle. Classical ballet in two acts. Scenario by Theophile Gautier on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Anton Dolin, after Jean Coralli. Decor and costumes by Hugh Stephenson. The production by Anton Dolin.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
7 September, 1966. Illus.
Beatrix (La Jolie fille de gand). Ballet in 3 acts and 5 scenes by Jack Carter from the original libretto of Saint-Georges. Music by Adam arranged by Joseph Horovitz. Choreography by Jack Carter. Decor by Henry Bardon. Costumes by David Walker. Lighting by Charles Bristow.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
22-24 July, 1957. Illus.
Concerti. Music: Concerto in C minor and strings by Marcello and Concerto Grosso in D minor by Vivaldi. Idea and choreography by David Lichine.
Giselle. Classical ballet in Two Acts. Scenario by Theophile Gautier on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Anton Dolin after Jean Coralli. Decor and costumes by Hugh Stevenson. The production staged by Anton Dolin.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
30 August - 1 September, 1960. Illus.
Giselle. Ballet in Two Acts. Scenario by Theophile Gautier on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Anton Dolin after Jean Coralli. Decor and costumes by Hugh Stevenson. The ballet staged by Anton Dolin.
Prince Igor - Polovtsian dances from the opera 'Prince Igor'. Music by Borodin. Choreography by Fokine, reproduced by Vasilie Trunoff. Decor and costumes after Nicholai Roerich.
[Performance programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
1-6 January, 1962. Illus.
The Nutcracker (Casse-Noisette). Ballet in a Prologue and Two Acts, based on Fairy Tale by E.T.A Hoffman. Music by Ilich Tchaikovsky. Choreography by david Lichine. Decor, costumes and production under the supervision of Alexandre Benois.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
December 1962 - January 1963. Illus.
The Nutcracker (Casse-Noisette). Ballet in a Prologue and Two Acts, based on Fairy Tale by E.T.A Hoffman. Music by Ilich Tchaikovsky. Choreography by David Lichine. Decor, costumes and original production under the supervision of Alexandre Benois.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
1959. Illus.
The 10th anniversary season of London's Festival Ballet.
[Performance programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
18-22 August, 1959. Illus.
Symphony for fun. Ballet in four movements. Music: "Symphony number Five-and-a-half" by Don Gillis. Choreography by Michael Charnley. Decor and costumes by Tom Lingwood.
Giselle. Ballet in two acts. Scenario by Theophile Gautier on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Anton Dolin, after Jean Coralli. Decor and costumes by Hugh Stephenson. The ballet staged by Anton Dolin.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
22-25 July, 1959. Illus.
Swan Lake (Act II). Music by Tchaikovsky. Choreography by Anton Dolin after Petipa and Ivanov. Decor and costumes by Loudon Sainthill.
London morning. A ballet. Story and music by Noel Coward. Choreography by Jack Carter. Decor by William Constable. Costumes by Norman McDowell. Music orchestrated by Gordon Jacob.
Harlequinade - Pas de deux romantique. Music by Drigo.
Don Quixote - Grand pas de deux. Music by Minkus. Choreography reproduced by Anton Dolin.
Symphony for fun. Ballet in four movements. Music: "Symphony number Five-and-a-half" by Don Gillis. Choreography by Michael Charnley. Decor and costumes by Tom Lingwood .
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
19-22 August, 1968. Illus.
The Sleeping beauty. Ballet in a prologue and three acts based on the Fairy Stories by Charles Perrault. Music by Tchaikovsky. Choreography after Petipa with additional choreography by Ben Stevenson. Artistic adviser, Beryl Grey. Staged by Ben Stevenson. Designed by Norman McDowell.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
26 - 31 December, 1966. Illus.
The Nutcracker. Ballet in a prologue and Two Acts. Music by Tchaikovsky. Choreography after Petipa and Ivanov. Designs after Alexandre Benois. Revised choreography by Jack Carter, Andree Howard, Vasilie Trunoff. Designs reconstructed by Philip Prowse and Norman McDowell. Lighting By Charles Bristow.
[Performance Programmes: London's Festival Ballet. Box LFB]

Royal Festival Hall.
8 September, 1956. Illus.
Swan lake (Act II). Music by Tchaikovsky. Choreography by Anton Dolin, after Ivanov/Petipa. Decor by K. Dubinski.
Coppelia. Ballet in three acts by Ch. Nuitter and A. Saint-Leon staged by Harald Lander. Music by Leo Delibes. Decor and costumes by Jean Denis Maillart. The original choreography freely adapted and arranged by Harald Lander.
[Performance programmes: London's Festival Ballet. Box LFB]

Stoll Theatre.
21-22 December, 1956. Illus.
Swan lake (Act II). Music by Tchaikovsky. Choreography by Anton Dolin, after Ivanov/Petipa. Decor and costumes by Loudon Sainthall].
The Nutcracker (Cass-Noisette). Ballet in a prologue and two acts. Music by Tchaikovsky. Choreography by Anton Dolin, after Ivanaov. Prologue and Trepak choreography by Nicholas Beriosoff. Danse Espagnol choreography by Pilar Lopez.
[Performance programmes: London's Festival Ballet. Box LFB]

Stoll Theatre.
19-20 December, 1956. Illus.
Coppelia. Ballet in three acts by Ch. Nuitter and A. Saint-Leon staged by Harald Lander. Music by Leo Delibes. Decor and costumes by Jean Denis Maillart. The original choreography freely adapted and arranged by Harald Lander.
[Performance programmes: London's Festival Ballet. Box LFB]

Stoll Theatre.
12 January, 1957. Illus.
Coppelia. Ballet in three acts by Ch. Nuitter and A. Saint-Leon staged by Harald Lander. Music by Leo Delibes. Decor and costumes by Jean Denis Maillart. The original choreography freely adapted and arranged by Harald Lander.
[Performance programmes: London's Festival Ballet. Box LFB]

Wimbledon Theatre.
11 - 16 November, 1968. Illus.
Coppelia. Ballet by Ch. Nuitter and A. Saint-Leon. Music by Delibes. Production by Jack Carter adapted from the Choreography of Sain-Leon and Petipa. Designed by Peter Farmer. Lighting by Charles Bristow.
Corsair - pas de deux. Music by Drigo. Choreography by Klavin. Designed by Peter Farmer.
Noir et blanc. Ballet in one act by Serge Lifar. Music by Lalo. Choreography by Serge Lifar reproduced by Roland Casenave. Designed by Norman McDowell.
[Performance programmes: London's Festival Ballet. Box LFB]

Martha Graham Dance Company

Prince of Wales Theatre.
3-14 September, 1963.
Acrobats of God. Music by Carlos Surinach. Set by Isamu Noguchi.
Circe. Music by Alan Hovhaness. Setting by Isamu Noguchi.
Clytemnestra. Music by Halim El-Dabh. Set by Isamu Noguchi. Women's costumes after designs by Helen McGehee.
Diversion of angels. Music by Norman Dello-Joio.
Embattled garden. Music by Carlos Surinach. Set by Isamu Noguchi.
Legend of Judith. Music by Mordecai Seter. Set by Dani Karavan.
Night journey. Music by William Schuman. Set by Isamu Noguchi.
Phaedra. Music by Robert Starer. Set by Isamu Noguchi.
Secular games. Music by Robert Starer. Set by Jean Rosenthal. Properties sculptured by Marion Kinsella.
Seraphic dialogue. Music by Norman Dello-Joio. Set by Isamu Noguchi .
[Performance programmes: Martha Graham Dance Company. Box MGDC]

New York City Ballet

City Center of Music and Drama, New York.
23-24 January, 1962.
A Midsummer night's dream. Music by Felix Mendelssohn (Overture and Incidental music to "A Midsummer Night's Dream.
Overtures to: "Son and Stranger", "Athalie", "Fair Melusine".
Symphony for Strings, No.9.
"The First Walpurgis Night"). Choreography by George Balanchine, Costumes designed and executed by Karinska. Scenery and lighting designed by David Hays.
Swan lake. Music by P. Tchaikovsky. Choreography by George Balanchine. Scenery and costuems by Cecil Beaton. Costumes executed by Karinska. Lighting by Jean Rosenthal.
Liebeslieder Walzer. Music by Johannes Brahms (Opus 52 and Opus 65). Choreography by George Balanchine. Costumes desisgned and executed by Karinska. Scenery and lighting designed by David Hays.
Valse et Variations. Music by Alexander Glazounov (from "Raymonda"). Choreography by George Balanchine. Costumes designed and executed by Karinska. Lighting by David Hays.
[Performance programmes: New York City Ballet. Box NYCB]

New York State Theater.
16 February, 1965. Illus.
Agon. Music by Igor Stravinsky. Choreography by George Balanchine. Lighting by Nananne Porcher.
Liebeslieder Walzer. Music by Johannes Brahms (Opus 52 and Opus 65). Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
La Sonnambula. Music by Vittorio Rieti (after themes by Vincenzo Bellini). Choreography by George Balanchine, staged by John Taras. Lighting by David Hays. Costumes by André Levasseur. Scenery and lighting by Esteban Francés.
[Performance programmes: New York City Ballet. Box NYCB]

New York State Theater.
31 May, 1965. Illus.
Don Quixote. Music by Nicolas Nabokov. Choreography by George Balanchine. Scenery, costumes, and lighting by Esteban Francés. Assistant to Mr. Francés: Peter Harvey. Costumes executed by Krainska.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
7 September, 1965.
Irish fantasy. Music by Camille Saint-Saëns. Choreography by Jacques d'Amboise. Scenery and lighting by David Hays. Costumes by Karinska.
Allegro brillante. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine. Lighting by David Hays. Piano solo, Gordon Boelzner.
Ivesiana. Music by Charles Ives. Choreography by George Balanchine. Lighting by David Hays.
La Valse. Music by Maurice Ravel ("Valse Nobles et Sentimentales" and "La Valse"). Choreography by George Balanchine. Costumes by Karinska. Scenery and lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
1 September, 1965.
Donizetti variations (from Don Sebastian). Music by Gaetano Donizetti. Choreography by George Balanchine. Costumes by Karinska. Lighting by David Hays.
Liebeslieder Walzer. Music by Johannes Brahms (Opus 52 ansd Opus 65). Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
Stars and stripes. Ballet in five campaigns. Music adapted and orchestrated by Hershy Kay after music by John Philip Sousa. Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
3 September, 1965.
Fanfare. Music by Benjamin Britten (The Young Person's Guide to the Orchestra). Choreography by Jerome Robbins. Scenery and costumes by Irene Sharaff. Lighting by David Hays.
Episodes. From the orchestral works of Anton Webern. Choreography by George Balanchine. Scener and lighting by David Hays.
Liebeslieder Walzer. Music by Johannes Brahms (Opus 52 ansd Opus 65). Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
4 September, 1965.
Raymonda variations. Music by Alexander Glazounov (from "Raymonda"). Choreography by George Balanchine. Scenery by Horace Armistead. Costumes by Karinska. Lighting by David Hays.
Agon. Music by Igor Stravinsky. Choreography by George Balanchine. Lighting by Nananne Porcher.
Pas de deux. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine. Costumes by Karinska.
Western symphony. Music by Hershy Kay. Choreography by George Balanchine. Scenery by John Boyt. Costumes by Karinska. Lighting by David Hays.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
6 September, 1965.
Prodigal son. Ballet in three scenes. Music by Serge Prokofiev. Choreography by George Balanchine. Decor by Georges Rouault. Lighting by David Hays.
Allegro brillante. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine. Lighting by David Hays. Piano solo, Gordon Boelzner.
Monumentum pro Gesualdo. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery and lighting by David Hays.
Movements for piano and orchestra. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery by David Hays. Lighting by Peter Harvey. Piano solo, Gordon Boelzner.
La Valse. Music by Maurice Ravel ("Valse Nobles et Sentimentales" and "La Valse"). Choreography by George Balanchine. Costumes by Karinska. Scenery and lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
14 August, 1952.
Four temperaments. Music by Paul Hindemith. Choreography by George Balanchine. Lighting by Jean Rosenthal.
A la Francaix. Music by Jean Francaix (Serenade for Small Orchestra). Choreography by George Balanchine. Lighting by Jean Rosenthal.
The Cage. Music by Igor Stravinsky (String Concerto in D) Choreography by Jerome Robbins. Costumes by Ruth Sobotka. Lighting by Jean Rosenthal.
Bourree fantasque. Classical ballet. Music by Emmanuel Chabrier. Choreography by George Balanchine. Costumes designed and executed by Barbara Karinska. Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
15 July, 1952.
Caracole. Music by Wolfgang Amadeus Mozart (Divertimento No. 15 in B Flat Major: K.V. 287). Choreography by George Balanchine. Costumes by Christian Berard. Lighting by Jean Rosenthal.
La Gloire. Music by Ludwig van Beethoven. (The Overtures: Egmont, Coriolanus, Leonore III). Ballet by Antony Tudor. Scenery by Gaston Longchamp. Costumes by Robert Fletcher. Costumes executed by Karinska. Lighting by Jean Rosenthal.
A la Francaix. Music by Jean Francaix (Serenade for Small Orchestra). Choreography by George Balanchine. Lighting by Jean Rosenthal.
Bourree fantasque. Classical ballet. Music by Emmanuel Chabrier. Choreography by George Balanchine. Costumes designed and executed by Barbara Karinska. Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

[Royal Opera House, Covent Garden].
30 August, 1965.
Symphony in C. Music by George Bizet. Choreography by George Balanchine. Costumes by Karinska. Lighting by David Hays.
Agon. Music by Igor Stravinsky. Choreography by George Balanchine. Lighting by Nananne Porcher.
Tarantella. Music by Louis Gottschalk. Reconstructed by Hershy Kay. Choreography by George Balanchine. Costumes by Karinska. Lighting by David Hays. Piano solo, Gordon Boelzner.
Stars and stripes. Ballet in five campaigns. Music adapted and orchestrated by Hershy Kay after music by John Philip Sousa. Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
[Performance programmes: New York City Ballet. Box NYCB]

[Royal Opera House, Covent Garden].
9 September, 1965. .
Bugaku. Music by Toshiro Mayuzumi. Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
Pas de deux. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine. Costumes by Karinska.
Monumentum pro Gesualdo. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery and lighting by David Hays.
Movements for piano and orchestra. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery by David Hays. Lighting by Peter Harvey. Piano solo, Gordon Boelzner.
La Valse. Music by Maurice Ravel ("Valse Nobles et Sentimentales" and "La Valse"). Choreography by George Balanchine. Costumes by Karinska. Scenery and lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

[Royal Opera House, Covent Garden].
31 August, 1965.
Bugaku. Music by Toshiro Mayuzumi. Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
Liebeslieder Walzer. Music by Johannes Brahms (Opus 52 and Opus 65). Choreography by George Balanchine. Scenery and lighting by David Hays. Costumes by Karinska.
Western symphony. Music by Hershy Kay. Choreography by George Balanchine. Scenery by John Boyt. Costumes by Karinska. Lighting by David Hays.
[Performance programmes: New York City Ballet. Box NYCB]

[Royal Opera House, Covent Garden].
2 September, 1965.
Prodigal son. Ballet in three scenes. Music by Serge Prokofieff. Choreography by George Balanchine. Decor by Georges Rouault. Lighting by David Hays.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine. Lighting by David Hays.
Symphony in C. Music by George Bizet. Choreography by George Balanchine. Costumes by Karinska. Lighting by David Hays.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
7 July, 1952.
Serenade. Classic ballet. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine. Costumes by Karinska. Lighting by Jean Rosenthal.
The Cage. Music by Igor Stravinsky (String Concerto in D) Choreography by Jerome Robbins. Costumes by Ruth Sobotka. Lighting by Jean Rosenthal.
Firebird. Music by Igor Stravinsky. Choreography by George Balanchine. Lighting by Jean Rosenthal.
Valses nobles et sentimentales. Music by Maurice Ravel. Choreography by George Balanchine. Costumes by Karinska. Lighting by Jean Rosenthal.
La Valse. Music by Maurice Ravel. Choreography by George Balanchine. Costumes by Karinska. Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
23 August, 1952.
The Pied piper. Music by Aaron Copland (Concerto for Clarinet and String Orchestra). Choreography by Jerome Robbins. Lighting by Jean Rosenthal.
Concerto Barocco. Classic ballet. Music by Johann Sebastian Bach. Choreography by George Balanchine. Lighting by Jean Rosenthal.
Lilac garden (Jardin aux Lilas) Music by Ernest Chausson. Ballet by Antony Tudor. Scenery by Horace Armistead. Costumes by Karinska. Lighting by Jean Rosenthal.
Symphony in C. Classic ballet. Music by Georges Bizet. Choreography by George Balanchine. Costumes by Karinska. Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
10 July, 1950.
Serenade. Classic ballet. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine. Costumes by Karinska. Lighting by Jean Rosenthal.
Age of anxiety. Choreography by Jerome Robbins. Music by Leonard Bernstein. Scenery by Oliver Smith. Costumes by Irene Sharaff. Lighting by Jean Rosenthal.
Symphony in C. Classic ballet. Music by Georges Bizet. Choreography by George Balanchine. Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
22 July , 1950.
Illuminations. Ballet in one act. Music by Benjamin Britten (1939) for tenor and strings. Words from Arthur Rimbaud (Les Illuminations: Printed Plates.
1871-2). Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton, Lighting by Jean Rosenthal.
Firebird. Music by Igor Stravinsky. Choreography by George Balanchine. Costumes and scenery by Marc Chagall. Lighting by Jean Rosenthal.
Symphony in C. Classic ballet. Music by Georges Bizet. Choreography by George Balanchine. Costumes by Karinska. Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
3 August, 1950.
The Guests. Classic ballet. Music by Marc Blitzstein. Choreography by Jerome Robbins. Lighting by Jean Rosenthal.
Mother Goose suite. Classic ballet in five scenes. Music by Maurice Ravel. Choreography by Todd Bolender. Lighting by Jean Rosenthal.
Divertimento. Music by Alexei Haieff. Choreography by George Balanchine. Lighting by Jean Rosenthal.
lIlluminations. Ballet in one act. Music by Benjamin Britten (1939) for tenor and strings. Words from Arthur Rimbaud (Les Illuminations: Printed Plates.
1871-2). Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton, Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Royal Opera House, Covent Garden.
8 August, 1950.
Symphonie concertante in E Flat: K 164. Classic ballet. Music by Wolfgang Amadeus Mozart. Choreography by George Balanchine. Scenery and costumes by James Stewart Morcom. Lighting by Jean Rosenthal.
The Duel. Music by Rafaello de Banfield. Choreography by William Dollar. Costumes by Robert Stevenson. Lighting by Jean Rosenthal.
Bourree fantasque. Classical ballet. Music by Emmanuel Chabrier. Choreography by George Balanchine. Costumes designed and executed by Barbara Karinska. Lighting by Jean Rosenthal.
[Performance programmes: New York City Ballet. Box NYCB]

Opera Circle

Arts Theatre.
19 May, 1940.
"Voices in Ballet". Address by Edwin Evans. 1. Introductory song from "Le Tricorne" [by] de Falla. 2. Song from "Pulcinella", by Pergolesi. 3. The Song of Lel from "The Snowmaiden" [by] Rimsky- Korsakov. 4. Extract from "Coq d'Or" [by] Rimsky-Korsakov. The London Ballet in Dark Elegies. Ballet by Antony Tudor. Music by Mahler. Décor by Nadia Benois.
[Performance programmes: Opera Circle. Box OC]

Ottawa Ballet Company

Little Theatre.
18-19 January, 1952.
Bach concerto. Music, Bach. Choreography, Lisa Bronda. Costumes designed by Lisa Bronda.
Soirée dansante. Music , Czerny. Choreography, Lisa Bronda. Costumes designed by Deorah Dering.
Divertissements (1. Shore leave. Wilson.
2. Mexican dance. Traditional. 3. Tritsch-Tratsch. Strauss.
4. Pas de Ruban from La Fille mal gardée. Herold.
5. Ostriches.
6. Chinese. Ravel.
7. Lilac fairy variation from Aurora's wedding. Tschaikovsky.
8. Fingure variation from Aurora's wedding. Tschaikovsky.
9. Barcarole. Offenbach).
Eternal symphony. Music (Symphony No. 33 in B flat K.-319). Mozart. Choreography, Lisa Bronda. Costumes designed by Margaret Sanger.
[Performance programmes: Ottawa Ballet Company. Box OBC]

Royal Ballet

Congress Theatre, Eastbourne.
23-24 January, 1969.
Intrusion. Music by Franz Schubert.
Fantasia in F minor op. 103, for four hands. Scenario by Théophile Gautier.
based on a theme of Heinrich Heine. Choreography by David Drew. Settings and costumes by Ian Mackintosh and Vincent Yorke. Lighting by Michael White.
Giselle. Music by Adolphe Adam. Scenario by Théophile Gautier.
based on a theme of Heinrich Heine. Produced by Peter Wright. Choreography by Marius Petipa after Jean Coralli and Jules Perrot.
revised by Nicolai Sergueyev. Scenery and costumes by Peter Farmer. Lighting by William Bundy.
[Performance Programme: Royal Ballet. Box RB]

Congress Theatre, Eastbourne.
20-22 January, 1969.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Produced by Nicolai Sergueyev. Present production revised by Frederick Ashton. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Congress Theatre, Eastbourne.
12 October, 1964.
La Fille mal gardee. Ballet in three acts. Music by Ferdinand Herold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Golders Green Hippodrome.
12 June, 1961.
Solitaire. Music by Malcolm Arnold. Choreography by Kenneth Macmillan.
Les Deux pigeons. An allegory in two acts and three scenes, based on the Fable by La Fontaine, by Henry Regnier and Louis Merante. Music by Andre Messager. Choreography by Frederick Ashton. Scenery and costumes by Jaques Dupont.
[Performance programmes: Royal Ballet. Box RB]

Granada, Sutton.
18 January, 1967. Illus.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Produced by Nicolai Serguëeff. Present production revised by Frederick Ashton. Scenery and costumes by Leslie Hurry. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Metropolitan Opera House, Lincoln Center.
23 April, 1968. Illus.
Swan Lake. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev.
Production devised and staged by Robert Helpmann. Scenery and costumes by Carl Toms.
[Performance programmes: Royal Ballet. Box RB]

Metropolitan Opera House, Lincoln Center.
28 April, 1968. Illus.
Swan lake. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev.
Production devised and staged by Robert Helpmann. Scenery and costumes by Carl Toms.
[Performance programmes: Royal Ballet. Box RB]

New Theatre, Oxford.
2 December, 1966.
Divertissement from Napoli. Music by E. Helsted and H.S. Paulli. Choreography by Auguste Bournonville. Costumes by Joseph Roth.
Pas de deux from Flower festival at Genzano. Music by E. Helsted. Choreography by Auguste Bournonville.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery and costumes by Peter Farmer. Lighting by William Bundy.
Raymonda Act III. Music by Alexander Glazunov. Choreography by Rudolf Nureyev after Marius Petipa. Scenery and costumes by Barry Kay.
[Performance programmes: Royal Ballet. Box RB]

New Theatre, Oxford.
26-31 October, 1964.
Swan lake (Act II). Choreography by Marius Petipa and Lev Ivanov. Produced by Nicolai Serguëeff. Present production revised by Ninette de Valois. Music by Piotr Ilich Tchaikovsky. Scenery and costumes by Leslie Hurry.
Summer's night. Music by Francis Poulenc. Choreography by Peter Wright. Scenery and costumes by Judith Wood. Lighting by Michael Northen.
Quintet. Music by Jacques Ibert. Choreography by Peter Wright. Scenery and costumes by Judith Wood. Lighting by Michael Northen.
The Invitation. Ballet in five scenes. Music by Mattyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen .
[Performance programmes: Royal Ballet. Box RB]

Opera House, Manchester.
Commencing 5 November (for four weeks), 1968.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Produced by Nicolai Sergueyev. Present production revised by Frederick Ashton. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
La Boutique fantasque. Ballet in one act. Music by Gioacchino Rossini orchestrated by Ottorino Respighi. Libretto and choreography by Leonide Massine. Curtain, scenery and costumes by Andre Derain.
Concerto. Music by Dmitri Shostakovich (Second Piano Concerto). Choreography by Kenneth Macmillan. Scenery and costumes by Jurgen Rose.
A new ballet to be performed ... 25th November, 1968. Ballet by Antony Tudor. Music by Richard Strauss. Scenery and costumes by Stefanos Lazaridis.
Les Sylphides. Music by Frederic Chopin, orchestrated by Roy Douglas. Choreography by Michel Fokine. Scenery by Alexandre Benois. Present production revived by Serge Grigoriev and Lubov Tchernicheva.
Monotones Nos. 1 and 2. Music by Erik Satie. Choreography by Frederick Ashton. Costumes by Frederick Ashton. Lighting by William Bundy. (Trois Gnossiennes orchestrated by John Lanchbery. Trois Gymnopédies orchestrated by Claude Debussy and Roland Manuel).
Giselle. Music by Adolphe Adam. Choreography by Marius Petipa after Jean Coralli and Jules Perrot.  Revised by Nicolai Sergueyev. Scenario by Théophile Gautier, based on a theme of Heinrich Heine. Produced by Peter Wright. Scenery and costumes by Peter Farmer. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 July, 1968.
La Bayadère. Music by Ludwig Minkus. Revised and produced by Rudolf Nureyev. Choreography by Marius Petipa. Costumes by Philip Prowse. Lighting by William Bundy.
The invitation. Music by Mattyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
Jazz calendar. Music by Richard Rodney Bennett. Choreography by Frederick Ashton. Scenery and costumes by Derek Jarman. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
6 March, 1968.
The Nutcracker. Ballet in two acts after the story 'Nussknacker und Mausekönig' by E.T.A. Hoffmann. Music by Piotr Ilich Tchaikovsky. Choreography and production by Rudolf Nureyev. (The Prince's Variation in Act II by Vassily Vainonen). Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance Programme: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
4 May, 1968.
The Two pigeons. An allegory in two acts and three scenes based on the Fable by Jean de la Fontaine Music by André Messager. Choreography by Frederick Ashton. Scenery and costumes by Jacques Dupont.
The Dream.  Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Lighting by William Bundy .
[Performance Programme: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 May, 1968.
Giselle. Scenario by Théophile Gautier.
based on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Marius Petipa after Jean Coralli and Jules Perrot. Revised by Nicolai Sergueyev. Produced by Peter Wright. Scenery and costumes by Peter Farmer. Lighting by William Bundy.
[Performance Programme: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
7 March, 1967.
Les Biches. Music by Francis Poulenc. Choreography by Bronislava Nijinska. Scenery and costumes by Marie Laurencin.
Paradise lost. Music by Marius Constant. Ballet by Roland Petit. Based on an argument by Jean Cau. Choreography by Roland Petit. Scenery and costumes by Martial Raysse.
Les Noces. Words and music by Igor Stravinsky (see Notes below). Choreography by Bronislava Nijinska. Scenery and costumes by Natalia Goncharova .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
26 December, 1967.
Cinderella.  Ballet in three acts. Music by Serge Prokofiev. Devised and produced by Frederick Ashton. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
26 October, 1967.
Shadowplay. Music by Charles Koechlin. Ballet by Anthony Tudor. Scenery and costumes by Michael Annals [assisted by] Gil Wechsler.
The Song of the earth. Music by Gustav Mahler. Chinese poems freely translated by Hans Bethge ??? Choreography by Kenneth Macmillan. Lighting by William Bundy. German translation of the poems by William Mann ??? .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 January, 1967.
Brandenburg nos. 2 and 4. Music by Johann Sebastian Bach. Choreography by John Cranko. Scenery and costumes by Dorothy Zippel. Lighting by William Bundy.
Shadowplay. Music by Charles Koechlin. Ballet by Anthony Tudor. Scenery and costumes by Michael Annals [assisted by] Gil Wechsler.
La Bayadère. Music by Ludwig Minkus. Revised and produced by Rudolf Nureyev. Choreography by Marius Petipa. Costumes by Philip Prowse. Lighting by William Bundy.
[Performance Programme: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
9 February, 1965.
Romeo and Juliet. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 January, 1965.
Swan lake. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev. Czardas in Act II by Maria Fay.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by Willaim Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 May, 1968.
Giselle. Scenario by Théophile Gautier based on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Marius Petipa after Jean Coralli and Jules Perrot. Revised by Nicolai Sergueyev. Produced by Peter Wright. Scenery and costumes by Peter Farmer. Lighting by William Bundy .
[Performance Programme: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
30 October, 1967.
Romeo and Juliet. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
2 March, 1968.
The Nutcracker. Ballet in two acts after the story 'Nussknacker und Mausekönig' by E.T.A. Hoffmann. Music by Piotr Ilich Tchaikovsky. Choreography and production by Rudolf Nureyev. (The Prince's Variation in Act II by Vassily Vainonen). Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance Programme: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
11 February, 1967.
Romeo and Juliet. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 November, 1965.
Romeo and Juliet. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 November, 1965.
Romeo and Juliet. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
16 November, 1965.
Romeo and Juliet. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 March, 1967.
Swan lake. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by Willaim Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
6 June, 1967.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Produced by Nicolai Sergueyev. Present production revised by Frederick Ashton. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 July, 1968.
La Fille mal gardeé. Music by Ferdinand Hérold. Freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance Programme: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 May, 1967.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Produced by Nicolai Sergueyev. Present production revised by Frederick Ashton. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 March, 1967.
La Fille mal gardeé. Music by Ferdinand Hérold. Freely adapted and arranged by John Lanchbery from the 1828 version. Scenario after Jean Dauberval. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 February, 1967.
La Fille mal gardeé. Music by Ferdinand Hérold. Freely adapted and arranged by John Lanchbery from the 1828 version. Scenario after Jean Dauberval. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
27 June, 1968.
Les Biches. Music by Francis Poulenc. Choreography by Bronislava Nijinska. Scenery and costumes by Marie Laurencin.
Symphonic variations. Music by Cesar Franck. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
The Invitation. Music by Mattyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
29 May, 1967.
Danses concertantes. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis.
Concerto. Music by Dmitri Shostakovich (Second Piano Concerto). Choreography by Kenneth Macmillan. Scenery and costumes by Jurgen Rose.
The Invitation. Music by Mattyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
26 January, 1965.
Swan lake. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the GuestsSpanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev. Czardas in Act II by Maria Fay.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
23 May, 1967.
Coppélia. Ballet in three acts. Music by Léo Delibes. Book by Charles Nuitter and Arthur Saint-Léon. Choreography by Lev Ivanov and Enrico Cecchetti. Produced by Nicolai Serguëeff. General production revised by Ninette de Valois. Scenery and costumes by Osbert Lancaster. Lighting by John Sullivan .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
31 May, 1967.
Coppélia. Ballet in three acts. Music by Léo Delibes. Book by Charles Nuitter and Arthur Saint-Léon. Choreography by Lev Ivanov and Enrico Cecchetti. Produced by Nicolai Serguëeff. General production revised by Ninette de Valois. Scenery and costumes by Osbert Lancaster. Lighting by John Sullivan .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
3 February, 1967.
Ballet imperial. Music by Piotr Ilich Tchaikovsky (Piano Concerto No.2 in G Major). Choreography by Georege Balanchine. Scenery and costumes by Carl Toms.
Monotones nos. 1 and 2. Music by Erik Satie. Choreography by Frederick Ashton. Lighting by Willian Bundy.
Shadowplay. Music by Charles Koechlin. Ballet by Anthony Tudor. Scenery and costumes by Michael Annals [assisted by] Gil Wechsler.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
1 April, 1967.
Giselle. Scenario by Théophile Gautier.
based on a theme of Heinrich Heine. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot. Revised by Nicolai Serguëeff. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by James Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 May, 1967.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Produced by Nicolai Sergueyev. Present production revised by Frederick Ashton. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
4 July, 1963.
The Little Hump-backed horse. Ballet in three acts. Original story by Piotr Yershov. Libretto by Vasili Vainonen and Paval Malyarevsky. Music by Rodion Shchedrin. Choreography by Alexander Radunsky. Decor by Boris Volkov..
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 March, 1967.
The Song of the earth. Music by Gustav Mahler. Chinese poems freely translated by Hans Bethge ??? Choreography by Kenneth Macmillan. Lighting by William Bundy. German translation of the poems by William Mann ???.
Marguerite and Armand. Sonata in 'B' minor by Franz Liszt. Orchestrated by Humphrey Searle. After the The Lady of the camellias by Alexandre Dumas fils. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 December, 1968.
The Sleeping beauty. Music by Piotr Ilich Tchaikovsky. Production devised and staged by Peter Wright. Choreography by Marius Petipa, with new and additonal chroeography by Frederick Ashton. Scenery by Henry Bardon. Costumes by Lila de Nobili and Rotislav Doboujinsky. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 February, 1967.
Romeo and Juliet. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
5 September, 1966.
Swan Lake. Ballet in three acts. Music by Piotr Ilich Tchaikovsky. Libretto by Vladimir Begichev and Vasili Geltser. Choreography by Marius Petipa and Lev Ivanova. New choreography by Konstantin Sergeyev. Decor and costumes by Suliko Virsaladse.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 October, 1968.
The Nutcracker. Ballet in two acts after the story 'Nussknacker und Mausekönig' by E.T.A. Hoffmann. Music by Piotr Ilich Tchaikovsky. Choreography and production by Rudolf Nureyev. (The Prince's Variation in Act II by Vassily Vainonen). Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
7 December, 1968.
Coppélia. Ballet in three acts after the story Der Sandmann by E.T. Hoffmann.
scenario by Charles Nuitter. Produced by Nicolai Sergueyev. Choreography by Lev Ivanov and Enrico Cecchetti. Scenery and costumes by Osbert Lancaster. General production revised by Ninette de Valois.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 December, 1967.
Cinderella. Ballet in three acts. Music By Serge Prokofiev. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Devised and produced by Frederick Ashton. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
5 December, 1967.
Ballet imperial. Music by Piotr Ilich Tchaikovsky (Piano Concerto No. 2 in G Major). Choreography by George Balanchine. Scenery and costumes by Carl Toms.
Monotones Nos. 1 and 2. Music by Erik Satie. Choreography by Frederick Ashton. Costumes by Frederick Ashton. Lighting by William Bundy.
Les Noces (The Wedding), Russian choreographic scenes. Words and music by Igor Stravinsky. English version by D. Millar Craig. Choreography by Bronislava Nijinska. Scenery and costumes by Natalia Goncharova.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 October, 1968.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery and costumes by John Craxton. Staged by John Taras. Lighting by William Bundy.
Enigma variations. Music by Edward Elgar. Choreography by Frederick Ashton. Scenery and costumes by Julia Trevelyan Oman. Lighting by William Bundy.
Jazz calendar. Music by Richard Rodney Bennett. Choreography by Frederick Ashton. Scenery and costumes by Derek Jarman. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
31 October, 1968.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery and costumes by John Craxton. Staged by John Taras. Lighting by William Bundy.
Enigma variations. Music by Edward Elgar. Choreography by Frederick Ashton. Scenery and costumes by Julia Trevelyan Oman. Lighting by William Bundy.
Jazz calendar. Music by Richard Rodney Bennett. Choreography by Frederick Ashton. Scenery and costumes by Derek Jarman. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
12 November, 1968.
Shadowplay. Ballet by Antony Tudor. Music by Charles Koechlin. Scenery and costumes by Michael Annals. Assistant to Michael Annals: Gil Wechsler. Lighting by Gil Wechsler and John Healey.
Lilac garden. Ballet by Antony Tudor. Music by Ernest Chausson. Scenery by Tom Lingwood. Costumes by Hugh Stevenson. Lighting by John Healey.
La Bayadere. Music by Ludwig Minkus. Choreography by Marius Petipa. Revised and produced by Rudolf Nureyev. Costumes by Philip Prowse. Lighting by William Bundy.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 November, 1968.
Shadowplay. Ballet by Antony Tudor. Music by Charles Koechlin. Scenery and costumes by Michael Annals. Assistant to Michael Annals: Gil Wechsler. Lighting by Gil Wechsler and John Healey.
Lilac garden. Ballet by Antony Tudor. Music by Ernest Chausson. Scenery by Tom Lingwood. Costumes by Hugh Stevenson. Lighting by John Healey.
La Bayadere. Music by Ludwig Minkus. Choreography by Marius Petipa. Revised and produced by Rudolf Nureyev. Costumes by Philip Prowse. Lighting by William Bundy.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
27 November, 1967.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constance Lambert. Choreography by Frederick Ashton. Scenery and costumes by Willaim Chappell.
Symphonic variations. Music by Cesar Franck. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
Persephone. Melodrama in three acts by Andre Gide. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Nico Ghika. Lighting by William Bundy.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
27 May, 1966.
The Dream. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery, Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
The Song of the earth. Music by Gustav Mahler. Chinese poems freely translated by Hans Bethge ??? Choreography by Kenneth Macmillan. Lighting by William Bundy. German translation of the poems by William Mann ??? .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
1 September, 1958.
The Lady and the fool. Music by Giuseppe Verdi, aranged by Charles Mackerras. Scenario and choreography by John Cranko. Scenery and costumes by Richard Beer.
Giselle. Ballet in two acts. Music by Adolphe Adam. Scenario by Théophile Gautier based on a theme of Heirich Heine. Produced by Nicholas Serguëeff after choreography by Coralli. Scenery and costumes by James Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 April, 1961.
Ondine. Ballet in three acts. Scenario freely adapted by Frederick Ashton from the story by Friedrich de la Motte Fouque. Music by Hans Werner Henze. Choreography by Frederick Ashton. Scenery and costumes by Lila de Nobili. Lighting by Michael Northen.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
29 April, 1961.
Giselle. Ballet in two acts. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot. Revised by Nicolai Serguëeff. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
23 January, 1959.
The Sleeping beauty. Ballet in three acts and a prologue. Produced by Nicholas Sergeyev after the choreography of Marius Petipa. Music by Piotr Ilich Tchaikovsky. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
8 March, 1961.
La Fille mal gardée. Ballet in two acts. Music by Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
Les Patineurs. Music by Giacomo Meyerbeer,arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes by William Chappell.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 March, 1959.
La Valse. Poème choréographique. Music by Maurice Ravel. Choreography by Frederick Ashton. Scenery and costumes by André Levasseur.
Giselle. Ballet in two acts. Music by Adolphe Adam. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Produced by Nicholas Serguëeff after choreography by Coralli. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance Programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
29 March, 1967.
The Song of the earth. Music by Gustav Mahler. Chinese poems freely translated by Hans Bethge ??? Choreography by Kenneth Macmillan. Lighting by William Bundy. German translation of the poems by William Mann ???.
Marguerite and Armand. Sonata in 'B' minor by Franz Liszt. Orchestrated by Humphrey Searle. After the The Lady of the camellias by Alexandre Dumas fils. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 January, 1965.
Swan lake. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev. Czardas in Act II by Maria Fay.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by Willaim Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 March, 1963.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by William Chappell.
Marguerite and Armand. Ballet in one act: prologue and four scenes (after the The Lady of the Camellias by Alexandre Dumas fils). Sonata in 'B' minor by Franz Liszt. Orchestrated by Humphrey Searle. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Lighting by William Bundy.
Night tryst. Lyric suite for two dancers and attendants. Music by Henry Purcell, arranged by John Barbirolli. Choreography by Alan Carter. Costumes by Peter Rice. Lighting by William Bundy.
Grand pas classique. Music by Daniel Auber. Choreography by Victor Gsovsky.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Scenery and costumes by John Armstrong.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
16 March, 1964.
Divertissement from Napoli. Music by E. Helsted and H.S. Paulli. Choreography by Auguste Bournonville. Backloth and costumes designed by Richard Beer.
Pas de deux. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
Diversions. "Music for Strings" by Sir Arthur Bliss. Choreography by Kenneth Macmillan. Scenery and costumes by Philip Prowse. Lighting by William Bundy.
The invitation. Ballet in five scenes. Music by Mattyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
6 November, 1963.
Divertissement from Napoli. Music by E. Helsted and H.S. Paulli. Choreography by Auguste Bournonville. Backcloth and artists' costumes designed by Richard Beer.
Pas de deux from Flower festival at Genzano. Music by E. Helsted. Choreography by Auguste Bournonville.
Ballet imperial. Music by Piotr Ilich Tchaikovsky (Piano Concerto No.2 in G Major). Choreography by George Balanchine. Scenery and costumes by Carl Toms.
Elektra. Music by Malcolm Arnold. Choreography by Robert Helpmann. Scenery and costumes by Arthur Boyd. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
12 December, 1964.
The Sleeping beauty. Ballet in three acts and a prologue. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. . Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 November, 1964.
Giselle. Ballet in two acts. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot. Revised by Nicolai Serguëeff. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
5 November, 1964.
Swan lake. Ballet in prologue and three acts. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Prologue.
Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev. Czardas in Act II by Maria Fay.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
14 November, 1964.
Swan lake. Ballet in prologue asnd thress acts. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Prologue.
Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev. Czardas in Act II by Maria Fay.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
26 December, 1966.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
22 April, 1966.
Swan lake. Ballet in prologue and three acts. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Prologue.
Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 October, 1961.
Ondine. Ballet in three acts. Scenario freely adapted by Frederick Ashton from the story by Friedrich de la Motte Fouque. Music by Hans Werner Henze. Choreography by Frederick Ashton. Scenery and costumes by Lila de Nobili. Lighting by Michael Northen.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 December, 1966.
Cinderella. Ballet in three acts. Music By Serge Prokofiev. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Devised and produced by Frederick Ashton. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
3 November, 1967.
Romeo and Juliet. Ballet in three acts. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
11 November, 1967.
Romeo and Juliet. Ballet in three acts. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden .
22 February, 1965.
Romeo and Juliet. Ballet in three acts. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
12 March, 1968.
The Nutcracker. Ballet in two acts after the story 'Nussknacker und Mausekönig' by E.T.A. Hoffmann. Music by Piotr Ilich Tchaikovsky. Choreography and production by Rudolf Nureyev. (The Prince's Variation in Act II by Vassily Vainonen). Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 December, 1966.
Cinderella. Ballet in three acts. Music By Serge Prokofieff. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Devised and produced by Frederick Ashton. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
23 December, 1965.
Cinderella. Ballet in three acts. Music By Serge Prokofieff. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Devised and produced by Frederick Ashton. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
27 December, 1965.
Cinderella. Ballet in three acts. Music By Serge Prokofieff. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Devised and produced by Frederick Ashton. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 December, 1965.
Giselle. Ballet in two acts. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot. Revised by Nicolai Serguëeff. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
8 December, 1965.
Giselle. Ballet in two acts. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot. Revised by Nicolai Serguëeff. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 February, 1964.
Ondine. Ballet in three acts. Scenario freely adapted by Frederick Ashton from the story by Friedrich de la Motte Fouque. Music by Hans Werner Henze. Choreography by Frederick Ashton. Scenery and costumes by Lila de Nobili.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
30 November, 1966.
Ondine. Ballet in three acts. Scenario freely adapted by Frederick Ashton from the story by Friedrich Heinrich Karl, Baron de la Motte Fouque. Music by Hans Werner Henze. Choreography by Frederick Ashton. Scenery and costumes by Lila de Nobili.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
8 May, 1964.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
La creation du monde. Music by Darius Milhaud. Choreography by Kenneth Macmillan. Scenery and costumes by James Goddard. Lighting by Robert Ornbo.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 October, 1968.
The Nutcracker. Ballet in two acts after the story 'Nussknacker und Mausekönig' by E.T.A. Hoffmann. Music by Piotr Ilich Tchaikovsky. Choreography and production by Rudolf Nureyev. (The Prince's Variation in Act II by Vassily Vainonen). Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 May, 1965.
La Fille mal gardeé. Ballet in two acts. Music by Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 December, 1968.
The Sleeping beauty. Music by Piotr Ilich Tchaikovsky. Production devised and staged by Peter Wright. Choreography by Marius Petipa, with new and additonal chroeography by Frederick Ashton. Scenery by Henry Bardon. Costumes by Lila de Nobili and Rotislav Doboujinsky. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
10 October, 1968.
The Nutcracker. Ballet in two acts after the story 'Nussknacker und Mausekönig' by E.T.A. Hoffmann. Music by Piotr Ilich Tchaikovsky. Choreography and production by Rudolf Nureyev. (The Prince's Variation in Act II by Vassily Vainonen). Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
26 December, 1966.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
29 February, 1964.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 March, 1965.
Scenes de ballet. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Andre Beaurepaire.
Images of love. Music by Peter Trenchell. Choreography by Kenneth Macmillan. Scenery and costumes by Barry Kay. Lighting by William Bundy.
The Firebird. A ballet in two scenes. Music by Igor Stravinsky. Choreography by Michel Fokine. Present production revived by Serge Grigoriev and Lubov Tchernicheva. Scenery and costumes by Natalia Gontcharova. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 June, 1965.
The Lady and the fool. Music by Giuseppe Verdi, aranged by Charles Mackerras. Scenario and choreography by John Cranko. Scenery and costumes by Richard Beer.
The Invitation. Ballet in five scenes. Music by Mattyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
Pineapple Poll. A ballet freely adapted from the Bab Ballad 'The Bumboat Woman's Story' by W.S. Gilbert. Music by Arthur Sullivan arranged by Charles Mackerras. Choreography by John Cranko. Decor and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 December, 1966.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
29 December, 1966.
Cinderella. Ballet in three acts. Music By Serge Prokofieff. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Devised and produced by Frederick Ashton. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
5 October, 1963.
Coppélia. Ballet in three acts. Book by Charles Nuitter and Arthur Saint-Léon. Music by Léo Delibes. Produced by Nicolai Serguëeff. Choreography by Lev Ivanov and Enrico Cecchetti. Scenery and costumes by Osbert Lancaster. General production revised by Ninette de Valois. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 July, 1963.
Romeo and Juliet. Ballet in three acts: thirteen scenes with a Prologue and Epilogue. Based on the play by William Shakespeare. Librettto by Leonid Lavrovsky, Sergei Prokofiev and Sergei Radlov. Music by Sergei Prokofiev. Choreography by Leonid Lavrovsky. Decor by Piotr Williams.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden .
8 July, 1963.
Cinderella. Ballet in three acts. Libretto by Nikolai Volkov. Music by Sergei Prokofiev. Choreography by Rostislav Zakharov. Decor by Pyotr Williams.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
13 July, 1963.
Cinderella. Ballet in three acts. Libretto by Nikolai Volkov. Music by Sergei Prokofiev. Choreography by Rostislav Zakharov. Decor by Pyotr Williams.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
10 September, 1966.
Cinderella. Ballet in three acts. Libretto by Nikolai Volkov. Music by Sergei Prokofiev. Choreography by Konstantin Sergeyev. Decor and costumes by Tatiana Bruni..
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
9 September, 1966.
Cinderella. Ballet in three acts. Libretto by Nikolai Volkov. Music by Sergei Prokofiev. Choreography by Konstantin Sergeyev. Decor and costumes by Tatiana Bruni..
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
14 September, 1966.
The Sleeping beauty. Fairy ballet in three acts with prologue. Music by Piotr Ilich Tchaikovsky. Libretto by Marius Petipa and Vcevelozhsy on stories by Perrault. Choreography by Marius Petipa. New choreography by Nicholas Sergeyev. Decor and costumes by Suliko Virsaladse.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
13 September, 1966.
The Sleeping beauty. Fairy ballet in three acts with prologue. Music by Piotr Ilich Tchaikovsky. Libretto by Marius Petipa and Vcevelozhsy on stories by Peppo. Choreography by Marius Petipa. New choreography by Nicholas Sergeyev. Decor and costumes by Suliko Virsaladse.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 September, 1966.
The Sleeping beauty. Fairy ballet in three acts with prologue. Music by Piotr Ilich Tchaikovsky. Libretto by Marius Petipa and Vcevelozhsy on stories by Perrault. Choreography by Marius Petipa. New choreography by Nicholas Sergeyev. Decor and costumes by Suliko Virsaladse.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
1 October, 1966.
The Sleeping beauty. Fairy ballet in three acts with prologue. Music by Piotr Ilich Tchaikovsky. Libretto by Marius Petipa and Vcevelozhsy on stories by Perrault. Choreography by Marius Petipa. New choreography by Nicholas Sergeyev. Decor and costumes by Suliko Virsaladse.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
16 June, 1964.
Coppélia. Ballet in three acts. Book by Charles Nuitter and Arthur Sait-Léon. Music by Léo Delibes. Produced by Nicolai Serguëeff. Choreography by Lev Ivanov and Enrico Cecchetti. Scenery and costumes by Osbert Lancaster. General production revised by Ninette de Valois. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 October, 1967.
Swan lake. Ballet three acts. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Prologue.
Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev.
Production devised and staged by Robert Helpmann. Scenery and costumes by Carl Toms. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 Octaober, 1967.
Swan lake. Ballet three acts. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Prologue.
Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev.
Production devised and staged by Robert Helpmann. Scenery and costumes by Carl Toms. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 November, 1967.
Swan lake. Ballet three acts. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Prologue.
Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev.
Production devised and staged by Robert Helpmann. Scenery and costumes by Carl Toms. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
3 March, 1964.
Swan lake. Ballet in prologue asnd thress acts. Music by Piotr Ilich Tchaikovsky. Re-edited by John Lanchbery. Choreography by Marius Petipa and Lev Ivanov. New and additional choreography by Frederick Ashton: Prologue.
Act I: Waltz, Pas de Quatre and Dance of the Four Swans.
Act II: Dance of the Guests, Spanish dance and Neapolitan.
Act III: Entire Act. Polonaise in Act I and Mazurka in Act II by Rudolf Nureyev. Czardas in Act II by Maria Fay.
Production devised and staged by Robert Helpman. Scenery and costumes by Carl Toms. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 May, 1965.
Swan lake. Ballet in four acts. Choreography by Marius Petipa and Lev Ivanov. Produced by Nicolai Sergueeff. Present production revised by Frederick Ashton. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
8 September, 1966.
Swan Lake. Ballet in three acts. Music by Piotr Ilich Tchaikovsky. Libretto by Vladimir Begichev and Vasili Geltser. Choreography by Marius Petipa and Lev Ivanova. New choreography by Konstantin Sergeyev. Decor and costumes by Suliko Virsaladse.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
27 July, 1963.
Swan Lake. Ballet in four acts. Music by Piotr Ilich Tchaikovsky. Libretto by Vladimir Begichev and Vasili Geltser. Choreography by Alexander Gorsky (Acts I, II, III) and Asaf Messerer (Act IV). Decor by Simon Virsalandze.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
2 July, 1963.
Swan Lake. Ballet in four acts. Music by Piotr Ilich Tchaikovsky. Libretto by Vladimir Begichev and Vasili Geltser. Choreography by Alexander Gorsky (Acts I, II, III) and Asaf Messerer (Act IV). Decor by Simon Virsalandze.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
16 September, 1966.
Giselle. Ballet in two acts. Music by Adolf Adam. Scenario by Jean Coralli, Theophile Gautier, and Vernoy de St. Georges. Choreography by Marius Petipa.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 September, 1966.
Giselle. Ballet in two acts. Music by Adolf Adam. Scenario by Jean Coralli, Theophile Gautier, and Vernoy de St. Georges. Choreography by Marius Petipa.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
28 September, 1966.
Giselle. Ballet in two acts. Music by Adolf Adam. Scenario by Jean Coralli, Theophile Gautier, and Vernoy de St. Georges. Choreography by Marius Petipa.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
13 December, 1965.
Giselle. Ballet in two acts. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot. Revised by Nicolai Serguëeff. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
29 January, 1964.
Giselle. Ballet in two acts. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot. Revised by Nicolai Serguëeff. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 May, 1965.
Swan lake. Ballet in four acts. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Produced by Nicolai Sergueeff. Present production revised by Frederick Ashton. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
8 February, 1964.
La Fille mal gardeé. Ballet in two acts. Music by Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 November, 1966.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine, Scenery and costumes by John Craxton. Staged by John Taras. Lighting by William Bundy.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sidney Nolan. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 November, 1966.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine, Scenery and costumes by John Craxton. Staged by John Taras. Lighting by William Bundy.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sidney Nolan. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 November, 1966.
Petrushka. A ballet in four scenes by Igor Stravinsky and Alexandre Benois. Music by Igor Stravinsky. Choreography by Michel Fokine. The original production revived by Serge Grigoriev and Lubov Tchernicheva. Scenery and costumes by Alexandre Benois.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine, Scenery and costumes by John Craxton. Staged by John Taras. Lighting by William Bundy.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sidney Nolan. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
2 April, 1964.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
Images of love. Music by Peter Trenchell. Choreography by Kenneth Macmillan. Scenery and costumes by Barry Kay. Lighting by William Bundy.
Hamlet. A ballet in one scene. Music by Piotr Ilich Tchaikovsky. Choreography by Robert Helpmann. Scenery and costumes by Leslie Hurry.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
6 April, 1964.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
Images of love. Music by Peter Trenchell. Choreography by Kenneth Macmillan. Scenery and costumes by Barry Kay. Lighting by William Bundy.
Hamlet. A ballet in one scene. Music by Piotr Ilich Tchaikovsky. Choreography by Robert Helpmann. Scenery and costumes by Leslie Hurry.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
11 January, 1964.
La Fille mal gardeé. Ballet in two acts. Music by Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
4 December, 1965.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
La Baiser de la fee. Ballet in four scenes. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Scenery and costumes by Kenneth Rowell. Lighting by William Bundy.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
16 December, 1965.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
La Baiser de la fee. Ballet in four scenes. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Scenery and costumes by Kenneth Rowell. Lighting by William Bundy.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
16 November, 1967.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by William Chappell.
Symphonic variations. Music by César Franck. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
Persephone. Melodrama in three acts by André Gide. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Nico Ghika. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
24 November, 1964.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Choreography by Frederick Ashton. Scenery and costumes by Lord Berners.
Pas de Deux from Le Corsaire. Music by Riccardo Drigo and Léon Minkus. Orchestrated by John Lanchbery. Choreography after Marius Petipa.
Daphnis and Chloë. To the music of "Daphnis and Chloë" by Maurice Ravel. Choreography by Frederick Ashton. Scenery and costumes by John Craxton. Lighting by Louis Yudkin .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
8 April, 1964.
The Two pigeons. An allegory in two acts and three scenes, based on the Fable by La Fontaine, by Henry Regnier and Louis Merante. Music by Andre Messager. Choreography by Frederick Ashton. Scenery and costumes by Jaques Dupont.
La Bayadere. Music by Ludwig Minkus. Choreography by Marius Petipa. Revised and produced by Rudolf Nureyev. Costumes by Philip Prowse. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
24 April, 1964.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
Images of love. Music by Peter Trenchell. Choreography by Kenneth Macmillan. Scenery and costumes by Barry Kay. Lighting by William Bundy.
Hamlet. A ballet in one scene. Music by Piotr Ilich Tchaikovsky. Choreography by Robert Helpmann. Scenery and costumes by Leslie Hurry.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
22 January, 1964.
La Bayadere. Music by Ludwig Minkus. Choreography by Marius Petipa. Revised and produced by Rudolf Nureyev. Costumes by Philip Prowse. Lighting by William Bundy.
The Two pigeons. An allegory in two acts and three scenes, based on the Fable by La Fontaine, by Henry Regnier and Louis Merante. Music by Andre Messager. Choreography by Frederick Ashton. Scenery and costumes by Jaques Dupont.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
21 June, 1965.
Sylvia. Ballet in three acts based on Tasso's Aminta. Music by Leo Delibes. Choreography by Frederick Ashton. Scenery and costumes by Robin and Christopher Ironside.
Danses concertantes. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
2 December, 1964.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and scenery by William Chappell.
Les Biches. Ballet in one act. Music by Francis Poulenc. Choreography ny Bronislava Nijinska. Decor and costumes by Marie Laurencin.
The Firebird. A ballet in two scenes. Music by Igor Stravinsky. Choreography by Michel Fokine. Present production revived by Serge Grigoriev and Lubov Tchernicheva. Scenery and costumes by Natalia Gontcharova. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
28 May, 1965.
The Lady and the fool. Music by Giuseppe Verdi, aranged by Charles Mackerras. Scenario and choreography by John Cranko. Scenery and costumes by Richard Beer.
The Tribute. A ballet in one act. Music by Roger Sessions. Choreography by Norman Morrice. Scenery and costumes by Ralph Koltai. Lighting Michael Northen.
Pineapple Poll. A ballet freely adapted from the Bab Ballad 'The Bumboat Woman's Story' by W.S. Gilbert. Music by Arthur Sullivan arranged by Charles Mackerras. Choreography by John Cranko. Decor and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 July, 1965.
Pas de deux from Flower festival at Genzano. Music by E. Helsted. Choreography by Auguste Bournonville.
Divertissement from Napoli. Music by E. Helsted and H.S. Paulli. Choreography by Auguste Bournonville. Backcloth and artists' costumes designed by Richard Beer.
The Two pigeons. An allegory in two acts and three scenes based on the Fable by La Fontaine by Henri Régnier and Louis Mérante. Music by André Messager. Choreography by Frederick Ashton. Scenery and costumes by Jacques Dupont.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 February, 1965.
Romeo and Juliet. Ballet in three acts. Music by Serge Prokofiev. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
6 February, 1964.
Les Sylphides. Music by Frederic Chopin, orchestrated by Roy Douglas. Choreography by Michel Fokine. Decor by Alexandre Benois. Present production revived by Serge Grigoriev and Lubov Tchernicheva.
Antigone. Ballet in one act. Music by Mikis Theodorakis. Choreography by John Cranko. Scenery and costumes by Rufino Tamayo. Lighting by William Bundy.
The Invitation. Ballet in five scenes. Music by Matyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
5 October, 1963.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois. Costumes and scenery by Rex Whistler after William Hogarth.
Les Sylphides. Music by Frederic Chopin, orchestrated by Roy Douglas. Choreography by Michel Fokine. Decor by Alexandre Benois. Present production revived by Serge Grigoriev and Lubov Tchernicheva.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sydney Nolan. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
26 January , 1968.
Scenes de ballet. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Andre Beaurepaire.
Persephone. Melodrama in three scenes by Andre Gide. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Nico Ghika. Lighting by William Bundy.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sidney Nolan. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
1 February, 1968.
Scenes de ballet. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Andre Beaurepaire.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery and costumes by John Craxton. Staged by John Taras. Lighting by William Bundy.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sidney Nolan. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
10 December, 1965.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
La Baiser de la fee. Ballet in four scenes. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Scenery and costumes by Kenneth Rowell. Lighting by William Bundy.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
20 March, 1965.
Scenes de ballet. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Andre Beaurepaire.
Images of love. Music by Peter Trenchell. Choreography by Kenneth Macmillan. Scenery and costumes by Barry Kay. Lighting by William Bundy.
Marguerite and Armand. Ballet in one act: prologue and four scenes (after the The Lady of the Camellias by Alexandre Dumas fils). Sonata in 'B' minor by Franz Liszt. Orchestrated by Humphrey Searle. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 March, 1965.
The Two pigeons. An allegory in two acts and three scenes, based on the Fable by La Fontaine, by Henry Regnier and Louis Merante. Music by Andre Messager. Choreography by Frederick Ashton. Scenery and costumes by Jaques Dupont.
Polovtsian dances from Prince Igor. Music by Alexander Borodin. Choreography by Michel Fokine. The original production revived by Serge Grigoriev and Lubov Tchernicheva. Scenery and costumes by Nicolai Roerich.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
24 November, 1966.
Ballet imperial. Music by Piotr Ilich Tchaikovsky (Piano Concerto No. 2 in G Major). Choreography by George Balanchine. Scenery and costumes by Carl Toms.
Apollo. Music by Igor Stravinsky. Choreography by George Balanchine. Scenery and costumes by John Craxton. Staged by John Taras. Lighting by William Bundy.
Petrushka. A ballet in four scenes by Igor Stravinsky and Alexandre Benois. Music by Igor Stravinsky. Choreography by Michel Fokine. The original production revived by Serge Grigoriev and Lubov Tchernicheva. Scenery and costumes by Alexandre Benois.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 December, 1967.
Sylvia. Music by Leo Delibes. Choreography by Frederick Ashton. Scenery and costumes by Robin and Christopher Ironside.
La Valse. Poème choréographique. Music by Maurice Ravel. Choreography by Frederick Ashton. Scenery and costumes by André Levasseur.
La Bayadere. Music by Ludwig Minkus. Choreography by Marius Petipa. Revised and produced by Rudolf Nureyev. Costumes by Philip Prowse. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
23 March, 1968.
Sylvia. Music by Leo Delibes. Choreography by Frederick Ashton. Scenery and costumes by Robin and Christopher Ironside.
Symphonic variations. Music by Cesar Franck. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
Jazz calendar. Music by Richard Rodney Bennett. Choreography by Frederick Ashton. Scenery and costumes by Derek Jarman. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 June , 1966.
The Song of the earth. Music by Gustav Mahler. Choreography by Kenneth Macmillan. Lighting by William Bundy Chinese poems freely translated by Hans Bethge.
Daphnis and Chloë. To the music of "Daphnis and Chloë" by Maurice Ravel. Choreography by Frederick Ashton. Scenery and costumes by John Craxton.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
16 July , 1966.
Les Sylphides. Music by Frederic Chopin, orchestrated by Roy Douglas. Choreography by Michel Fokine. Decor by Alexandre Benois. Present production revived by Serge Grigoriev and Lubov Tchernicheva.
The Invitation. Ballet in five scenes. Music by Matyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
Raymonda Act III. Music by Alexander Glazunov. Choreography by Rudolf Nureyev after Marius Petipa. Scenery and costumes by Barry Kay.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
25 April, 1966.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
Monotones Nos. 1 and 2. Music by Erik Satie. Choreography by Frederick Ashton. Costumes by Frederick Ashton.
Les Noces (The Wedding), Russian choreographic scenes. Words and music by Igor Stravinsky. English version by D. Millar Craig. Choreography by Bronislava Nijinska. Scenery and costumes by Natalia Goncharova.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 February, 1966.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by William Chappell.
Card game. Music by Igor Stravinsky. Choreography by John Cranko. Scenery and costumes by Dorothee Zippel. Lighting by William Bundy.
Brandenburg nos. 2 and 4. Music by Johann Sebastian Bach. Choreography by John Cranko. Scenery and costumes by Dorothee Zippel. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
22 January, 1968.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by William Chappell.
Shadowplay. Ballet by Antony Tudor. Music by Charles Koechlin. Scenery and costumes by Michael Annals. Assistant to Michael Annals: Gil Wechsler. Lighting by Gil Wechsler and John Healey.
Jazz calendar. Music by Richard Rodney Bennett. Choreography by Frederick Ashton. Scenery and costumes by Derek Jarman. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
3 July, 1965.
La Fille mal gardeé. Ballet in two acts. Music by Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
15 October, 1964.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by William Chappell.
Images of love. Music by Peter Trenchell. Choreography by Kenneth Macmillan. Scenery and costumes by Barry Kay. Lighting by William Bundy.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sidney Nolan. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
1 March, 1966.
Divertissement from Napoli. Music by E. Helsted and H.S. Paulli. Choreography by Auguste Bournonville. Backcloth and artists' costumes designed by Richard Beer.
Pas de deux from Flower festival at Genzano. Music by E. Helsted. Choreography by Auguste Bournonville.
Monotones. Pas de trois. Music by Erik Satie. Orchestrated by Claude Debussy and Roland Manuel. Choreography by Frederick Ashton. Costumes by Frederick Ashton. Lighting by William Bundy.
Card game. Music by Igor Stravinsky. Choreography by John Cranko. Scenery and costumes by Dorothee Zippel. Lighting by William Bundy.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
9 July, 1965.
Solitaire. 'A kind of game for one ...' Music by Malcolm Arnold. Choreography by Kenneth Macmillan. Scenery and costumes by Desmond Heeley.
Summer's night. A ballet in one act. Music by Francis Poulenc. Choreography by Peter Wright. Scenery and costumes by Judith Wood. Lighting by Michael Northen.
Quintet. A ballet in one act. Music by Jacques Ibert. Choreography by Peter Wright. Scenery and costumes by Judith Wood. Lighting by Michael Northen.
Hamlet. A ballet in one scene. Music by Piotr Ilich Tchaikovsky. Choreography by Robert Helpmann. Scenery and costumes by Leslie Hurry.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
8 October, 1964.
Serenade. Music by Piotr Ilich Tchaikovsky. Choreography by George Balanchine.
Images of love. Music by Peter Trenchell. Choreography by Kenneth Macmillan. Scenery and costumes by Barry Kay. Lighting by William Bundy.
Mam'zelle Angot. Ballet in three scenes by Leonide Massine. Music selected from the works of Alexandre Charles Lecocq. Orchestrated by Gordon Jacob. Choreography by Leonide Massine. Scenery and costumes by André Derain.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
14 March, 1964.
Diversions. "Music for Strings" by Sir Arthur Bliss. Choreography by Kenneth Macmillan. Scenery and costumes by Philip Prowse. Lighting by William Bundy.
Marguerite and Armand. Ballet in one act: prologue and four scenes (after the The Lady of the Camellias by Alexandre Dumas fils). Sonata in 'B' minor by Franz Liszt. Orchestrated by Humphrey Searle. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Lighting by William Bundy.
Ballet imperial. Music by Piotr Ilich Tchaikovsky (Piano Concerto No.2 in G Major). Choreography by Georege Balanchine. Scenery and costumes by Carl Toms.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
9 June, 1965.
Sylvia. Ballet in three acts based on Tasso's Aminta. Music by Leo Delibes. Choreography by Frederick Ashton. Scenery and costumes by Robin and Christopher Ironside.
Solitaire. 'A kind of game for one ...' Music by Malcolm Arnold. Choreography by Kenneth Macmillan. Scenery and costumes by Desmond Heeley.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
30 June, 1965.
Danses concertantes. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis.
Sylvia. Ballet in three acts based on Tasso's Aminta. Music by Leo Delibes. Choreography by Frederick Ashton. Scenery and costumes by Robin and Christopher Ironside.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
18 June, 1965.
Solitaire. 'A kind of game for one ...' Music by Malcolm Arnold. Choreography by Kenneth Macmillan. Scenery and costumes by Desmond Heeley.
The invitation. Ballet in five scenes. Music by Mattyas Seiber. Choreography and scenario by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis. Lighting by Michael Northen.
Danses concertantes. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
23 October, 1964.
Giselle. Ballet in two acts. Music by Adolphe Adam. Choreography by Jean Coralli and Jules Perrot, revised by Nicolai Serguëeff. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Present production supervised and additional choreography by Frederick Ashton in collaboration with Tamara Karsavina. Scenery and costumes by John Bailey. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
29 February, 1964.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan].
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
23 March, 1966.
Scènes de ballet. Music by Igor Stravinsky. Choreography by Frederick Ashton. Scenery and costumes by Andre Beaurepaire.
Les Biches. Ballet in one act. Music by Francis Poulenc. Choreography by Bronislava Nijinska. Decor and costumes by Marie Laurencin.
Les Noces (The Wedding). Russian choregraphic scenes. Words and music by Igor Stravinsky. English version by D. Millar Craig. Choreography by Bronislava Nijinska. Décor and costumes by Natalia Goncharova.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
28 January, 1964.
La Fête étrange. (Scenario by Ronald Crichton, suggested by an episode in Alain-Fournier's novel, "Le Grand Meaulnes"). Music by Gabriel Fauré orchestrated by Guy Warrack. Choreography by Andrée Howard. Scenery and costumes by Sophie Fedorovitch.
Diversions. "Music for Strings" by Sir Arthur Bliss. Choreography by Kenneth Macmillan. Scenery and costumes by Philip Prowse. Lighting by William Bundy.
The Firebird. A ballet in two scenes. Music by Igor Stravinsky. Choreography by Michel Fokine. Present production revived by Serge Grigoriev and Lubov Tchernicheva. Scenery and costumes by Natalia Gontcharova. Lighting by John Sullivan.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
17 October, 1964.
Les Patineurs. Music by Giacomo Meyerbeer. Arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by William Chappell.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery by Henry Bardon. Costumes by David Walker. Lighting by William Bundy.
The Rite of Spring. Music by Igor Stravinsky. Choreography by Kenneth Macmillan. Decor and costumes by Sidney Nolan. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
6 June, 1963.
Les Sylphides. Music by Frederic Chopin. Orchestrated by Malcolm Sargent. Choreography by Michel Fokine. Décor by Alexandre Benois. Present production revived by Serge Grigoriev and Lubov Tchernicheva.
House of birds. Music by Federico Mompou, arranged and orchestrated by John Lanchbery. Choreography by Kenneth Macmillan. Scenery and costumes by Nicholas Georgiadis.
Le Bal des voleurs. Ballet in one act based on the play by Jean Anouilh. Music by Georges Auric. Adaptation and choreography by Léonide Massine. Scenery and costumes by Jean- Denis Malclès.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
27 May, 1965.
La Fille mal gardeé. Ballet in two acts. Music by Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden.
7 January, 1963.
The Two pigeons. An allegory in two acts and three scenes, based on the Fable by La Fontaine, by Henry Régnier and Louis Mérante. Music by André Messager. Choreography by Frederick Ashton. Scenery and costumes by Jaques Dupont.
Birthday offering. "Piéce d'occasion" in one scene. Specially composed by Frederick Ashton to mark the 25th Anniversary of the Royal Ballet. Music by Alexander Glazounow. Arranged and orchestrated by Robert Irving. Choreography by Frederick Ashton. Costumes by André Levasseur.
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden].
20 June, 1964.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel .
[Performance programmes: Royal Ballet. Box RB]

Royal Opera House, Covent Garden Ltd.
11 June, 1955.
Les Sylphides. Music by Frederic Chopin, orchestrated by Gordon Jacob. Choreography by Michel Fokine. Present production revived by Serge Grigoriev and Liubov Tchernicheva. Decor after designs by Alexandre Benois. Lighting by John Sullivan.
The Lady and the fool. Music by Giuseppe Verdi, aranged by Charles Mackerras. Scenario and choreography by John Cranko. Scenery and costumes by Richard Beer.
Madame Chrysanthème. Ballet in one act and five scenes, adapted from the book by Pierre Loti. (The action takes place throughout the summer of 1885). Music by Alan Rawsthorne. Choreography by Frederick Ashton. Scenery and costumes by Isabel Lambert. Lighting by John Sullivan.
[Performance Programmes: Royal Ballet. Box RB]

The Royal Shakespeare Theatre, Stratford-upon-Avon.
10 February, 1967.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois. Costumes and scenery by Rex Whistler after William Hogarth.
Sinfonietta. Music by Malcom Williamson. Choreography by Frederick Ashton. Costumes by Peter Rice. Lighting by William Bundy. Optical sets by Hornsey College of Art Light/Sound Workshop.
The Dream. Ballet in one act. Adapted from a Midsummer Night's Dream by William Shakespeare. Music by Felix Mendelssohn-Bartholdy, arranged by John Lanchbery. Choreography by Frederick Ashton. Scenery and costumes by Peter Farmer. Lighting by William Bundy .
[Performance programmes: Royal Ballet. Box RB]

The Royal Shakespeare Theatre, Stratford-upon-Avon.
5 February, 1965.
Swan lake (Act II). Choreography by Marius Petipa and Lev Ivanov. Produced by Nicolai Serguëeff. Present production revised by Ninette de Valois. Music by Piotr Ilich Tchaikovsky. Scenery and costumes by Leslie Hurry.
The Tribute. Music by Roger Sessions. Chreography by Norman Morrice. Scenery and costumes by Ralph Koltai. Lighting by Michael Northen.
Summer's night. Music by francis Poulenc. Choreography by Peter Wright. Scenery and costumes by Judith Wood. Lighting by Michael Northen.
Qunitet. Music by Jacques Ibert. Choreography by Peter wright. Scenery and costumes by Judith Wood. Lighting by Michael Northen.
[Performance programmes: Royal Ballet. Box RB]

Sadler's Wells Theatre.
19 July, 1957.
Le Lac des cygnes (Act Two). Music by Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Produced by Sergeyev. Decor and costumes by Hugh Stevenson.
La Fete etrange. Music by Gabriel Faure, orchestrated by Guy Warrack. Choreography by Andree Howard. Decor and costumes by Sphie Fedorovitch.
Pineapple Poll. A ballet freely adapted from the Bab Ballad 'The Bumboat Woman's Story' by W.S. Gilbert. Music by Arthur Sullivan arranged by Charles Mackerras. Choreography by John Cranko. Decor and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Sadler's Wells Theatre.
9 July, 1957.
Les Patineurs. Music by Giacomo Meyerbeer, arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by Willaim Chappell.
La Fete etrange. Music by Gabriel Faure, orchestrated by Guy Warrack. Choreography by Andree Howard. Decor and costumes by Sphie Fedorovitch.
Apparitions. A ballet on romantic themes. Arranged by Constant Lambert to the music of Liszt. Orchestrated by Gordon Jacob. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton.
[Performance programmes: Royal Ballet. Box RB]

Theatre Royal, Drury Lane.
18 June, 1964.
The Two pigeons. An allegory in two acts and three scenes, based on the Fable by La Fontaine, by Henry Regnier and Louis Merante. Music by Andre Messager. Choreography by Frederick Ashton. Scenery and costumes by Jaques Dupont.
La Bayadere. Music by Ludwig Minkus. Choreography by Marius Petipa. Revised and produced by Rudolf Nureyev. Costumes by Philip Prowse. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Theatre Royal, Drury Lane].
13 June, 1964.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel .
[Performance programmes: Royal Ballet. Box RB]

Theatre Royal, Newcastle upon Tyne.
17-22 October, 1966.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Produced by Nicolai Serguëeff. Present production revised by Frederick Ashton. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
Les Sylphides. Music by Frederic Chopin, orchestrated by Roy Douglas. Choreography by Michel Fokine. Décor by Alexandre Benois. Present production revived by Serge Grigoriev and Lubov Tchernicheva.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois. Scenery and costumes by Rex Whistler aftetr William Hogarth.
Pineapple Poll. A ballet freely adapted from the Bab Ballad 'The Bumboat Woman's Story' by W.S. Gilbert. Music by Arthur Sullivan arranged by Charles Mackerras. Choreography by John Cranko. Scenery and costumes by Osbert Lancaster.
Coppélia. Ballet in three acts. Book by Charles Nuitter and Arthur Saint-Léon. Music by Léo Delibes. Produced by Nicolai Serguëeff. Choreography by Lev Ivanov and Enrico Cecchetti. Scenery and costumes by Osbert Lancaster. General production revised by Ninette de Valois. Lighting by John Sullivan .
[Performance programmes: Royal Ballet. Box RB]

Wimbledon Theatre.
20 February, 1964. Illus.
La Fille mal gardee. Ballet in three acts. Music by Ferdinand Herold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Sadler's Wells Theatre.
19 July, 1957.
Le Lac des cygnes (Act Two). Music by Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Produced by Sergeyev. Decor and costumes by Hugh Stevenson.
La Fete etrange. Music by Gabriel Faure, orchestrated by Guy Warrack. Choreography by Andree Howard. Decor and costumes by Sphie Fedorovitch.
Pineapple Poll. A ballet freely adapted from the Bab Ballad 'The Bumboat Woman's Story' by W.S. Gilbert. Music by Arthur Sullivan arranged by Charles Mackerras. Choreography by John Cranko. Decor and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Sadler's Wells Theatre.
9 July, 1957.
Les Patineurs. Music by Giacomo Meyerbeer, arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by Willaim Chappell.
La Fete etrange. Music by Gabriel Faure, orchestrated by Guy Warrack. Choreography by Andree Howard. Decor and costumes by Sphie Fedorovitch.
Apparitions. A ballet on romantic themes. Arranged by Constant Lambert to the music of Liszt. Orchestrated by Gordon Jacob. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton.
[Performance programmes: Royal Ballet. Box RB]

Theatre Royal, Drury Lane.
18 June, 1964.
The Two pigeons. An allegory in two acts and three scenes, based on the Fable by La Fontaine, by Henry Regnier and Louis Merante. Music by Andre Messager. Choreography by Frederick Ashton. Scenery and costumes by Jaques Dupont.
La Bayadere. Music by Ludwig Minkus. Choreography by Marius Petipa. Revised and produced by Rudolf Nureyev. Costumes by Philip Prowse. Lighting by William Bundy.
[Performance programmes: Royal Ballet. Box RB]

Theatre Royal, Drury Lane].
13 June, 1964.
The Sleeping beauty. Ballet in a prologue and three acts. Music by Piotr Ilich Tchaikovsky. Produced by Nicholas Sergueeff after the choreography of Marius Petipa. Scenery and costumes designed by Oliver Messel .
[Performance programmes: Royal Ballet. Box RB]

Theatre Royal, Newcastle upon Tyne.
17-22 October, 1966.
Swan lake. Music by Piotr Ilich Tchaikovsky. Choreography by Marius Petipa and Lev Ivanov. Produced by Nicolai Serguëeff. Present production revised by Frederick Ashton. Choreography for the Pas de Six In Act I and the Neapolitan Dance in Act III by Frederick Ashton. Choreography for the Peasant Dance in Act I and Storm Scene in Act IV by Ninette de Valois. Scenery and costumes by Leslie Hurry. Lighting by William Bundy.
Les Sylphides. Music by Frederic Chopin, orchestrated by Roy Douglas. Choreography by Michel Fokine. Décor by Alexandre Benois. Present production revived by Serge Grigoriev and Lubov Tchernicheva.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois. Scenery and costumes by Rex Whistler aftetr William Hogarth.
Pineapple Poll. A ballet freely adapted from the Bab Ballad 'The Bumboat Woman's Story' by W.S. Gilbert. Music by Arthur Sullivan arranged by Charles Mackerras. Choreography by John Cranko. Scenery and costumes by Osbert Lancaster.
Coppélia. Ballet in three acts. Book by Charles Nuitter and Arthur Saint-Léon. Music by Léo Delibes. Produced by Nicolai Serguëeff. Choreography by Lev Ivanov and Enrico Cecchetti. Scenery and costumes by Osbert Lancaster. General production revised by Ninette de Valois. Lighting by John Sullivan .
[Performance programmes: Royal Ballet. Box RB]

Wimbledon Theatre.
20 February, 1964. Illus.
La Fille mal gardee. Ballet in three acts. Music by Ferdinand Herold, freely adapted and arranged by John Lanchbery from the 1828 version. Choreography by Frederick Ashton. Scenery and costumes by Osbert Lancaster.
[Performance programmes: Royal Ballet. Box RB]

Royal Danish Ballet

New York State Theater.
10 December, 1965.
La Sylphide. Romantic ballet in two acts by August Bournonville. Music: Hermann Løvenskjold. Producer Hans Brenaa. Decor aftter sketches by Ove Christian Pedersen.
Moon reindeer. Ballet by Brigit Cullberg. Based on the Lapp fairy-tale by Mirjami Kousmanen. Music: Knudage Riisager. Choreographer and producer: Anne Marie Lagerborg. Decor, costumes and lighting: Per Falk.
[Performance Programmes: Royal Danish Ballet. Box RDB]

New York State Theater.
12 December (evening performance), 1965.
Konservatoriet (Dancing School). From the first act of August Bournonville's ballet. Music composed and arranged by H.S. Paulli. Producer: Hans Brenaa. Decor: Ove Christian Pedersen.
The Nutcracker. Pas de Deux. Music: Peter Ilich Tchaikovsky. Choreography: Lev Ivanov, Anna Laerkesen and Erik Bruhn.
Carmen. Ballet in five scenes by Roland Petit after Prosper Merimée. Music: Georges Bizet. Choreographer and producer: Roland Petit. Decor and costumes: Anton Clavé.
Fanfare. Ballet in one act. Music: Benjamin Britten. Producers: Jerome Robbins and Niels Bjørn Larsen. Choreography. Jerome Robbins. Decor and costume: Irene Sharaff .
[Performance Programmes: Royal Danish Ballet. Box RDB]

New York State Theater.
11 December (afternoon performance), 1965.
La Sylphide. Romantic ballet in two acts by August Bournonville. Music: Hermann Løvenskjold. Producer Hans Brenaa. Decor aftter sketches by Ove Christian Pedersen.
Moon reindeer. Ballet by Brigit Cullberg. Based on the Lapp fairy-tale by Mirjami Kousmanen. Music: Knudage Riisager. Choreographer and producer: Anne Marie Lagerborg. Decor, costumes asnd lighting: Per Falk.
[Performance Programmes: Royal Danish Ballet. Box RDB]

New York State Theater.
11 December (evening performance), 1965.
La Sylphide. Romantic ballet in two acts by August Bournonville. Music: Hermann Løvenskjold. Producer Hans Brenaa. Decor aftter sketches by Ove Christian Pedersen.
Moon reindeer. Ballet by Brigit Cullberg. Based on the Lapp fairy-tale by Mirjami Kousmanen. Music: Knudage Riisager. Choreographer and producer: Anne Marie Lagerborg. Decor, costumes asnd lighting: Per Falk.
[Performance Programmes: Royal Danish Ballet. Box RDB]

New York State Theater.
12 December (afternoon performance), 1965.
Konservatoriet (Dancing School). From the first act of August Bournonville's ballet. Music composed and arranged by H.S. Paulli. Producer: Hans Brenaa. Decor: Ove Christian Pedersen.
The Nutcracker (Pas de Deux). Music: Peter Ilich Tchaikovsky. Choreography: Lev Ivanov, Anna Laerkesen and Erik Bruhn.
Carmen. Ballet in five scenes by Roland Petit after Prosper Merimée. Music: Georges Bizet. Choreographer and producer: Roland Petit. Decor and costumes: Anton Clavé.
Fanfare. Ballet in one act. Music: Benjamin Britten. Producers: Jerome Robbins and Niels Bjørn Larsen. Choreography. Jerome Robbins. Decor and costume: Irene Sharaff .
[Performance Programmes: Royal Danish Ballet. Box RDB]

Royal Opera House, Covent Garden.
29 April, 1968.
La Sylphide. Romantic ballet in two acts by August Bournonville. Music: Hermann Løvenskjold. Scenery by Soren Frandsen. Costumes by Henrik Bloch. Producers Hans Brenna and Flemming Flindt.
The Miraculous mandarin. Ballet in one act by Flemming Flindt. Music by Bela Bartok. Scenery and costumes by Preben Hornung.
Napoli Act III. Romantic ballet in three acts by August Bournonville. Music by Niels W Gade, E Helsted and Paulli (Act III's finale by H C Lumbye). Solo dances in Pas de Six by Hans Beck. Producer Hans Brenna.
[Performance programmes: Royal Danish Ballet. Box RDB]

Royal Opera House, Covent Garden.
22 August, 1953.
Sylfiden. La Sylphide. Romantic ballet in two acts by August Bournonville after Filippo Taglioni. Choreography: August Bournonville. Music: Hermann Løvenskjold.
Napoli. Act III. Romantic ballet by August Bournonville. Choreography: August Bournonville. Music: Holger Simon Paulli, Gustav Helsted, Niels Vilhelm Gade and Hans Christian Lumbye.
[Performance programmes: Royal Danish Ballet. Box RDB]

Royal Opera House, Covent Garden.
11 August, 1953.
Amors og Balletmesterens Luner. The Whims of Cupid and the Ballet Master. Comedy ballet in one act by Vincenzo Galeotti. Choreography: Vincenzo Galeotti. Music: Jens Lolle. Scenery and costumes: Ove Christian Pedersen.
Sylfiden. La Sylphide. Romantic ballet in two acts by August Bournonville after Filippo Taglioni. Choreography: August Bournonville. Music: Hermann Løvenskjold.
Quarrtsiluni. Symphonic ballet in one act by Harald Lander. Choreography: Harald Lander. Music: Knudage Riisager. Scenery and costumes: Svend Johansen.
[Performance programmes: Royal Danish Ballet. Box RDB]

Sadler's Wells Ballet

Finsbury Park Open Theatre.
19-21 July, 1944.
Carnaval. Music by Schumann. Orchestrated by Gordon Jacob. Choreography by Michel Fokine. Costumes and decor by Bakst.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Choreography by Michel Fokine.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

King's Theatre, Hammersmith.
10 May, 1944.
Les Patineurs. Music by Giacomo Meyerbeer, arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and decor by Willaim Campbell.
Giselle. Music by Adolphe Adam. Scenario by Théophile Gautier based on a theme of Heirich Heine. Produced by Nicholas Serguëeff after choreography by Coralli. Decor and costumes by William Chappell.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
30 November, 1943.
Les Rendezvous. Music by Auber, arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
9 December, 1943.
Promenade. Music by Haydn (arranged by Edwin Evans) Nos. 2-5 orchestrated by Gordon Jacob. Choreography by Ninette de Valois. Scenery and costumes by Hugh Stevenson.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
3 February, 1944.
Les Sylphides. Music by Chopin. Choreography by Michel Fokine. Orchestrated by Gordon Jacob.
Le Spectre de la rose. Music by Weber. Choreography by Michel Fokine. Scenery and costumes designed by Rex Whistler.
Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by Vaughan Williams, orchestrated by Constant Lambert. Choreography and production by Ninetter de Valois. Costumes and scenery designed after Blake's illustrations of the Book of Job by Gwendoline Raverat.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
13 January, 1944.
The Wise virgins. Music by J.S. Bach. Scenery and costumes by Rex Whistler. Choreography by Frederick Ashton. Orchestration by William Walton.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners. Choreography by Frederick Ashton.
Dante sonata (après une Lecture de Dante). Music by Liszt, orchestrated by Constant Lambert. Choreography by Frederick Ashton. Decor and costumes by Sophie Fedorovitch, after Flaxman.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
15 June, 1942.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninetter de Valois. Costumes and decor by Hugh Stevenson.
Hamlet. A ballet in one scene. Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Robert Helpmann.
The Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
7 December, 1943.
The Wise virgins. Music by J.S. Bach. Scenery and costumes by Rex Whistler. Choreography by Frederic Ashton. Orchestration by William Walton.
Promenade. First performance in London. Music by Haydn (arranged by Edwin Evans) Nos. 2-5 orchestrated by Gordon Jacob. Choreography by Ninette de Valois. Scenery and costumes by Hugh Stevenson.
Hamlet. A ballet in one scene. Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Robert Helpmann.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
19 May, 1942.
The Gods go a'begging. Music by Handel, arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Hamlet. A ballet in one scene. Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Robert Helpmann.
Les Rendezvous. Music by Auber, arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
27 January, 1941.
Harlequin in the street. Ballet after Jean-François Regnard (1656-1710). Music by François Couperin (1668-1733), orchestrated by Gordon Jacob. Scenery and costumes by André Derain. Choreography by Frederick Ashton.
The Wanderer [1st performance]. Choreographic fantasy by Frederick Ashton. Scenery and costumes by Graham Sutherland. Music by Schubert.
Coppelia (Divertissement from Acts I and III). Music by Delibes. Choreography by Cecchetti and Ivanoff. Costumes by William Chappell.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
29 January, 1941.
Les Sylphides. Music by Chopin. Scenery by Alexander Bernois. Choreography by Michael Fokine.
The Wanderer. Choreographic fantasy by Frederick Ashton. Scenery and costumes by Graham Sutherland. Music by Schubert.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninetter de Valois. Costumes and decor by Hugh Stevenson.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
25 May (evening), 1943.
The Birds. Comedy ballet in one act. Music (after old masters) by Respighi. Scenery and costumes by Chiang Yee. Choreography by Robert Helpmann.
The Quest. An adaptation by Doris Langley Moore of a theme from Spenser's "Faerie Queene". Music by William Walton. Costumes and decor by John Piper. Choreography by Frederick Ashton.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
6-7 October, 1941.
The Sleeping princess. Music by Tchaikovsky. Produced by Nicolai Serguëeff after the choreography by Marius Petipa. Costumes and scenery designed by Nadia Benois.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
19-21 May, 1941.
Fete polonaise. Ballet divertissement. Music by Glinka. Choreography ny Ninette de Valois, Costumes and scenery by William Chappell.
The Wise virgins. Music by J.S. Bach. Costumes by Rex Whistler. Choreography by Frederic Ashton.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
4 June, 1942.
Coppelia. Book by C.H. Nutter and Saint-Leon. Music by Delibes (the third act orchestrated by Gordon Jacob). Scenery and costumes by William Chappell. Choreography by Petipa and Cechetti. Reconstructed by Nicolas Sergueeff from his notation of the original choreography. (Choreography of dances Nos. 4, 5, 7, and 9 in the third act by Nicolas Sergueeff).
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
22 December, 1942.
Comus. A masque in one act after Milton. Music by Purcell arranged by Constant Lmabert. Decor and costumes by Oliver Messel. Choreography by Robert Helpmann.
Promenade. Music by Haydn (arranged by Edwin Evans). (Nos. 2-5 orchestrated by Gordon jacobs). Choreography by Ninette de Valois. Scenery and costumes by Hugh Stevenson.
Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by R. Vaughan Williams, orchestrated by Constant Lambert. Choreography and production by Ninetter de Valois. Costumes and scenery designed after Blake's illustrations to the Book of Job by Gwendoline Raverat.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
14 January (evening), 1942.
Les Sylphides. Music by Chopin. Scenery by Alexander Benois. Choreography by Michael Fokine. Orchestrated by Gordon Jacob.
Comus. A masque in one act after Milton. Music by Purcell arranged by Constant Lambert. Decor and costumes by Oliver Messel. Choreography by Robert Helpmann.
Facade. A ballet freely adapted to music written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. New costumes and decor by John Armstrong.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
14 January (matinee), 1942.
Les Sylphides. Music by Chopin. Scenery by Alexander Benois. Choreography by Michael Fokine. Orchestrated by Gordon Jacob.
Casse noisette. Music by Tchaikovsky. Costumes and decor by M. Doboujinsky. Choreography by Ivanoff. Produced by Nicolai Sergueeff.
Facade. A ballet freely adapted to music written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. New costumes and decor by John Armstrong.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
1 februrary, 1944.
Promenade. Music by Haydn (arranged by Edwin Evans). Nos. 2-5 orchestrated by Gordon Jacob. Choreography by Ninette de Valois. Scenery and costumes by Hugh Stevenson.
Le Spectre de la rose. Music by Weber. Choreography by Michel Fokine. Scenery and costumes designed by Rex Whistler.
Le Lac des cygnes (Act II). Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Marius Petipa. Produced by Sergueeff .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
7 September, 1943.
Le Lac des cygnes. (A Fantastic Ballet in 4 acts). Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Marius Petipa. Produced by Sergueeff.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
25 September, 1943.
Le Lac des cygnes. (A Fantastic Ballet in 4 acts). Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Marius Petipa. Produced by Sergueeff.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
31 August, 1943.
Les Rendezvous. Music by Auber, arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Quest. An adaptation by Doris Langley Moore of a theme from Spenser's "Faerie Queene". Music by William Walton. Costumes and decor by John Piper. Choreography by Frederick Ashton.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes by John Armstrong .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
14 June, 1941.
Les Sylphides. Music by Chopin. Scenery by Alexander Benois. Choreography by Michael Fokin.
The Wanderer. Choreographic fantasy by Frederick Ashton. Scenery and costumes by Graham Sutherland. Music by Schubert.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
19 May, 1941.
Fete polonaise. Ballet divertissement. Music by Glinka. Choreography ny Ninette de Valois, Costumes and scenery by William Chappell.
The Wise virgins. Music by J.S. Bach. Costumes by Rex Whistler. Choreography by Frederic Ashton.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
6 October, 1941.
The Sleeping princess. Music by Tchaikovsky. Produced by Nicolai Serguëeff after the choreography by Marius Petipa. Costumes and scenery designed by Nadia Benois.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
13 April, 1943.
Les Rendezvous. Music by Auber, arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Quest. An adaptation by Doris Langley Moore of a theme from Spenser's "Faerie Queene". Music by William Walton. Costumes and decor by John Piper. Choreography by Frederick Ashton.
Dante sonata (après une Lecture de Dante). Music by Liszt, orchestrated by Constant Lambert. Choreography by Frederick Ashton. Decor and costumes by Sophie Fedorovitch, after Flaxman.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
25 May, 1943.
The Birds. Comedy ballet in one act. Music (after old masters) by Respighi. Scenery and costumes by Chiang Yee. Choreography by Robert Helpmann.
The Quest. An adaptation by Doris Langley Moore of a theme from Spenser's "Faerie Queene". Music by William Walton. Costumes and decor by John Piper. Choreography by Frederick Ashton.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
5 June, 1943.
The Birds. Comedy ballet in one act. Music (after old masters) by Respighi. Scenery and costumes by Chiang Yee. Choreography by Robert Helpmann.
Dante sonata (après une Lecture de Dante). Music by Liszt, orchestrated by Constant Lambert. Choreography by Frederick Ashton. Decor and costumes by Sophie Fedorovitch, after Flaxman.
The Prospect before us. An incident in the life of 18th century dancers as recorded by Mr. Eber in his "History of the King's Theatre". Choreography and scenario by Ninette de Valois. Music by William Boyce, arranged by Constant Lambert. Decor and costumes by Roger Furse (after Thomas Rowlandson).
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
12 June, 1943.
Les Rendezvous. Music by Auber, arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
Les Sylphides. Music by Chopin. Scenery by Alexander Benois. Choreography by Michel Fokine. Orchestrated by Gordon Jacob.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
4 September, 1943.
Coppelia. Book by C.H. Nutter and Saint-Leon. Music by Delibes (the third act orchestrated by Gordon Jacob). Scenery and costumes by William Chappell. Choreography by Petipa and Cechetti. Reconstructed by Nicolas Sergueeff from his notation of the original choreography. (Choreography of dances Nos. 4, 5, 7, and 9 in the third act by Nicolas Sergueeff).
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
29 October, 1942.
Les Patineurs. Music by Meyerbeer, arranged by Constant Lambert. Choreography by Frederic Ashton. Costumes and decor by William Chappell.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
Casse noisette. Music by Tchaikovsky. Costumes and decor by M. Doboujinsky. Choreography by Ivanoff. Produced by Nicolai Sergueeff.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
5 June (matinee), 1943.
The Birds. Comedy ballet in one act. Music (after old masters) by Respighi. Scenery and costumes by Chiang Yee. Choreography by Robert Helpmann.
Dante sonata (après une Lecture de Dante). Music by Liszt, orchestrated by Constant Lambert. Choreography by Frederick Ashton. Decor and costumes by Sophie Fedorovitch, after Flaxman.
The Prospect before us. An incident in the life of 18th century dancers as recorded by Mr. Eber in his "History of the King's Theatre". Choreography and scenario by Ninette de Valois. Music by William Boyce, arranged by Constant Lambert. Decor and costumes by Roger Furse (after Thomas Rowlandson).
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
8 May, 1942.
Les Rendezvous. Music by Auber, arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Prospect before us. Choreography and scenario by Ninette de Valois. Music by William Boyce, arranged by Constant Lambert. Decor and costumes by Roger Furse (after Thomas Rowlandson).
Dante sonata (après une Lecture de Dante). Music by Liszt, orchestrated by Constant Lambert. Choreography by Frederick Ashton. Decor and costumes by Sophie Fedorovitch, after Flaxman.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

New Theatre.
4 September (matinee), 1943.
Coppelia. Book by C.H. Nutter and Saint-Leon. Music by Delibes (the third act orchestrated by Gordon Jacob). Scenery and costumes by William Chappell. Choreography by Petipa and Cechetti. Reconstructed by Nicolas Sergueeff from his notation of the original choreography. (Choreography of dances Nos. 4, 5, 7, and 9 in the third act by Nicolas Sergueeff).
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Princes Theatre.
27 and 30 September, 1944.
Coppelia. A ballet in three acts. Book by C.H. Nutter and Saint-Leon. Music by Delibes (the third act orchestrated by Gordon Jacob). Scenery and costumes by William Chappell. Choreography by Ivanov and Cechetti. Reconstructed by Nicolas Sergueeff..
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Princes Theatre.
26 October, 1944.
Promenade. Music by Haydn (arranged by Edwin Evans) Nos. 2-5 orchestrated by Gordon Jacob. Choreography by Ninette de Valois. Scenery and costumes by Hugh Stevenson.
Miracle in the Gorbals (first performance). Scenario by Micahel Benthall. Music by Arthur Bliss. Decor by Edward Burra. Choreography by Robert Helpmann.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Princes Theatre.
10 October, 1944.
Le lac des cygnes - Act II. Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Marius Petipa. Produced by Sergueeff.
Carnaval. Music by Schumann. Orchestrated by Gordon Jacob. Choreography by Michel Fokine. Costumes and decor by Bakst.
Hamlet. A ballet in one scene. Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Robert Helpmann.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
21 May, 1955.
Madame Chrysanthème. Ballet in one act and five scenes, adapted from the book by Pierre Loti. (The action takes place throughout the summer of 1885). Music by Alan Rawsthorne. Choreography by Frederick Ashton. Scenery and costumes by Isabel Lambert. Lighting by John Sullivan.
Les Sylphides. Music by Frederic Chopin, orchestrated by Gordon Jacob. Choreography by Michel Fokine. Present production revived by Serge Grigoriev and Liubov Tchernicheva. Decor after designs by Alexandre Benois. Lighting by John Sullivan.
Homage to the Queen. The coronation ballet. Music by Malcolm Arnold. Choreography by Frederick Ashton. Scenery and costumes by Oliver Messel. Lighting by John Sullivan.
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
11 March, 1955.
Le Lac des cygnes. Ballet in four acts. Music by Piotr Ilich Tchikovsky. Choreography ny Marius Petipa and Lev Ivanov. Produced by Nicholas Sergeyev. Present production revised by Ninette de Valois. Choreography for the Pas de Six in Act I and the Neaploitan Dance in Act III by Frederick Ashton. Scenery and costumes by Leslie Hurry. Lighting by John Sullivan.
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
23 January, 1957.
The Sleeping beauty. Ballet in three acts and a prologue. Produced by Nicholas Sergeyev after the choreography of Marius Petipa. Music by Piotr Ilich Tchaikovsky. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
15 March, 1955.
Ballabile. Ballet by Roland Petit. Music by Chabrier, arranged by Constant Lambert. Choreography by Roland Petit. Scenery and costumes by Anton Clavé. Lighting by Louis Yudkin.
Rinaldo and Armida. A dance drama in one scene. Music by Malcolm Arnold. Choreography by Frederick Ashton. Scenery and costumes by Peter Rice. Lighting by John Sullivan.
La Boutique fantasque. Ballet in one act. Music by Gioacchino Rossini. Orchestrated by Ottorino Respighi. Choreography by Léonide Massine. Curtain, scenery and costumes by André Derain.
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
23 June, 1956.
The Sleeping beauty. Ballet in three acts and a prologue. Produced by Nicholas Sergeyev after the choreography of Marius Petipa. Music by Piotr Ilich Tchaikovsky. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
22 September, 1956.
Le Lac des cygnes. Ballet in four acts. Music by Piotr Ilich Tchikovsky. Choreography ny Marius Petipa and Lev Ivanov. Produced by Nicholas Sergeyev. Present production revised by Ninette de Valois. Choreography for the Pas de Six in Act I and the Neaploitan Dance in Act III by Frederick Ashton. Scenery and costumes by Leslie Hurry. Lighting by John Sullivan.
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
27 February, 1956.
Checkmate. Ballet in one scene with a prologue. Music by Arthur Bliss. Choreography by Ninette de Valois. Costumes and scenery by E. MnKnight Kauffer.
The Firebird. A ballet in two scenes. Music by Igor Stravinsky. Choreography by Michel Fokine. Present production revived by Serge Grigoriev and Liubov Tchernicheva. Scenery and costumes by N. Gontcharova. Lighting by John Sullivan.
Les Patineurs. Music by Giacomo Meyerbeer, arranged by Constance Lambert. Choreography by Frederick Ashton. Costumes and scenery by Willaim Campbell .
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
9 March, 1955.
Variations on a theme of Purcell. (Overture - The Gordian Knot Untied - Henry Purcell). Music by Benjamin. Choreography by Frederick Ashton. Scenery and costumes by Peter Snow. Lighting by John Sullivan.
Giselle. Ballet in two acts. Music by Adolphe Adam. Scenario by Théophile Gautier based on a theme of Heirich Heine. Produced by Nicholas Serguëeff after choreography by Coralli. Scenery and costumes by James Bailey. Lighting by John Sullivan.
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
March, 1946.
The Sleeping beauty. A ballet with music by Tchaikovsky. Produced by Nicholai Serguëeff after the choreography of Marius Petipa, with costumes and scenery designed by Oliver Messel .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
12 June, 1946.
Les Patineurs. Music by Meyerbeer, arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederic Ashton.
Giselle. Music by Adolphe Adam. Scenario by Théophile Gautier based on a theme of Heirich Heine. Produced by Nicholas Serguëeff after choreography by Coralli. Decor and costumes by James Bailey.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
12 November, 1946.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Decor after designs by Alexander Benois. Choreography by Michael Fokine.
Les Sirènes. Music by Lord Berners. Scenario and choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton.
Hamlet. A ballet in one scene. Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Robert Helpmann.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
18 June, 1955.
The Sleeping beauty. Ballet in three acts and a prologue. Produced by Nicholas Sergeyev after the choreography of Marius Petipa. Music by Piotr Ilich Tchaikovsky. Scenery and costumes designed by Oliver Messel. Lighting by John Sullivan.
[Performance Programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
21 November, 1946.
Carnaval. Music by Schumann. Orchestrated by Gordon Jacob. Choreography by Michel Fokine. Costumes and decor by Bakst.
Nocturne. Music by Delius("Paris"). Theme by Edward Sackville West. Scenery and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
Miracle in the Gorbals. Music by Arthur Bliss. Scenario by Michael Benthall. Costumes and décor by Edward Burra. Choreography by Robert Helpmann .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
17 May, 1946.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Decor after designs by Alexander Benois. Choreography by Michael Fokine.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois. False proscenium designed by Oliver Messel as a tribute to Rex Whistler.
Symphonic variations. Music by César Franck. Decor and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
11 May, 1946.
The Sleeping beauty. A ballet with music by Tchaikovsky. Produced by Nicholai Serguëeff after the choreography of Marius Petipa, with costumes and scenery designed by Oliver Messel .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
3 June, 1946.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Decor after designs by Alexander Benois. Choreography by Michael Fokine.
Hamlet. A ballet in one scene. Music by Tchaikovsky. Costumes and decor by Leslie Hurry. Choreography by Robert Helpmann.
Symphonic variations. Music by César Franck. Decor and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
20 February, 1946.
The Sleeping beauty. A ballet with music by Tchaikovsky. Produced by Nicholai Serguëeff after the choreography of Marius Petipa, with costumes and scenery designed by Oliver Messel .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
16 April, 1946.
The Rake's progress. Ballet by Gavin Gordon after William Hogarth. Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois. False proscenium designed by Oliver Messel as a tribute to Rex Whistler.
Nocturne. Music by Delius("Paris"). Theme by Edward Sackville West. Scenery and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
Adam Zero. A ballet by Michael Benthall. Music by Arthur Bliss. Scenery and costumes by Roger Furse. Choreography by Robert Helpmann.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
25 October, 1946.
Coppelia. Book by Charles Nuitter and Arthur Saint-Leon. Music by Delibes (the third act orchestrated by Gordon Jacob). Scenery and costumes by William Chappell. Choreography by Petipa and Cechetti. Reconstructed by Nicolas Sergueeff from his notation of the original choreography. Choreography of dances Nos. 4, 5, 7, and 9 in the third act by Nicolas Sergueeff.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
5 March, 1946.
The Sleeping beauty. A ballet with music by Tchaikovsky. Produced by Nicholai Serguëeff after the choreography of Marius Petipa, with costumes and scenery designed by Oliver Messel .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Royal Opera House, Covent Garden.
24 April, 1946.
Les Patineurs. Music by Meyerbeer, arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederic Ashton.
Symphonic variations. Music by César Franck. Decor and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
Adam Zero. A ballet by Michael Benthall. Music by Arthur Bliss. Scenery and costumes by Roger Furse. Choreography by Robert Helpmann.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Sadler's Wells Theatre.
24 July (evening), 1945.
Promenade. Music by Haydn (arranged by Edwin Evans) (Nos. 2-5 orchestrated by Gordon Jacob). Choreography by Ninette de Valois. Scenery and costumes by Hugh Stevenson.
Nocturne. A ballet in one scene. Music by Delius("Paris"). Theme by Edward Sackville West. Scenery and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
Miracle in the Gorbals. Scenario by Micahel Benthall. Music by Arthur Bliss. Decor by Edward Burra. Choreography by Robert Helpmann .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Sadler's Wells Theatre.
7 September, 1945.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Scenery by Alexander Benois. Choreography by Michel Fokine.
The Wanderer. Choreographic fantasy by Frederick Ashton. Scenery and costumes by Graham Sutherland. Music by Schubert. Orchestrated by Liszt.
Miracle in the Gorbals. Scenario by Micahel Benthall. Music by Arthur Bliss. Decor by Edward Burra. Choreography by Robert Helpmann.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Victoria Park Open Air Theatre, Hackney.
3 August, 1942.
The Gods go a'begging. Music by Handel, arranged by Sir Thomas Beecham. Choreography by Ninetter de Valois. Costumes by Hugh Stevenson.
Les Sylphides. Music by Chopin. Choreography by Michael Fokine. Orchestrated by Gordon Jacob.
Facade. A ballet freely adapted to music written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. New costumes and decor by John Armstrong.
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Victoria Park Open Air Theatre, Hackney.
28 June - 3 July, 1943.
Les Sylphides. Music by Chopin. Scenery by Alexander Benois. Choreography by Michel Fokine. Orchestrated by Gordon Jacob.
The Birds. Comedy ballet in one act. Music (after Old Masters) by Respighi. Scenery and costumes by Chiang Yee. Choreography by Robert Helpmann.
Casse noisette. Music by Tchaikovsky. Costumes and decor by M. Doboujinsky. Choreography by Ivanoff. Produced by Niccolai Sergueeff.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong .
[Performance programmes: Sadler's Wells Ballet. Box SWB]

Sadler's Wells Opera Ballet

Sadler's Wells Theatre.
28 November, 1946.
Khadra. Music from "Balshazzar's Feast" by Sibelius. Choreography by Celia Franca. Costumes and decor by Honor Frost..
Mardi Gras. Scenario, costumes and decor by Hugh Stevenson. Music by Leonard Salzedo. Choreography by Andree Howard.
The Vagabonds. Music by John Ireland. Decor by Vivienne Kernot. Choreography by Anthony Burke.
[Performance programmes: Sadler's Wells Opera Ballet. Box SWOB]

Sadler's Wells Theatre.
28 October, 1946.
The Gods go a-begging. Music by Handel, arranged by Sir Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
The Vagabonds. Music by John Ireland. Decor by Vivienne Kernot. Choreography by Anthony Burke.
The Catch. Music, Rumanian Dances by Bela Bartok. Choreography and costumes by Alan Carter.
Façade. A ballet freely adapted to music originally written as a setting to poems by Edithy Sitwell. Music by William Walton. Costumes and decor by John Armstrong. Choreography by Frederick Ashton.
[Performance programmes: Sadler's Wells Opera Ballet. Box SWOB]

Sadler's Wells Theatre.
8 April, 1946.
Promenade. Music by Haydn (arr. by Edwin Evans). (Nos. 2-5 orchestrated by Gordon Jacobs). Choreography by Ninette de Valois. Scenery and costumes by Hugh Stevenson.
Assembly ball. Music by Bizet. Symphony in C: Allegro vivo - adagio - allegro vivace - allegro. Choreography, costumes and decor by Andree Howard.
Casse noisette (Act III). Music by Tchaikovsky. Choreography by Ivanoff. Prodduced by Sergueeff. Costumes and decor by Doboujinsky.
[Performance programmes: Sadler's Wells Opera Ballet. Box SWOB]

Vic-Wells Ballet

Sadler's Wells Theatre.
6 April, 1939.
The Sleeping princess. Music by Tchaikovsky. Produced by Nicolai Serguëeff after the choreography by Marius Petipa. Costumes and scenery designed by Nadia Benois.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
9 March, 1939.
The Emperor's new clothes. Music by Jean Françaix. Scenario by Serge Lifar after Hans Andersen. Costumes and decor by Hedley Briggs. Choreography by Ninetter de Valois.
Giselle. Music by Adolphe Adam. Scenario by Theophile Gautier based on a theme of Heinrich Heine. Produced for the Vic-Wells Ballet by N. Serguëeff after choreography by Coralli. Decor and costumes by William Chappell.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
11 May, 1939.
Harlequin in the street. Ballet after Jean-François Regnard. Music by François Couperin, orchestrated by Gordon Jacob. Scenery and costumes by André Derain. Choreography by Frederick Ashton.
Cupid and Psyche. Music by Lord Berners. Costumes and decor by Sir Francis Rose. Choreography by Frederick Ashton. Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by R. Vaughan Williams. Choreography and production by Ninetter de Valois. Costumes and scenery designed after Blake's illustrations to the Book of Job by Gwendoline Raverat. Masks by Dorian Paston .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
1 May, 1940.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth, Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
The Wise virgins. Music by J.S. Bach. Orchestrated by William Walton. Decor and costumes by Rex Whistler. Choreography by Frederick Ashton.
Dante sonata ("Après une Lecture de Dante"). Music by Liszt. Orchestration by Constant Lambert. Decor and costumes by Sophie Fedorovitch after Flaxman. Choreography by Frederick Ashton.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
15 April, 1940.
Coppelia. A ballet in three acts. Book by C.H. Nuitter and Saint-Leon. Music by Delibes (the third act orchestrated by Gordon Jacob). Scenery and costumes by William Chappell. Choreography by Petipa and Cechetti, reconstructed by Nicolas Sergueeff from his notation of the original choreography.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
23 January, 1940.
Les Rendezvous (Ballet Divertissement). Music by Auber. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
Dante sonata ("D'Après une Lecture de Dante"). Music by Liszt. Orchestration by Constant Lambert. Decor and costumes by Sophie Fedorovitch after Flaxman. Choreography by Frederick Ashton.
Checkmate. A ballet in one scene with a prologue. Music by Arthur Bliss. Costumes and decor by E. McKnight Kauffer. Choreography by Ninette de Valois.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
10 April, 1940.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth, Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
Nocturne. A ballet in one scene. Scenery and costumes by Sophie Fedorovitch. Music by Delius ("Paris"). Theme by Edward Sackville West. Choreography by Frederick Ashton.
Horoscope. Ballet in one act. Music by Constant Lambert. Costumes and decor by Sophie Fedorovitch. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
3 April, 1940.
Les Sylphides. Music by Chopin. Orchestration by Gordon Jacob. Setting by Hugh Stevenson. Choreography by Michael Fokine.
Dante sonata ("Après une Lecture de Dante"). Music by Liszt. Orchestration by Constant Lambert. Decor and costumes by Sophie Fedorovitch after Flaxman. Choreography by Frederick Ashton.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
1 April, 1940.
Le Lac des cygnes. Music by Tchaikovsky. Costumes and decor by Hugh Stevenson. Choreography by Marius Petipa. Produced by Nicolai Sergueeff.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
25 July, 1940.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners (executed under the supervision of William Chappell.) Choreography by Frederick Ashton.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Orchestrated by Gordon Jacob. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. New costumes and decor by John Armstrong. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
20 June, 1940.
Les Sylphides. Music by Chopin. Orchestration by Gordon Jacob. Scenery by Alexander Benois. Costumes executed by Matilda Etches. Choreography by Michael Fokine.
Nocturne. A ballet in one scene. Scenery and costumes by Sophie Fedorovitch. Music by Delius ("Paris"). Theme by Edward Sackville West. Choreography by Frederick Ashton.
Dante sonata ("Après une Lecture de Dante"). Music by Liszt. Orchestration by Constant Lambert. Decor and costumes by Sophie Fedorovitch after Flaxman. Costumes executed by Matilda Etches. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
13 June, 1940.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Costumes and decor by Hugh Stevenson. Choreography by Ninette de Valois.
The Haunted ballroom. A ballet in two scenes. Written and composed by Geoffrey Toye. Choreography by Ninette de Valois. Costumes and decor by Motley.
Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by R. Vaughan Williams. Choreography and production by Ninette de Valois. Costumes and scenery designed after Blake's illustrations to the Book of Job by Gwendoline Raverat. Wigs and masks by Hedley Briggs .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
27 June, 1940.
Harlequin in the street. Ballet after Jean-François Regnard (1656-1710). Music by François Couperin (1668-1733), orchestrated by Gordon Jacob. Scenery and costumes by André Derain. Choreography by Frederick Ashton.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Orchestrated by Gordon Jacob. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton.
Les Sylphides. Music by Chopin. Orchestration by Gordon Jacob. Scenery by Alexander Benois. Costumes executed by Matilda Etches. Choreography by Michael Fokine.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
15 August, 1940.
The Gods go a'begging. Music by Handel. Arranged by Sir Thomas Beecham. Costumes and decor by Hugh Stevenson. Choreography by Ninette de Valois.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. New costumes and decor by John Armstrong. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
26 July, 1940.
The Wise virgins. Music by J.S. Bach. Orchestrated by William Walton. Decor and costumes by Rex Whistler. Costumes executed by Matilda Etches. Choreography by Frederick Ashton.
Dante sonata ("Après une Lecture de Dante"). Music by Liszt. Orchestration by Constant Lambert. Decor and costumes by Sophie Fedorovitch after Flaxman. Costumes executed by Matilda Etches. Choreography by Frederick Ashton.
"The Prospect Before Us", or "Pity the Poor Dancers". An incident in the life of 18th century dancers as recorded by Mr. Eber in his "History of the King's Theatre". Choreography and scenario by Ninette de Valois. Music by William Boyce, arranged by Constant Lambert. Decor and costumes by Roger Furse (after Thomas Rowlandson).
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
26 December, 1939.
Les Sylphides. Music by Chopin. Orchestration by Gordon Jacob. Setting by Hugh Stevenson. Choreography by Michael Fokine.
Checkmate. A ballet in one scene with a prologue. Music by Arthur Bliss. Costumes and decor by E. McKnight Kauffer. Choreography by Ninette de Valois.
Horoscope. Ballet in one act. Music by Constant Lambert. Costumes and decor by Sophie Fedorovitch. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
6 November, 1934.
Giselle. Music by Adolphe Adam (1803-1856). Scenario by Theophile Gautier based on a theme of Heinrich Heine. Produced for the Vic-Wells Ballet by N. Serguëeff after choreography by Coralli. Decor and costumes by Barbara Allen.
Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by R. Vaughan Williams. Choreography and production by Ninette de Valois. Costumes and scenery designed after Blake's illustrations to the Book of Job by Gwendoline Raverat. Wigs and masks by Hedley Briggs. The music, originally written for full symphony orchestra, has for the purpose of stage production, been re-scored for Theatre Orchestra by Constant Lambert. (Camargo Society production.).
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
, 1935.
Coppelia. Music by Delibes. Produced by Nicolai Serguëeff. Costumes and scenery by Edwin Caligan.
Baiser de la Fée. An allegorical ballet in four tableaux by Igor Stravinsky. (Inspired by the Muse of Tchaikovsky.) Choreography by Frederick Ashton, Costumes and scenery by Sophie Fedorovitch.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
22 October, 1935.
Casse noisette. Music by Tchaikovsky. Choreography by Ivanoff. Produced by Serguëeff. Costumes and decor by Hedley Briggs.
Rio grande. Music by Constant Lambert. (Words by Sacheverall Sitwell). Choreography by Frederick Ashton. Costumes and scenery designed by Edward Burra.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
29 October, 1935.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Setting by Hugh Stevenson.
Douanes. Written and composed by Geoffrey Toye. Chorography by Ninette de Valois. Costumes and decor by Sophie Fedorovitch.
Pas de trois (from "Le Lac des Cygnes"). Music by Tchaikowski. Choreography by Petipa.
Façade. A ballet freely adapted to music originally to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
22 November, 1935.
Douanes. Written and composed by Geoffrey Toye. Chorography by Ninette de Valois. Costumes and decor by Sophie Fedorovitch.
Rio grande. Music by Constant Lambert. (Words by Sacheverall Sitwell). Choreography by Frederick Ashton. Costumes and scenery designed by Edward Burra.
The Haunted ballroom. Ballet in two scenes. Written and composed by Geoffrey Toye. Chorography by Ninette de Valois. Costumes and decor by Motley.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
4 February, 1936.
Les Rendezvous (Ballet Divertissement). Music by Auber. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Blue bird (The Enchanted Princess). Tchaikovsky. Costumes designed by William Chappell.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by R. Vaughan Williams. Choreography and production by Ninette de Valois. Costumes and scenery designed after Blake's illustrations to the Book of Job by Gwendoline Raverat. Wigs and masks by Hedley Briggs.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
24 January, 1936.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Setting by Hugh Stevenson.
Siesta. (First Performance). Music by William Walton. Choreography by Frederick Ashton.
Façade. A ballet freely adapted to music originally to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong.
Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by R. Vaughan Williams. Choreography and production by Ninette de Valois. Costumes and scenery designed after Blake's illustrations to the Book of Job by Gwendoline Raverat. Wigs and masks by Hedley Briggs.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
10 January, 1936.
Carnaval. Music by Schuman. Orchestrated by Gordon Jacob. The present revival has been staged by Madame Evina.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Baiser de la Fée. An allegorical ballet in four tableaux by Igor Stravinsky. (Inspired by the Muse of Tchaikovsky.) Choreography by Frederick Ashton, Costumes and scenery by Sophie Fedorovitch.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
7 April, 1936.
Les Rendezvous (Ballet Divertissement). Music by Auber. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Blue bird (The Enchanted Princess). Tchaikovsky. Costumes designed by William Chappell.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Job (Being Blake's vision of the Book of Job). A masque for dancing by Geoffrey Keynes. Music by R. Vaughan Williams. Choreography and production by Ninette de Valois. Costumes and scenery designed after Blake's illustrations to the Book of Job by Gwendoline Raverat. Wigs and masks by Hedley Briggs.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
11 April, 1936.
Carnaval. Music by Schuman. Orchestrated by Gordon Jacob. The present revival has been staged by Madame Evina.
Douanes. Written and composed by Geoffrey Toye. Chorography by Ninette de Valois. Costumes and decor by Sophie Fedorovitch.
Baiser de la Fée. An allegorical ballet in four tableaux by Igor Stravinsky. (Inspired by the Muse of Tchaikovsky.) Choreography by Frederick Ashton, Costumes and scenery by Sophie Fedorovitch.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
14 April, 1936.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Orchestrated by Gordon Jacob.
Casse noisette. Music by Tchaikovsky. Choreography by Ivanoff. Produced by Serguëeff. Costumes and decor by Hedley Briggs.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Old Vic.
17 April, 1936.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Setting by Hugh Stevenson.
Pas de deux. (From "The Sleeping Princess"). Music by Tchaikowski. Choreography by Marius Petipa.
Barabau. (1st performance by the Company). A ballet with words and music by Rieti. Choreography by Ninette de Valois. Costumes and decor by Edward Burra.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Orchestrated by Gordon Jacob.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
15 May, 1936.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Orchestrated by Gordon Jacob.
The Blue bird (Pas de Deux). Music by Tchaikovsky. Choreography by Marius Petipa. Costumes designed by William Chappell.
Façade. A ballet freely adapted to music originally to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
22 September, 1936.
Baiser de la Fée. An allegorical ballet in four tableaux by Igor Stravinsky. (Inspired by the Muse of Tchaikovsky.) Choreography by Frederick Ashton, Costumes and scenery by Sophie Fedorovitch.
Casse noisette. (1st performance with new designs by Doboujinsky). Music by Tchaikovsky. Choreography by Ivanoff. Produced by Serguëeff. Costumes and decor by M.Doboujinsky.
Pas de deux. (From "The Sleeping Princess"). Music by Tchaikovski. Choreography by Marius Petipa. Costumes designed by William Chappell.
Façade. A ballet freely adapted to music originally to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
27 October, 1936.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Orchestrated by Gordon Jacob.
Les Rendezvous (Ballet Divertissement). Music by Auber. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
10 November, 1936.
Prometheus. Music by Beethoven. Arranged by Constant Lambert. Choreography by Ninette de Valois. Costumes and scenery by John Banting.
Nocturne. (First performance). A Ballet in one scene. Music by Delius ("Paris"). Theme by Edward Sackville West. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
13 November, 1936.
Douanes. Written and composed by Geoffrey Toye. Chorography by Ninette de Valois. Costumes and decor by Sophie Fedorovitch.
Nocturne. (First performance). A Ballet in one scene. Music by Delius ("Paris"). Theme by Edward Sackville West. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
Le Lac des Cygnes. Act III.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
24 November, 1936.
Coppelia. Music by Delibes. Choreography by Ivanoff. Produced by Nicholai Serguëeff. Costumes and scenery by Edwin Caligan.
Pas de deux. (From "The Sleeping Princess"). Music by Tchaikovski. Choreography by Marius Petipa. Costumes designed by William Chappell.
Façade. A ballet freely adapted to music originally to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
1 December, 1936.
Barabau. A ballet with words and music by Rieti. Choreography by Ninette de Valois. Costumes and decor by Edward Burra.
The Blue bird (The Enchanted Princess). Tchaikovsky. Costumes designed by William Chappell.
Le Lac des cygnes (Act II). Music by Tchaikovsky. Choreography by Marius Petipa. Produced by Serguëeff. Costumes and decor by Hugh Stevenson.
Nocturne. A Ballet in one scene. Music by Delius ("Paris"). Theme by Edward Sackville West. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
5 December, 1936.
Douanes. Written and composed by Geoffrey Toye. Chorography by Ninette de Valois. Costumes and decor by Sophie Fedorovitch.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Orchestrated by Gordon Jacob.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
16 February, 1937.
Carnaval. Music by Schuman. Orchestrated by Gordon Jacob. Choreography by Michael Fokine. The present revival has been staged by Madame Evina.
Les Patineurs. (First performance). Music by Meyerbeer. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth, Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
13 March, 1937.
Le Lac des cygnes. Produced by Nicholai Serguëeff after the choreography by Marius Petipa. Music by Tchaikovsky. Costumes and decor by Hugh Stevenson.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
16 March, 1937.
The Gods go a'begging. Music by Handel. Arranged by Thomas Beecham. Choreography by Ninette de Valois. Costumes and decor by Hugh Stevenson.
Giselle. Music by Adolphe Adam (1803-1856). Scenario by Theophile Gautier based on a theme of Heinrich Heine. Produced for the Vic-Wells Ballet by N. Serguëeff after choreography by Coralli. Decor and costumes by William Chappell .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
12 January, 1937.
Les Rendezvous (Ballet Divertissement). Music by Auber. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
Prometheus. Music by Beethoven. Arranged by Constant Lambert. Choreography by Ninette de Valois. Costumes and scenery by John Banting.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Setting by Hugh Stevenson. Choreography by Michael Fokine.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
22 December, 1936.
Coppèlia. Music by Delibes. Choreography by Ivanoff. Produced by Nicholai Serguëeff. Costumes and scenery by Edwin Caligan.
Apparitions. A ballet on romantic themes arranged by Constant Lambert to the music of Liszt. Choreography by Frederick Ashton. Scenery and costumes by Cecil Beaton. Orchestrated by Gordon Jacob.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
14 December, 1937.
Checkmate. A ballet in one scene with a prologue. Music by Arthur Bliss. Costumes and decor by E. McKnight Kauffer. Choreography by Ninette de Valois.
The Blue bird Pas de Deux. (From "The Sleeping Princess"). Music by Tchaikovsky. Choreography by Marius Petipa. Costumes designed by William Chappell.
Nocturne. A Ballet in one scene. Music by Delius ("Paris"). Theme by Edward Sackville West. Scenery and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
The Lord of Burleigh. A ballet by Edwin Evans, based on poems by Tennyson and music by Mendelssohn. Choreography by Frederick Ashton. Costumes and decor by Derek Hill. Orchestration by Gordon Jacob.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
28 September, 1937.
Le Lac des cygnes (Act II). Music by Tchaikovsky. Choreography by Marius Petipa. Produced by Serguëeff. Costumes and decor by Hugh Stevenson.
Pas de Trois from "Le Lac des Cygnes". Music by Tchaikovsky. Choreography by Marius Petipa. Produced by Serguëeff. Costumes by Hugh Stevenson.
Pomona. Music by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor designed by John Banting.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
9 October, 1937.
Pomona. Music by Constant Lambert. Theme by Thomas McGreevy. Costumes and decor designed by John Banting. Choreography by Frederick Ashton.
Checkmate. A ballet in one scene with a prologue. Music by Arthur Bliss. Costumes and decor by E. McKnight Kauffer. Head-dresses executed by Doria Paston. Choreography by Ninette de Valois.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
9 November, 1937.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
Checkmate. A ballet in one scene with a prologue. Music by Arthur Bliss. Costumes and decor by E. McKnight Kauffer. Choreography by Ninette de Valois.
A Wedding bouquet. Music by Lord Berners. Words by Gertrude Stein. Costumes and decor designed by Lord Berners (executed under the supervision of William Chappell.) Choreography by Frederick Ashton.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
13 April, 1937.
Douanes. Written and composed by Geoffrey Toye. Chorography by Ninette de Valois. Costumes and decor by Sophie Fedorovitch.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Setting by Hugh Stevenson. Choreography by Michael Fokine.
Les Patineurs. Music by Meyerbeer. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
21 May, 1937.
Prometheus. Music by Beethoven. Arranged by Constant Lambert. Choreography by Ninette de Valois. Costumes and scenery by John Banting.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by William Chappell.
The Aurora Pas de Deux. (From "The Sleeping Princess"). Music by Tchaikovsky. Choreography by Marius Petipa. Costumes designed by William Chappell.
Facade. A ballet freely adapted to music originally written as a setting to poems by Edith Sitwell. Music by William Walton. Choreography by Frederick Ashton. Costumes and decor by John Armstrong .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
28 December, 1937.
Baiser de la Fée. An allegorical ballet in four tableaux by Igor Stravinsky. (Inspired by the Muse of Tchaikovsky.) Costumes and scenery by Sophie Fedorovitch. Choreography by Frederick Ashton.
Barabau. A ballet with words and music by Rieti. Choreography by Ninette de Valois. Costumes and decor by Edward Burra.
Checkmate. A ballet in one scene with a prologue. Music by Arthur Bliss. Costumes and decor by E. McKnight Kauffer. Choreography by Ninette de Valois.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
1 January, 1938.
Les Rendezvous (Ballet Divertissement). Music by Auber. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
Casse noisette. Music by Tchaikovsky. Choreography by Ivanoff. Produced by Serguëeff. Costumes and decor by M.Doboujinsky. Masks by Doria Paston .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
1 February, 1938.
The Lord of Burleigh. A ballet by Edwin Evans, based on poems by Tennyson and music by Mendelssohn. Choreography by Frederick Ashton. Costumes and decor by Derek Hill. Orchestration by Gordon Jacob.
Horoscope. Ballet in one act. Music by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by Sophie Fedorovitch.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
7 April, 1938.
Les Rendezvous (Ballet Divertissement). Music by Auber. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
Le Roi nu. (The Emperor's new clothes). Music by Jean Françaix. Scenario by Serge Lifar after Hans Andersen. Costumes and decor by Hedley Briggs. Choreography by Ninetter de Valois.
Horoscope. Ballet in one act. Music by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by Sophie Fedorovitch.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
15 November, 1938.
Le Lac des cygnes. Music by Tchaikovsky. Costumes and decor by Hugh Stevenson. Choreography by Marius Petipa. Produced by Nicolai Serguëeff.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
14 April, 1938.
Les Sylphides. Music by Chopin. Orchestrated by Gordon Jacob. Setting by Hugh Stevenson. Choreography by Michael Fokine.
Horoscope. Ballet in one act. Music by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by Sophie Fedorovitch.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
26 April, 1938.
Carnaval. Music by Schuman. Orchestrated by Gordon Jacob. Choreography by Michael Fokine. The present revival has been staged by Madame Evina.
Horoscope. Ballet in one act. Music by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by Sophie Fedorovitch.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth, Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
12 May, 1938.
Le Roi nu. (The Emperor's new clothes). Music by Jean Françaix. Scenario by Serge Lifar after Hans Andersen. Costumes and decor by Hedley Briggs. Choreography by Ninetter de Valois.
Nocturne. A Ballet in one scene. Music by Delius ("Paris"). Theme by Edward Sackville West. Scenery and costumes by Sophie Fedorovitch. Choreography by Frederick Ashton.
Checkmate. A ballet in one scene with a prologue. Music by Arthur Bliss. Costumes and decor by E. McKnight Kauffer. Choreography by Ninette de Valois.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
18 October, 1938.
Le Roi nu. (The Emperor's new clothes). Music by Jean Françaix. Scenario by Serge Lifar after Hans Andersen. Costumes and decor by Hedley Briggs. Choreography by Ninetter de Valois.
Carnaval. Music by Schuman. Orchestrated by Gordon Jacob. Choreography by Michael Fokine. The present revival has been staged by Madame Evina.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth, Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
Horoscope. Ballet in one act. Music by Constant Lambert. Costumes and decor by Sophie Fedorovitch. Choreography by Frederick Ashton .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
19 May, 1938.
Le Roi nu. (The Emperor's new clothes). Music by Jean Françaix. Scenario by Serge Lifar after Hans Andersen. Costumes and decor by Hedley Briggs. Choreography by Ninetter de Valois.
Horoscope. Ballet in one act. Music by Constant Lambert. Choreography by Frederick Ashton. Costumes and decor by Sophie Fedorovitch.
The Judgement of Paris. Music by Lennox Berkeley. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
Les Patineurs. Music by Meyerbeer. Arranged by Constant Lambert. Costumes and decor by William Chappell. Choreography by Frederick Ashton.
[Performance programmes: Vic-Wells Ballet. Box VWB]

Sadler's Wells Theatre.
29 December, 1936.
The Rake's progress. Ballet by Gavin Gordon and William Hogarth, Costumes and decor by Rex Whistler after William Hogarth. Music by Gavin Gordon. Choreography by Ninette de Valois.
Nocturne. A Ballet in one scene. Music by Delius ("Paris"). Theme by Edward Sackville West. Choreography by Frederick Ashton. Scenery and costumes by Sophie Fedorovitch.
Le Lac des cygnes. Act III. Music by Tchaikovsky. Costumes and decor by Hugh Stevenson. Choreography by Marius Petipa. Produced by Nicolai Serguëeff .
[Performance programmes: Vic-Wells Ballet. Box VWB]

Western Theatre Ballet

Sadler's Wells Theatre.
14 September, 1961.
Le Carnaval. Music by Robert Schumann. Re-produced by Madame Tamara Karsavina in association with Elisabeth Schooling. Choreography by Michael Fokine. Costumes after Leon Bakst, made by Gordon Thompson.
Ode. Music, Stravinsky. Choreography, Peter Darrell. Scenery and costumes, Pauline Whitehouse.
Sonate à trois. Music, Bartok. Sonata for two pianos and percussion. Choreography, Maurice Bejart. Designer, Monica Koenig.
Salade. Music, Darius Milhaud. Words (scenario and text), Albert Flament. English version, Rollo H. Myers. Choreography, Peter Darrell. Designer, Barry Kay. Lighting, Richard Pilbrow .
[Performance Programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
13 April, 1966.
Sun into darkness. Music by Malcolm Williamson. Scenario, David Rudkin. Choreography, Peter Darrell. Production consultant Colin Graham. Designer, Harry Waistnage. Lighting by Charles Bristow.
[Performance Programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
9 March, 1968.
Le Carnaval. Music, Schumann. Choreography, Fokine. Decor and costumes after Bakst.
Dance Macabre. Music, Symphony (Elegy) 1965, John McCabe. Choreography, Peter Wright. Decor and costumes, Peter Farmer.
Spectrum. Music, Variations for Cello and Piano, Malcolm Williamson. Choreography, Clover Roope. Decor and costumes, Charles Dunlop.
Mods and Rockers '63. Music, The Beatles. Choreography, Peter Darrell. Decor and costumes, Robin Hirtenstein.
[Performance Programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
18 June, 1968.
Dance Macabre. Music, Symphony (Elegy) 1965, John McCabe. Choreography, Peter Wright. Decor and costumes, Peter Farmer.
Jeune homme à marier. Ballet by Flemming Flindt after Ionesco. Music, Per Norgaard. Choreography and production, Fleeming Flindt. Decor and costumes, Jacques Noel.
La Ventana. Music, Lumbye. Choreography, Bournonville. Decor and costumes, John Stoddart.
[Performance Programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
20 June, 1967.
Overture. Music, Stravinsky. Choreography, Laverne Meyer. Costumes, Elisabeth Dalton.
Cage of God. Music, Alan Rawsthorne - Concerto for Ten Instruments & Theme and Variations for Two Violins. Choreography, Jack Carter. Decor and costumes, Patrick Proctor.
The Lesson. Ballet in one act by Flemming Flindt after Ionesco. Music, Georges Delerue. Choreography and production, Flemming Flindt.
Light fantastic. Music, Chabrier. Orchestrated by Kenneth Alwyn. Choreography, Walter Gore. Decor and costumes, Alix Stone.
[Performance Programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
30 June, 1966.
A Wedding present. Music, Piano Concerto No. 3, Bartok. Choreography, Peter Darrell. Decor and costumes. Judith Wood.
Trial. Music, Lyric Suite for String Quartet, Alban Berg. Choreography, Laverne Meyer. Decor and costumes, Terence Emery.
Beauty and the beast. Music, Mother Goose, Ravel. Choreography, John Cranko. Decor and costumes, Peter Farmer.
Mods and Rockers '63. Music, The Beatles. Choreography, Peter Darrell. Decor and costumes, Robin Hirtenstein.
[Performance Programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
28 June, 1966.
Chiaroscuro. Music, 'Saudades do Brasil', Milhaud. Choreography, Peter Darrell. Decor and costumes, Barry Kay.
Las hermanas. Music, Concerto for Harpsichord and small orchestra, Frank Martin. Choreography, Kenneth Macmillan. Decor and costumes, Nicholas Georgiadis.
Jeux. Music, Debussy. Choreography, Peter Darrell. Costumes, Harry Waitnage.
[Performance Programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
20 June, 1968.
Las hermanas. Music, Concerto for Harpsichord and small orchestra, Frank Martin. Choreography, Kenneth Macmillan. Decor and costumes, Nicholas Georgiadis.
Ephemeron. Music, Darius Milhaud. Choreography, Peter Darrell. Decor and costumes, Peter Docherty.
Street games. Music, Ibert. Choreography, Walter Gore. Decor and costumes, André François.
[Performance Programmes: Western Theatre Ballet. Box WTB]

Prince Charles Theatre.
18 December, 1963.
The Owl and the pussycat. Music ... Dudley Moore. Choreography, Gillian Lynne. Scenery and costumes and costumes, Kenneth Rowell.
Elegy. Music, Faure. Choreography Peter Darrell. Costumes, Alix Stone.
Non-Stop. Music, Jazz. Choreography, Peter Darrell. Decor and costumes, Ian Spurling.
The Seasons (pas de deux). Music, Glazounov. Choreography, John Cranko. Costumes, Alix Stone. Mods and rockers. Music: John Lennon, Paul McCartney, George Harrison. Choreography, Peter Darrell. Decor and costumes, Desmonde Downing.
Street games. Music, Jacques Ibert. Choreography, Walter Dore. Decor and costumes, Andre Francois.
[Performance programmes: Western Theatre Ballet. Box WTB]

Theatre Royal, Bristol.
28-30 June, 1962.
Partita. Music, Bach. Choreography, Clover Roope. Costumes, Micahel Baldwin.
Valse excentrique. Music, Ibert. Choreography, Kenneth Macmillan. Costumes, Ian Spurling.
A Wedding present. Music, Bartok - Piano Concerto No.3. Choreography, Peter Darrell. Scenery and costumes, Judith Wood.
The Unicorn, The Gorgon and The Manticore (a madrigal fable). Music, Gian-Carlo Menotti. Choreography, Peter Darrell. Decor and costumes, Barry Kay.
[Performance programmes: Western Theatre Ballet. Box WTB]

New Theatre, Bromley.
Week commencing 28 October, 1963.
"Street games". Music, Ibert. Choreography, Walter Gore. Decor and costumes, André François.
"Reconciliations". Music, Alban Berg. Choreography, Laverne Meyer. Decor and costumes, Peter Cazalet.
"Jeux". Music, Debussy. Choreography, Peter Darrell.
"Observations". Music, Darius Milhaud. Choreography, Alan Beale. Costumes, Peter Snow.
[Performance programmes: Western Theatre Ballet. Box WTB]

Palace Court Theatre, Bournemouth.
1-6 March , 1965.
One in five. Music, Josef and Johann Strauss. Choreography, Ray Powell. Decor and costumes, Derek Rencher.
Jeux. Music, "Jeux" - Debussy. Choreography, Peter Darrell. Costumes, Harry Waistnage.
The Prisoners. Music, Bartok. Music for celeste, percussion and strings. Book and choreography, Peter Darrell. Decor and costumes, Barry Kay.
Solitaire. Pas de deux. Music, Malcolm Arnold. Choreography, Kenneth Macmillan. Costumes, Barry Kay.
Mods and Rockers. Music, The Beatles. Choreography, Peter Darrell. Decor and costumes, Desmonde Downing.
Home. Music, String Quartet No. 5 - Bartok. Choreography, Peter Darrell. Scenario, John Mortimer. Decor and costumes, Peter Cazalet.
The Maskers (first performance 4th March, 1965). Music, Foss, DeLancey. Dufallo, Colf and Duke. Choreography, (for Marcel Marceau) Walter Gore. Decor and costumes, Ronald Wilson.
Street games. Music, Ibert. Choreography, Walter Gore. Decor and costumes, André François.
[Performance programmes: Western Theatre Ballet. Box WTB]

The Stables Theatre, Hastings.
29 October, 1964.
Chiaroscuro. Music, 'Saudades do Brasil', Milhaud. Choreography, Peter Darrell. Decor and costumes, Barry Kay.
The Prisoners. Music, Bartok. Music for celeste, percussion and strings. Book and choreography, Peter Darrell. Decor and costumes, Barry Kay.
Solitaire. Pas de deux. Music, Malcolm Arnold. Choreography, Kenneth Macmillan. Costumes, Barry Kay.
Mods and Rockers. Music, The Beatles. Choreography, Peter Darrell. Decor and costumes, Desmonde Downing.
[Performance programmes: Western Theatre Ballet. Box WTB]

Lyric Opera House, Hammersmith.
12-22 August, 1958.
Impromptu. Music. Dimitri Kabalevsky. Choreography, The Company. Costumes. Derek West.
The Enchanted rose garden. Music, Glazounov. Choreography, Peter Darrell. Decor and costumes, Derek West.
The Prisoners. Music for celeste, percussion and strings, Bela Bartok. Book and choreography, Peter Darrell. Decor and costumes, Barry Kay.
Pulcinella. Music, after Pergolesi, by Igor Stravinsky. Choreography, Elizabeth West. Decor, Barry Kay.
Celeste and Celestinha. Music, Carlos Seixas. Choreography, Peter Darrell. Decor and costumes, Phyllida Law.
Peasant Pas de deux. From "Giselle" Act I.
Peter and the wolf. Music, Sergei Prokofiev. Choreography, Elizabeth West. Decor and costumes, Phyllida Law.
Non-Stop. Jazz music, Williams - Palmer. Choreography, Peter Darrell. Decor, Barry Kay.
Girl in a mask. Choreography and direction, Wolfgang Brunner. Decor and costumes, Dan Snyder. Music, Thomas Rajna.
Tableaux vivants. Music, Virgil Thomson. Choreography, Ronald Wilson. Decor, Ronald Wilson.
Impasse. Musique concrete, Michael Hobson and Ronald Fourcare. Choreography, Peter Darrell. Decor, Ronald Fouracre.
[Performance programmes: Western Theatre Ballet. Box WTB]

Sadler's Wells Theatre.
2 February, 1967.
Las Hermanas. Music, Concerto for harpsichord and small orchestra, Frank Martin. Choreography, Kenneth Macmillan. Decor and costumes, Nicholas Georgiadis.
Beauty and the beast. Music, Mother Goose - Ravel. Choreography, John Cranko. Decor and costumes , Peter Farmer.
Francesca. Music, Petite Suite for Orchestra - Roussel. Choreography, Peter Darrell. Decor and costumes, Peter Cazalet.
The Prisoners. Music for celeste, percussion and strings, Bartok. Choreography, Peter Darrell. Decor and costumes, Barry Kay .
[Performance programmes: Western Theatre Ballet. Box WTB]

Theatre Royal, Hanley.
15-20 February, 1960.
Musical chairs. Music, "Music d'Enfants" by Serge Prokofiev, arranged by Hazel Vivian. Choreography, Peter Wright. Decor and costumes, Kenneth Rowell.
St. George in Provence. Music, Suite Provencale by Darius Milhaud. Choreography, Robert Harrold. Decor and costumes, Richard Catermole.
Grand Pas de Deux from Casse noisette. Music, Tchaikowsky. Choreography, Petipa.
Giselle - Pas de Six. Music, Adam. Choreography, Petipa.
Sonate à trois. Music, Bartok. Sonata for two pianos and percussion. Choreography, Maurice Bejart.
Bal de la victoire. Music, "Elverhoj" by Kuhlau. Choreography, Peter Darrell. Decor and costumes, Barry Kay.
[Performance programmes: Western Theatre Ballet. Box WTB]

Corning Summer Theatre.
30 July-4 August, 1963.
One in five. Music, Josef and Johann Strauss. Choreography, Ray Powell. Decor and costumes, Derek Rencher.
Sonate à trois. Music, Bartok. ('Sonata for two pianos and percussion'). Choreography, Maurice Bejart. Decor and costumes, Adrian Vaux.
Jeux. Music, Debussy. Choreography, Peter Darrell.
Street games. Music, Ibert. Choreography, Walter Gore. Decor and costumes, André François.
Le Carnaval. Music, Schumann ('Carnaval'). Choreography, Fokine. Decor and costumes after Bakst. Reproduced by Madame Tamara Karsavina in association with Elisabeth Schooling.
A Wedding present. Music, Bartok, ('Piano Concerto # 3'). Choreography, Peter Darrell. Decor and costumes, Judith Wood.
Observations. Music, Milhaud ('Le Carnaval d'Aix'). Choreography, Alan Bale. Decor and costumes, Peter Snow.
The Web. Music, Webern. Choreography, Laverne Meyer. Decor and costumes, Diana Dewes.
One in five. Music, Josef and Johann Strauss. Choreography, Ray Powell. Decor and costumes, Derek Rencher .
[Performance programmes: Western Theatre Ballet. Box WTB]

Souvenir Programmes

• American Ballet
• American Ballet Theatre
• Australian Ballet
• Ballet Américains
• Ballets des Champs-Elysées
• Ballets de Paris
• Ballet Rambert
• Ballets Russes (Col. W. De Basil)
• Ballet Russe de Monte Carlo
• Ballet Soviétique
• Ballet Theatre
• Bolshoi Ballet
• Borovansky Ballet
• Canadian National Ballet
• Chicago Opera Ballet
• Covent Garden Opera Company and Sadler's Wells Ballet
• Grands Ballets Canadiens
• Harlequin Ballet
• Kirov Ballet
• National Ballet of Canada
• Nederlands Dans Theater
• New York City Ballet
• Royal Ballet
• Royal Danish Ballet
• Royal Winnipeg Ballet
• Western Theatre Ballet

American Ballet

The American Ballet. New York, Ballet Productions Inc, 1936?. [20] p. Illus. [Articles on 'George Balanchine' and 'The American Ballet']. (Souvenir programmes: American Ballet. Box s/AB)

American Ballet Theatre

American Ballet Theatre, 1940-1969. Presented in its thirtieth year under the direction of Lucia Chase and Oliver Smith by the Ballet Theatre Foundation. New York, Charles Payne, 1969. [40] p. Illus. (Souvenir programmes: American Ballet Theatre. Box s/ABT)

Australian Ballet

The Australian Ballet. Artistic director, Peggy van Praagh. 1962-63 season. [Presented by] the Australian Elizabethan Theatre Trust and J.C. Williamson Theatres Ltd., associated in the Australian Ballet Foundation . Sydney, Peerless Press Pty. Ltd., 1962. [24] p. Illus. [Contains article entitled 'The Art of Choreography' by Peggy van Praagh and a background note entitled 'Ballet in Australia']. (Souvenir programmes: Australian Ballet. Box s/AUB).

Ballets Américains

Les Ballets Américains de Ruth Page, Bentley Stone, José Limón. Paris, Printed by Defossés-Néogravure, 1950?. [58] p. Illus. [Contains articles entitled 'Ruth Page et Bentley Stone' reprinted from 'Ballet en Amérique' by Georges Amberg; 'José Limón' by John Martin (reprinted from the New York Times); 'Billy Sunday vient en ville', by Louis Bromfiled (reprinted from Theatre Arts Monthly)]. (Souvenir programmes:Ballet Américains. Box s/BA)

Ballets des Champs-Elysées

Ballets des Champs-Elysées. Direction artistique Boris Kochno. Maitre de Ballet Roland Petit. ( l'occasion de la saison de printemps 1946 ... à L'Adelphi de Londres). Paris, Mercure-Publicité Editeur, 1946. [30] p. [Preface by Jean Cocteau]. (Souvenir programmes: Ballets des Champs-Elysées. Box s/BCE)

Ballets de Paris

Ballets de Paris de Roland Petit. Saison 1949 . Paris, Printed by L'Edition Artistique, 1949. [8] p. Illus. (Souvenir programmes: Ballets de Paris. Box s/BP)

Ballets 1956 de Paris. Paris, La Société D'Editions Techniques Publicitaires, 1957. [40] p. Illus. (Souvenir programmes: Ballets de Paris. Box s/BP)

Ballets de Paris de Roland Petit. . Paris, W. Fischer, 1950. [34] p.. Illus. [Preface by Jean Anouilh] (Souvenir programmes: Ballets de Paris. Box s/BP)

Ballet Rambert

Ballet Rambert. London, Ballet Rambert, 1963. [22] p. Illus. [Contains articles entitled 'The Ballet Rambert; an appreciation', by Clive Barnes and 'The Ballet Rambert; a short history of its development', by Mary Clarke]. (Souvenir programmes: Ballet Rambert. Box s/BR)

Ballet Rambert . London, Ballet Rambert, 1960. [24] p. Illus. [Contains articles entitled 'The Ballet Rambert; an appreciation of its foundation and its artists', by Clive Barnes and 'The Ballet Rambert', by Mary Clarke]. (Souvenir programmes: Ballet Rambert. Box s/BR).

Coppelia. Music: Leo Delibes. Choreography: Ivanov after St Leon. Scenery and costumes: Mstislav Doboujinsky. Ballet Rambert at the Richmond Theatre. 17-29 February (first week), 1964. Illus. (Souvenir programmes: Ballet Rambert. Box s/BR)

Don Quixote; a ballet in four acts. Music [by] Ludwig Minkus arr. Geoffrey Corbett . [Adapted by] Petipa from Cervantes. Reproduced [by] Witold Borkowski. Choreography [by] Alexander Gorsky and Zakharoff. Designed [by] Voytek. Ballet Rambert at the Richmond Theatre. Souvenir programme. 25 January - 6 February (first week, Monday to Wednesday), 1965. Illus. (Souvenir programmes: Ballet Rambert. Box s/BR)

Laiderette. Music: Frank Martin. Choreography: Kenneth MacMillan. Decor and costumes: Kenneth Rowell; Czerny-ana. Music: Czerny. Choreography: Frank Staff. Decor and costumes: Eve Swinstead-Smith; Dark elegies. Music: Gustav Mahler. Choreography: Antony Tudor. Decor and costumes: Nadia Benois; Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong. Ballet Rambert at the Richmond Theatre. Souvenir programme. 25 January - 6 February (first week, Thursday to Saturday), 1965. Illus. (Souvenir programmes: Ballet Rambert. Box s/BR)

Les Sylphides. Music: Chopin. Orchestrated by R. Smith-Brindle. Choreography: Fokine. Decor and costumes: Alix Stone; Conflicts. Music: Ernest Bloch (Quinet for piano and strings). Choreography: Norman Morrice. Realisation: Ralph Koltai; Facade. Music: William Walton. Choreography: Frederick Ashton Decor and costumes: John Armstrong; A Place in the desert. Music: Carlos Surinach. Choreography: Norman Morrice. Designed by Ralph Koltai. Ballet Rambert at the Richmond Theatre. Souvenir programme. 21-22 January (during week of performances from 21-26 January), 1963. Illus. (Souvenir programmes: Ballet Rambert. Box s/BR)

The travellers. Music: Leonard Salzedo. Choreography: Norman Morrice. Designed: Ralph Koltai; La Sylphide. Music: Lovenskjold arr. Paul London.. Reproduced by Elsa Marianne von Rosen with additional material by Ellen Price de Plane. Choreography: August Bournonville, 1836. Designed by Robin and Christopher Ironside . Ballet Rambert at the Richmond Theatre. Souvenir programme. 17-29 February (second week), 1964. Illus. (Souvenir programmes: Ballet Rambert. Box s/BR)

Ballets Russes (Co. W. De Basil)

Royal Opera House, Covent Garden.
23 September (8.45 p.m.), 1937. Illus.
Le Lac des cygnes (The Swan Lake). Choreographic poem in one act. Music by P. Tchaikovsky. Choreography after M. Petipa. Scenery by Prince A. Schervachidze.
Le Coq d'or (The Golden Cockerel). Ballet in three scenes based on the fairy tale by Pouchkine. Book and choreography by Michel Fokine. Music from the opera "Le Coq d'or" by Rimsky-Korsakoff. Adapted by N. Tcherepnine. Curtain, scenery and costumes by Nathalie Gontcharova. Scenery executed by Prince A. Schervachidze. Costumes executed by Madame B. Karinska.
Cimarosiana. Ballet divertissement. Music by Domenico Cimarosa. Choreography by Léonide Massine. Scenery and costumes by Jose-Marie Sert.
[Souvenir programmes: Ballets Russes (Col. W. de Basil). Box s/BRUB]

Ballet Russe de Monte Carlo

Ballet Russe de Monte Carlo. Souvenir programme. Season 1947-1948. Sergei Denham, director. New York, Ballet Russe de Monte Carlo Inc., 1947. [58] p. Illus. (Souvenir programmes: Ballet Russe de Monte Carlo. Box s/BRUM)

Ballet Russe de Monte Carlo. Season 1948-1949. Sergei Denham, director. New York, Ballet Russe de Monte Carlo Inc., 1948. [52] p. Illus. [Repertoire included La Baiser de la f‚e, Ballet ]. (Souvenir programmes: Ballet Russe de Monte Carlo. Box s/BRUM)

Ballet Russe de Monte Carlo. Sergei Denham, director. Season 1946-1947. New York, Ballet Russe de Monte Carlo Inc., 1946. [56] p. Illus. (Souvenir programmes: Ballet Russe de Monte Carlo. Box s/BRUM)

Ballet Russe de Monte Carlo. Sergei Denham, director. Season 1945-1946. New York, General Program Corporation, 1945. [54] p. Illus. Souvenir programme. (Souvenir programmes: Ballet Russe de Monte Carlo. Box s/BRUM)

Ballet Russe de Monte Carlo. Sergei Denham, director. Season 1949-1950. New York, Ballet Russe de Monte Carlo Inc., 1949. [60] p. Illus. (Souvenir programmes: Ballet Russe de Monte Carlo. Box s/BRUM)

Ballet Soviétique

L'Agence Littéraire et Artistique Parisienne pour les Echanges Culturels and Les Spectacles Lumbrusco présentent sous les auspices de L'Association Française d'Action Artistique Le Ballet Soviétique de Théatre Lyrique Stanislavski et Nemirovitch-Dantchenko de Moscou [au Théatre du] Chatelet. Maître de Ballet: Vladimir Bourmeister. Paris, Editions et Publications E. Werly, 1953. [28] p. Illus. [Contains article entitled 'La nouvelle version chorégraphique du "Lac aux Cygnes"' by Vladimir Bourmeister]. (Souvenir programmes: Ballet Soviétique. Box s/BS)

Ballet Theatre

Lucia Chase and Oliver Smith present the Ballet Theatre. Royal Opera House, Covent Garden, 1946. New York, Charles Payne, 1946. [32] p. Illus. (Souvenir programmes: Ballet Theatre. Box s/BT)

Bolshoi Ballet

The Royal Opera House Covent Garden Limited ... and Victor Hochhauser present the Bolshoi Ballet. Director: Mikhail Chulaki. London, Printed by A.E. King & Jackson Ltd., [1965?]. [34] p. Illus. [Contains article by Ralph Parker entitled 'At the Bolshoi']. (Souvenir programmes: Bolshoi Ballet. Box s/BUB)

School of Ballet, Giselle (Act II), Divertissements, Scribiana,Walpurgis Night . Bolshoi Ballet at the Royal Festival Hall. Souvenir programme. 1965?. Illus. [Contains Article entitled 'The Bolshoi Story']. (Souvenir programmes: Bolshoi Ballet. Box s/BUB)

The Bolshoi Ballet. A Harmony film directed by Paul Czinner ... released through Rank Film Disrtributors Ltd. London, Printed by K.H.K. Ltd, 1956. [16] p. Illus. [Contains The Bolshoi Ballet; programme notes' by Arnold L. Haskell]. (Souvenir programmes: Bolshoi Ballet. Box s/BUB)

Borovansky Ballet

Margot Fontaine in Australia. A souvenir to commemorate the 1957 visit to Australia's Borovansky Ballet ... under the joint direction of J. C. Williamson Theatres Ltd., James Laurie and Associates Ltd., of London. Kingsgrove, N.S.W., Printed by Halstead Press Pty. Ltd., 1957. [36] p. Illus. Souvenir programme. [Contains article by James Laurie entitled 'The Incredible Taits'. Programme designed by John Diebel for James Laurie and Associates Ltd. with editorial matter by Michael Frostick and Cyril Swinson]. (Souvenir programmes:Borovansky Ballet. Box s/BUR)

Borovansky Ballet. 1951 season. Organised by J.C. Williamson Theatres Ltd. under the personal direction of Edouard Borovansky. Sydney, J. C. Williamson Theatres Ltd., 1951. 34 p. Illus. [Contaians article by Tom Breen entitled 'History of the Borovansky Ballet']. (Souvenir programmes:Borovansky Ballet. Box s/BUR)

Canadian National Ballet

Canadian National Ballet. 1951-1952 season . Toronto, National Ballet Guild of Canada, 1951. [24] p. Illus.(Souvenir programmes: Canadian National Ballet. Box s/CNB).

Chicago Opera Ballet

Ruth Page's Chicago Opera Ballet. New York, Columbia Artists Management Inc., 1962?. [24] p. Illus.(Souvenir programmes: Chicaago Opera Ballet. Box s/COB).

Covent Garden Opera Company and Sadler's Wells Ballet

The Royal Opera House, Covent Garden [and] the Royal Opera House, Covent Garden Ltd present the Covent Garden Opera Company and the Sadler's Wells Ballet. Coronation season, 1953. London, Royal Opera House, Covent Garden, 1953. [56] p. Illus. [Contains articles entitled 'The Story of Covent Garden' by Harold Rosenthal and 'A National Opera House' by David L. Webster]. (Souvenir programmes: Covent Garden Opera Company and Sadler's Wells Ballett. Box s/CGOC)

Grands Ballets Canadiens

Les Grands Ballet Canadiens. Founder and artistic director, Ludmilla Chiriaeff . Montreal?, printed by Rothmans of Pall Mall Canada Ltd, 1969. [30] p. Illus. [Contains article on the history of Les Grands Ballet Canadiens by Roland Lorrain]. (Souvenir programmes: Grands Ballets Canadien. Box sGBC)

Harlequin Ballet

Harlequin Ballet. London, Harlequin Ballet Trust, 1967. [14] p. Illus. (Souvenir programmes: Harlequin Ballet. Box s/HB).

Harlequin Ballet. London, Harlequin Ballet Trust, 1965. [12] p. [Contains extract from Anton Dolin's foreword to 'Understanding ballet']. (Souvenir programmes: Harlequin Ballet. Box s/HB).

Kirov Ballet

The Leningrad State Ballet Company of the Kirov Academic Theatre. Principal ballet master: Konstantin Sergeyev. Principal designer: Simon Virsaladze. Director: Georgi Korkin. London, Royal Opera House, Covent Garden Ltd, 1961. 32 p. Illus. Commemorative souvenir. [Contains articles entitled 'Maryinsky magic' by Arnold L. Haskell and 'An introduction to the Leningrad Ballet' by Vera Krasovskaya]. (Souvenir programmes: Kirov Ballet. Box s/KB).

National Ballet of Canada

The National Ballet of Canada under the direction of Celia Franca. Toronto, Printed by Rothmans of Pall Mall Canada Ltd., 1967. [36] p. Illus.(Souvenir programmes: National Ballet of Canada. Box s/NBC).

Nederlands Dans Theater

Nederlands Dans Theater . The Hague, Nederlands Dans Theater, 1959?. [14] p. Illus. (Souvenir programmes: Nederlands Dans Theater. Box s/NDT)

Nederlands Dans Theater . The Hague, Nederlands Dans Theater, 1963. [24] p. Illus. (Souvenir programmes: Nederlands Dans Theater. Box s/NDT)

Nederlands Dans Theater . The Hague, Nederlands Dans Theater, 1968. [28] p. Illus. (Souvenir programmes: Nederlands Dans Theater. Box s/NDT)

New York City Ballet

The tenth anniversary of the New York City Ballet. New York City Center of Music and Drama. 1958-59 [season]. New York, New York City Center of Music and Drama, 1958. [39] p. Illus. [Contain articles entitled 'Three sides of Agon', by Edwin Denby and 'New York City Ballet: the recent years', by Anatole Chujoy]. (Souvenir programmes: New York City Ballet. Box s/NYCB)

New York City Ballet. New York City Center of Music and Drama. 1962 [season]. New York, Program Publishing Company, 1962. [36] p. Illusl. [Contains 'Notes from Row L', by Bill Berkson and Frank O'Hara]. (Souvenir programmes: New York City Ballet. Box s/NYCB)

Royal Ballet

A gala performance by the Royal Ballet. First performance ... of Rudolf Nureyev's production of The Nutcracker. Ballet in two acts after the story 'Nussknacker und Mausekönig' by E.T.A. Hoffmann. Music by Piotr Ilich Tchaikovsky. Choreography and production by Rudol Nureyev. (The Prince's Variation in Act II by Vassily Vainonen). Scenery and costumes by Nicholas Georgiadis. Lighting by William Bundy . London, Gala Performance Committee of the Royal Ballet Benevolent Fund, 1968. 40 p. Illus. (Souvenir programmes: Royal Ballet. Box s/RB)

Royal Danish Ballet

Royal Danish Ballet ... [at] the Royal Opera House, Covent Garden ... April 29, May 1 and 2 1968. Copenhagen, Press and Information Department of the Royal Danish Ministry of Foreign Affairs, 1968. [16] p. Illus. [Contains articles entitrled 'Fleming Flindt', by Svend Erichsen, 'The next generation', by Erik Aschengreen, 'August Bournonville, a non-Danish view, by A.V. Coton, and 'Ballet in Denmark, Danish and international', by Svend Kragh-Jacobsen]. (Souvenir programmes: Royal Danish Ballet. Box s/RDB)

Royal Winnipeg Ballet

S. Hurok presents the Royal Winnipeg Ballet. Arnold Spohr, director. Winnipeg, Lithographed by Spartan Printing Ltd., 1965. [40] p. Illus. [Contains article by Walter Terry entitled "A Stubborn Man in 'An odd Age'", reprinted from New York Herald Tribune, 1 August, 1965]. (Souvenir programmes:Royal Winnipeg Ballet. Box s/RWB)

Western Theatre Ballet

Western Theatre Ballet. London, Western Theatre Ballet, 1965?. [20] p. Illus. [Contains article about the Western Theatre Ballet by Clive Barnes]. (Souvenir programmes: Western Theatre Ballet. Box s/WTB)

Books and Periodicals

75 Baletnix libretto. 1960. [792.80947 BAL]

Alford, Violet. Sword dance and drama. 1962. [793.35 ALF]

Amberg, George. Ballet in America. 1949. [792.80973 AMB]

Ambrose, Kay. The ballet-lover's companion. 1949. [792.8 AMB]

Ambrose, Kay. Classical dances and costumes of India. 1950. [793.320954 AMB]

Arbeau, Thoinot. Orchesography. 1967. [793.32 ARB]

Arbeau, Thoinot. Orchesography. 1925. [793.3 ARB]

Armstrong, Lucile. Dances of Spain. Vol. 2. North-East and East. 1950. [793.30946 ARM]

Bakhruskin, Y. Istori Russkova Baleta. 1965. [792.80947 BAK]

Balet Gasndarstrennovo Ordena Lenina Akademicheskovo Bolshovo Teatra U.S.S.R. 1955. [792.8 BAL]]

Balet Gosudarstvennogo Ordena Lenina Akademicheskogo Bolshogo Teatra, SSSR. 1955. [792.80947 BAL]

Ballett in Deutschland. 2. Folge. 1957. [792.80943 BAL]

Barnes, Clive. Ballet here and now. 1961. [792.808 BAR]

Barnes, Clive. Ballet in Britain since the war. 1953. [792.80942 BAR]

Baskervill, Charles Read. The Elizabethan jig and related song drama. 1929. [823.24 BAS]

Baskervill, Charles Read. The Elizabethan jig and related song drama. 1929. [VWSO Bas]

Beaumont, Cyril. Ballets of today. 1954. [792.8 BEA]

Beaumont, Cyril. Ballets, past & present. 1955. [792.8 BEA]

Beaumont, Cyril W. The ballet called Swan Lake. 1952. [792.84 BEA]

Beaumont, Cyril W. Complete book of ballets. 1937. [792.809 BEA]

Beaumont, Cyril W. Design for the ballet. [1937. [792.8025 BEA Quarto

Beaumont, Cyril W. The Diaghilev ballet in London. 1940. [792.8025 BEA Quarto and 792.809421 BEA]

Beaumont, Cyril W. Five centuries of ballet design. [1940?. [792.8025 BEA Quarto]

Beaumont, Cyril W. Five centuries of ballet design. [19--. [792.8025 Bea Quarto]

Catalogue of costumes and curtains from Diaghilev and de Basil Ballets. 1968. [792.82 DIA/C]

Catalogue principally of Diaghilev Ballet material. 1967. [792.82 DIA/C]

Catalogue principally of Diaghilev Ballet material. 1968. [792.82 DIA/C]

Choreology. [1955?]. [793.32 CHO Folio pamphlet]

Christout, Marie-Francoise. Le ballet de cour de Louis XIV,1643-1672. 1967. [792.80944 CHR]

Chronicles of the American dance. 1948. [793.32 CHR]

Chujoy, Anatole. The New York City Ballet. 1953. [792.809747 CHU]

Chujoy, Anatole. The symphonic ballet. 1937. [VWSO Chu]

Clark, James M. The dance of death. 1950. [709.024 CLA]

Clarke, Mary. Dancers of Mercury. 1962. [792.80942 CLA]

Clarke, Mary. The Sadler's Wells Ballet. 1955. [792.80942 CLA]

Coast, John. Dancing out of Bali. 1954. [793.3195986 COA]

Cohen, Selma Jeanne. A prolegomenon to an aesthetics of dance. 1962. [793.301 COH Pamphlet]

Cohen, Selma Jeanne. Some theories of dance in contemporary society. 1950?. [793.32 COH Pamphlet]

Coton, A. V. A prejudice for ballet. 1938. [792.8 COT]

Craske, Margaret. The theory and practice of Allegro in classical ballet. 1930. [792.82 CRA] Crosfield, Domini. Dances of Greece. 3rd ed. 1957. [793.319495 CRO]

Cullberg, Birgit. Balletten Och VI. 1952. [792.809486 CUL]

Dance. 1941. [793.3028 DAN]

The dance encyclopedia. Rev. and enl. ed. 1967. [792.803 DAN]

Dancers and critics. 1950. [792.80922 DAN]

Dances of France. Vol. 3. Pyrenees. 1952. [793.30944 DAN]

Dances of France. Provence and Alsace. 1951. [793.30944 DAN]

Dancing. 1895. [793.3 DAN]

Dans theater. [19--. [792.809492 DAN]

De Mille, Agnes. And promenade home. 1959. [793.30924 DEM]

De Mille, Agnes. To a young dancer. 1963. [793.3 DEM]

Dean, Beth. Dust for the dancers. 1955. [793.30994 DEA]

The Decca book of ballet. 1958. [792.803 DEC]

Denby, Edwin. Dancers, buildings and people in the streets. 1965. [792.8 DEN]

Denby, Edwin. Looking at the dance. 1943. [793.3 DEN]

Derra de Moroda, Friderica. Choregraphie. [1967?. [793.32 DER Pamphlet]

Desti, Mary. Isadora Duncan's end. 1929. [793.32092 DUN/D]

Dictionnaire du ballet moderne. 1957. [792.803 DIC]

Dolin, Anton Pas de deux. 1949. [792.82 DOL]

Dolmetsch, Mabel. Dances of England and France, from 1450 to 1600. 1949. [793.31942 DOL]

Dolmetsch, Mabel. Dances of England and France, from 1450 to 1600. 2nd ed. 1959. [793.31942 DOL]

Dolmetsch, Mabel. Dances of Spain and Italy, from 1400 to 1600. 1954. [793.31946 DOL]

Ellis, Havelock. The dance of life. 2nd ed. 1926. [190 ELL]

Eshkol, Noa. Movement notation. 1958. [793.32 ESH]

Evans, Edwin. Stravinsky: The Fire-bird and Petrushka. 1933. [VV9 Strav,B]

Fiske, Roger. Ballet music. 1958. [792.84 FIS and VWSO Fis]

Fleet, J. F. Traditional dancing in Scotland. 1964. [793.31941 FLE]

Fletcher, Ifan Kyrle. Bibliographical descriptions of forty rare books relating to the art of dancing in the collection of P. J. S. Richardson. 1954. [793.3016 FLE Pamphlet]

Footnotes to the ballet. 1936. [792.8 FOO]

Franks, A. H. Ballet for film and television. [792.8 FRA]

Franks, A. H. Twentieth century ballet. 1954. [792.809 FRA]

Franks, A. H. Social dance. 1963. [793.319 FRA]

Gautier, Theophile. The romantic ballet as seen by Theophile Gautier. Rev. ed. 1947. [792.8094436 GAU]

Grant, Gail. The technical manual and dictionary of classical ballet. 1950. [792.803 GRA]

Gregory, John. Diaghilev's oversight. 1954. [793.301 GRE Pamphlet]

Gregory, John. Light on a system of classical dance. [1950?. [792.80947 GRE Pamphlet]

Grey, Beryl. Red curtain up. 1958. [792.80947 GRE]

Guest, Ivor. The ballet of the Second Empire, 1847-1858. 1955. [792.80944 GUE]

Guest, Ivor. The ballet of the Second Empire, 1858-1870. 1953. [792.80944 GUE]

Guest, Ivor. The dancer's heritage. 1962. [792.809 GUE]

Guest, Ivor. The Empire ballet. 1962. [792.80944 GUE]

Guest, Ivor. A gallery of romantic ballet. 1965. [792.8016 GUE]

Guest, Ivor. The romantic ballet in England. 1954. [792.80942 GUE]

Guest, Ivor. The romantic ballet in Paris. 1966. [792.8094436 GUE]

Hall, Fernau. Ballet. 1947. [792.8 HAL]

Hardie, Andrew. Ballet exercises for athletes. [1960?]. [792.82 HAR Pamphlet]

Haskell, Arnold L. Ballet. 1938. [ 792.8 HAS]

Haskell, Arnold L. Ballet. Rev. ed. 1945. [792.8 HAS]

Haskell, Arnold L. Ballet panorama. 1938. [792.809 HAS]

Haskell, Arnold L. Balletomania. 1934. [792.809 HAS]

Haskell, Arnold L. The National Ballet. 1943. [792.80942 HAS]

Haskell, Arnold L. Prelude to ballet. 1936. [792.8 HAS]

Haskell, Arnold L. The Russian genius in ballet. 1963. [792.80947 HAS]

Heikel, Yngvar. Dances of Finland. 1948. [793.319471 HEI]

Heppenstall, Rayner. Apology for dancing. 1936. [793.3 HEP]

Horst, Louis. Pre-classic dance forms. 1940. [793.319024 HOR]

Hutchinson, Ann. Labanotation. 1954. [793.32 HUT]

Ivanovsky, I. P. Balnii tanet, XVI-XIX. 1948. [792.80947 IVA]

Jackson, Frank. They make tomorrow's ballet. 1953. [792.80922 JAC]

Jaques-Dalcroze, Emile. Rhythm, music & education. Revised ed. 1967. [VWK Jaq]

Karsavina, Tamara. Classical ballet. 1962. [792.82 KAR]

Keen, Raya. She shall have music. [19--?. [793.3 KEE]

Kersley, Leo. A dictionary of ballet terms. 2nd ed. enl. 1964. [792.803DIC]]

Kirstein, Lincoln. Ballet alphabet. 1933. [792.803 KIR]

Kirstein, Lincoln. Blast at ballet. 1938. [792.80973 KIR]

Kirstein, Lincoln. Dance. 1935. [793.32 KIR]

Kraagh-Jacobsen, Svend. Twenty solo dancers of the Royal Danish Ballet. 1965. [792.809489 KRA]

Kragh-Jacobsen, Svend. The Royal Danish Ballet. 1955. [792.809489 KRA]

Krasovskai, A. V. Russkii baletn'ri teatr .... 1958. [792.80947 KRA]

Kuni, Masami. The principles of educational dance. 1960. [793.31952 KUN]

Kuni, Masami. [Work on dance. 1955. [793.31952 KUN]

Laban, Rudolf. Principles of dance and movement notation. 1954. [793.32 LAB]

Laban, Rudolf. Principles of dance and movement notation. 1956. [793.32 LAB]

Langlois, E.-H. Essai historique, philosophique et pittoresque sur les Danses des morts. 1852. [709.024 LAN]

Lauze, F. de Apologie de la dance. 1952. [793.32 LAU]

Lawler, Lillian B. The dance in ancient Greece. 1964. [793.30938 LAW]

Lawson, Joan. Ballet in the U.S.S.R.. [1943?. [792.80947 LAW Pamphlet]

Lester, Susan. Dancers and their world. 1965. [793.3 LES]

Lieven, Peter. The birth of ballets-russes. 1936. [792.80947 LIE]

Palmer, Winthrop. Theatrical dancing in America. 1945. [793.32 PAL]

Petipa, Marius. Russian ballet master. 1958. [792.80924 PET]

Peto, Michael. The dancer's world. 1963. [792.8 PET Quarto

Pioneering ballet in Australia. [19--. [792.80994 PIO Quarto

Playford, John. Playford's English dancing master. 1957. [793.3072 PLA]

Porter, Evelyn. Music through the dance. 1937. [VWJY Por]

Preston-Dunlop, Valerie. Readers in kinetography Laban. Series A, book 1. Stepping. 1966. [793.32 PRE Folio pamphlet]

Preston-Dunlop, Valerie Readers in kinetography Laban. Series A, book 3. Jumping. 1966. [793.32 PRE Folio pamphlet]

Preston-Dunlop, Valerie. Readers in kinetography Laban. Series B Book 1. Motif writing for dance Introducing the symbols. 1967. [973.32 PRE Folio pamphlet]

Preston-Dunlop, Valerie. Readers in kinetography Laban. Series B Book 2. Motif writing for dance More about the symbols. 1967. [793.32 PRE Folio pamphlet]

Preston-Dunlop, Valerie. Readers in kinetography Laban. Series B Book 3. Motif writing for dance Moving with a partner. 1967. [793.32 PRE Folio pamphlet]

Preston-Dunlop, Valerie. Readers in kinetography Laban. Series B Book 4. Motif writing for dance Effort graphs. 1967. [793.32 PRE Folio pamphlet]

Propert, W. A. The Russian ballet, 1921-1929. 1931. [792.80947 PRO]

Rameau, Jean-Philippe. The dancing master. 1931. [793.319033 RAM]

Reyna, Ferdinando. A concise history of ballet. 1965. [792.809 REY]

Robert, Grace. The Borzoi book of ballets. 1947. [792.84 ROB]

Roslavleva, Natalia. Angliskii balet. 1959. [792.8 ROS

Roslavleva, Natalia. The Beryozka State Dance Company. 1960. [792.8094731 ROS]

Roslavleva, Natalia. Era of the Russian ballet. 1966. [792.80947 ROS]

Royal Ballet. Ballet; the Royal Ballet, formerly the Sadler's Wells Ballet: new productions, 23 August 1954 - 1 January 1957. [1957]. [VYD Roy]

Royal Ballet. Ballet 13; a record of new ballet productions at the Royal Opera House from 26 March1957 to 4 April 1961. [1961]. [F VYD Roy]

Royal Ballet. Ballet; a record of the ballet productions at the Royal Opera House, Covent Garden from September 1961 to May 1964. [1964]. [F VYD Roy]

Royal Opera House. Ballet; the Sadler's Wells Ballet, 3 September - 23 August 1954. [1954]. [792.80942 ROY Quarto]

Royal Opera House. Ballet; (the Sadler's Wells Ballet, 1931-1956). [1956]. [792.80942 ROY Quarto]

Royal Opera House. Ballet; the Royal Ballet, formerly the Sadler's Wells Ballet: new productions, 23 August 1954 - 1 January 1957. 1957. [792.80942 ROY Quarto]

Royal Opera House. Ballet 13; a record of new ballet productions at the Royal Opera House from 26 March1957 to 4 April 1961. [1961]. [792.80942 ROY Quarto]

Royal Opera House. Ballet; a record of the ballet productions at the Royal Opera House, Covent Garden from September 1961 to May 1964. [1964]. [792.80942 ROY Quarto]

Sadler's Wells Royal Ballet Ballet 1947-1948. [1948]. [792.80942 SAD Folio pamphlet]

Sadler's Wells Royal Ballet Ballet 1948-1949. [1949]. [792.80942 SAD Folio pamphlet]

Sadler's Wells Royal Ballet Ballet 1949-1950. [1950]. [792.80942 SAD Folio pamphlet]

Sadler's Wells Royal Ballet Ballet 1950-1952. [1952]. [792.80942 SAD Folio pamphlet]

Sadler's Wells Royal Ballet. Ballet; 3 September 1952 - 23 August 1954. [1954]. [F VYD Sad]

Sadler's Wells Royal Ballet. Ballet; (the Sadler's Wells Ballet, 1931-1956). [1956]. [VYD Sad]

Schwezoff, Igor. Borzoi. 1935. [792.80924 SCH]

Searle, Humphrey. Ballet music. 1958. [VWSO Sea]

Sechan, Louis. La danse grecque antike. 1930. [793.31938 SEC]

Selden, Elizabeth. Elements of the free dance. 1930. [793.32 SEL]

Shawn, Ted. Dance we must. 1946. [793.3 SHA]

Singha, Rina. Indian dances. 1967. [793.31954 SIN]

Sizova, M. Istoria odnoi Devochki. 1959. [792.80947 SIZ

Slonimsky, Yuri. The Bolshoi Ballet. 2nd ed. rev. and enlarged. 1963. [792.80947 SLO Quarto]

Slonimsky, Yuri. Didlo. 1958. [793.31947 SLO]

Smith, William C. The Italian opera and contemporary ballet in London, 1789-1820. 1955. [VWSO Smi]

Society for International Folk Dancing A selection of European folk dances. [1956?. [793.3194 SOC Pamphlet]

Soviet dances. 1964. [793.31947 SOV]

Sparger, Celia. Anatomy and ballet. 3rd ed. 1960. [792.8072 SPA]

Sparger, Celia. Ballet physique. 1958 1958. [792.82 SPR]

Speed, John F. Background to a ballet. [19--. [792.80942 SPE Pamphlet]

Spence, Lewis. Myth and ritual in dance, game, and rhyme. 1947. [301.531 SPE]

Spessivtzeva, Olga. Technique for the ballet artiste. 1967. [792.82 SPE

Stokes, Adrian. Russian ballets. 1935. [792.80947 STO]

Stravinsky and the dance. 1962. [VV9 Strav,B]

Swinson, Cyril. The Royal Ballet today. 1958. [792.80942 SWI]

Terry, Ellen. The Russian ballet. 1913. [792.80947 TER Quarto]

Ulanova, Galina. On soviet ballet. 1954. [792.80947 ULA Pamphlet]

Umemoto, Rikuhei. Some classic dances of Japan. 1934. [793.31952 UME]

Vaganova, Agrippina. Fundamentals of the classic dance. 1946. [793.32 VAG]

Valois, Ninette de. Invitation to the ballet. 1937. [792.80942 VAL]

Venkatachalam, G. Dance in India. 1947. [793.31954 VEN]

Victoria and Albert Museum. Ballet designs and illustrations, 1581-1940. 1967. [792.8025 VIC Quarto]

Walker, Kathrine Sorley. Brief for ballet. 1947. [792.8 WAL]

Wilson, G. B. L. A dictionary of ballet. 1957. [792.803 DIC]

Winearls, Jane. Modern dance. 1958. [793.32 WIN]

Winkler-Betzendahl, Madeline. Ballet in Stuttgart. 1964. [792.80943 WIN Quarto]

Wolska, Helen. Dances of Poland. 1952. [793.319438 WOL]

Wood, Melusine More historical dances. 1956. [793.319 WOO]

Wood, Melusine. Some historical dances, twelfth to nineteenth century. 1952. [793.319 WOO]

Zakharov, Postislav. Iskusstvo baletmeistera. 1954. [792.80947 ZAK]

Zeglovsky, Valentin. Valentin Zeglovsky's ballet crusade. 1943. [792.80947 ZEG]

Zoete, Beryl de. Dance and drama in Bali. 1938. [793.3195986 DEZ Quarto]

Zoete, Beryl de. The other mind. 1953. [793.30954 ZOE]

Zoete, Beryl de. The strawberry underneath the nettle. [1953?]. [792.80942 DEZ Pamphlet]

Zoete, Beryl de. The thunder and the freshness. 1963.. [792.3 ZOE]

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Contents

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last updated – 31 January 2011

E-mail enquiries: archives@rhul.ac.uk